Les soeurs Brontë

In a small presbytery in Yorkshire, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.

In a small presbytery in Yorkshire, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations

Les soeurs Brontë is a movies torrent of Pascal Bonitzer (scenario and dialogue), André Téchiné (scenario and dialogue), Jean Gruault (participation). This movie was introduced in 1979. You can check list actors in this movie torrents, for example Isabelle Adjani, Marie-France Pisier, Isabelle Huppert, Pascal Greggory, Patrick Magee, Hélène Surgère, Roland Bertin, Alice Sapritch, Xavier Depraz, Adrian Brine, Julian Curry, Renee Goddard, Jean Sorel, Katherine Apanovitch, Pierre Baillot. Movie' genres are Drama. The rating is 6.7 in www.imdb.com. This is really a good movie to watch. Enjoy this movies torrent and share to your friends . You can read more in Google, Youtube, Wiki

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Les soeurs Brontë 1979 torrent

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Links Name Quality Seeders Leechers Size
Download   Les soeurs Brontë (The Bronte Sisters) [1979 PAL D Other 30 42 4 GB
Download   The.Bronte.Sisters.1979.720p.BluRay.x264-CiNEFiLE [PublicHD] BRRip 27 39 4 GB

Users reviews

Antonio T (nl)

*SPOILER* La escena en la que muere Washizu es maravillosa. Igual, como acostumbra Kurosawa, es tecnicamente casi "flawless" y la adaptacin de la obra de Shakespeare a Japn resulta muy fluida. Como acostumbra Kurosawa, tiene un ritmo glacial, escenas de mucho silencio en las cuales, si no ests muy activo que digamos, te pondrn a dormir enseguida

Chloe M (nl)

this looks great cant wait 2 see it

Christian P (ru)

This is the second spanish movie I saw and I really was overwhelmed coz of its perfect story structure and the well written dialog and because of its message: SMOKING KILLS

David N (de)

h at best. . . saw it

Greg N (au)

It is all lies. Seriously Jane is so creepy and I refuse to believe the moral of this movie that it sucks to be Alain Delon. Outside of that issue they both do good jobs here. He's Alain Delon. He can't help it. So much so that my mom decided Alain Delon was prettier than her in this. Jane Fonda is so creepy in this and She has this weird dried out face in it from all the diet pills

Jesse O (br)

Could've been much, much, much worse, but a terrible last act keeps it from being decent. It's pretty much all downhill from there. I thought this film was fairly decent until the reveal of Dale's abilities. It made me laugh at least. I'm pretty sure that it wasn't meant to make you laugh, but that's what it did. It's not really necessary and it makes the movie worse because you just end up laughing at it all. But it's this necessity to have a twist that just kills me. I can deal with that, I'm a big boy, I can make my own conclusions. But it raises more questions than it does answers and they're simply not gonna supply you with answers. Again, it comes across as clever at first glance. Is being one step ahead of the audience REALLY that important? Do you want to lord your "superiority" as a storyteller over the audience? Is THAT really that important to you? More important than actually telling a coherent story? Basically the twist comes in the fact that after Sarah kills Dale, everyone he ever killed and brought back to life dies for good, including Sarah and Josh. What you fail to realize is that you're actually hurting your own movie, in the long run. You're just doing a twist just because you think you're cleverer than the audience, just to be one step ahead of them. Night Shyamalan movie then you simply won't understand. If you haven't seen an M. These twists are the fucking worst. And secondly, it just feels like it's a twist for the sake of one and not because it actually makes any sort of sense. It makes the movie worse for one. At first glance it actually comes across as a clever twist, but upon further inspection it's actually a pretty laughable one. And don't even get me started on the twist. Once you find out what IS happening, it feels a little cheap to be honest. There's just more suspense involved as to what is going on. Personally, I thought the whole movie worked much better until the reveal of Dale's abilities. When these people come back to, they think that what happened was them just blacking out or having night terrors, Sarah's case. I'm pretty much gonna spoil everything, so skip ahead if you don't want this ruined, Dale kills people before bringing them back to life. So I can see how someone might be creeped out by that. This isn't exactly what Dale does, but there's parts of it here and there. It's something that could conceivably happen, not Dale's abilities, but just the idea that a stranger could come into your house and watch you sleep or do anything else without you ever finding out that they're there. While the movie has a supernatural twist, in that Dale can revive people simply by breathing into them, I think there's something about what he does that might disturb some people watching. Nothing outstandingly tense or creepy, but decent enough. I know the rating would suggest otherwise, but the acting was decent and it had some tense moments. Not nearly as bad a movie as one would reasonably expect from a low-budget horror movie. Let's move on to this movie. But I'll review that film once I'm finished with it. I grew up on the first two Terminator movies, so I'm glad to be watching it again. It was the first time I saw Arnold Schwarznegger movies back to back in goodness knows how long. I had actually started watching Terminator 2 before this, but I couldn't finish it due to Netflix being an absolute cock. This wasn't supposed to be the next review

Luca V (de)

Why in the world is the audience "supposed" to sympathize with and accept this abhorrent, barbaric group of little spoiled brats who serve no admirable purpose whatsoever? This family-flop of a movie is just as embarrassing as Steve Martin's plummeting acting career. Ridiculously boring, unfunny and obnoxious

Marcus W (kr)

Keeps lurching uncomfortably between slapstick and serious

Martin B (jp)

A Bette Davis classic

Matt H (es)

Some very cynical views hidden under the wisecracks, reminds me a little of Billy Wilder or Preston Sturges (but not as good). Ginger Rogers is a lot of fun, like usual. Some interesting commentary behind all of the ridicuousness. Lots of one-liners; some hit while others miss. Decent satire of then current media circuses