Lethal Weapon 2

Lethal Weapon 2

In the opening chase, Martin Riggs and Roger Murtaugh stumble across a trunk full of Krugerrands. They follow the trail to a South African diplomat who's using his immunity to conceal a smuggling operation. When he plants a bomb under Murtaugh's toilet, the action explodes!

When a red BMW crashes while Riggs and Murtaugh are chasing it, they discover the trunk is full of South African Krugerands. Their boss assigns them to protect a federal witness named Leo Getz to try and keep them out of trouble. When the witness reveals he has been doing business with South Africans, the story evolves into a fast moving chase. . You can read more in Google, Youtube, Wiki


Lethal Weapon 2 torrent reviews

Antonio M (jp) wrote: It has good choice of songs

Raji K (fr) wrote: Leigh comes to realize that she hates her big city life and starts going through a crisis that I feel most of us go through on the verge of 30. She decides to return home and get her own job as a lifeguard in an attempt to escape from her problems, relive her past and simply start over. This she comes to realize does not solve her problems, but bring upon more to the point she realize she is regressing spiraling further away from reality. I enjoyed Bell and this movie and find it hits closer to home for those who have lived in small cities and have to tried to escape them with bigger cities in an attempt to simply call that a success when there are many more elements at stake.

Laetitia B (nl) wrote: Je ne suis pas sre que les femmes enceintes doivent aller voir ce film. Par contre, pour les couples qui n'ont pas encore d'enfant, pourquoi pas. En bonus: "The blood is love" des QOTSA est dans la BO.

April W (gb) wrote: Could have really tackled the issues but didn't

Helio A (nl) wrote: Soy fan de Francis F. Coppola y me encantan sus peliculas. Youth without youth comenzo con una historia que generaba intriga y prometedora. El tema de la juventud, de los estudios, del amor, parecia ser excelente pero... tuvo que complicarla demasiado. Tal vez, concentrar la pelicula en menos aspectos, pudo haber sido mas efectivo. Inclusive, tiene ciertas imagenes, ciertos dialogos muy bien pensados que captan la atencion del espectador y la espectadora. Sin embargo, llega la mitad de la pelicula y todo se confunde, pierde el hilo y sin posibilidad de rescate. LA vi dos veces y la segunda vez estuve mas confundido que la primera. Pero este tipo de confusion, no es de la que alegra porque es una buena pelicula que logra abordar los temas, sino de una pelicula no muy buena que deja cosas en el aire y no se entiende como salen los temas. Asi que, cuando alguien mas inteligente que yo la vea y me la explique, podre entenderla y tal vez cambie su puntuacion. Mientras tanto, a menos que desees romperte la cabeza, no te la recomiendo.

Luca D (br) wrote: Con profondo rammarico a questo film non do il massimo dei voti, ma e' un film da tenere nel cassetto a portata di mano perche' e' un capolavoro, che se lo avesse girato Tarantino saremmo qua a urlare al capolavoro: infatti lo e'! Lo stile e' un misto tra zombie-movie e comico, uno stile che mi ricorda molto Sam Raimi (quello di Army of Darkness per citarne un film).

Janis S (fr) wrote: hahaha---if your a child in the 1990s. awesome. if not, wow its blah

Jeff W (ru) wrote: Totally wasn't expecting what this film was when I went into it. It starts out like a "Now And Then" type of film but quickly turns really dark. A few plot holes and an unresolved ending make this worse than it should be.

Neil K (br) wrote: It's always painful to watch this movie. As a long-standing Star Trek fan I am obliged by law to watch all star trek material periodically :-) I hate watching this one - and primarily because of the soundtrack. It is obnoxious beyond belief. How this score ever was approved just boggles the imagination. It is bombastic and just plain rude, but mostly it is irritating as all get out. And secondly, the sequences are often too long. All in all, this movie just plain sucks - I can;t whitewash it.

Joanna B (nl) wrote: Once again utilizing the tried and tested mistaken identity device, Director Shawn Levy's (Night At The Museum, The Pink Panther, Just Married) new offering, Date Night, is an action/comedy that marries the razor sharp improvisational talents of Tina Fey (30 Rock) and Steve Carell (The Office)with the highly relatable middle-American anxieties of married life. Overreaching on suspense, comedy and believable characterization whilst attempting to maintain its US PG rating, like most date night's it falls a little short of expectations. For mild-mannered suburban spouses Claire and Phil Foster (Fey and Carell) life's daily grind has seen a dramatic downturn in hot and heavy bedroom activity. The conscientious couple is so bogged down by the humdrum of everyday responsibilities; children, work and book clubs, even their token weekly date night has become a stale routine of dinner at the usual bistro, a movie and then (if Phil's lucky) some questionably boring sex.Receiving the news that their seemingly solid best-married-friends will be splitting due to a lack of "spark", The Fosters become desperate to reignite the flames of passion and ditch their usual date night in New Jersey for an impromptu, no-reservation visit to a swanky new Manhattan restaurant, Claw. Brutally snubbed by the arrogant maitre d', The Fosters are left to hang out at the bar hoping for an illusive table and when a waitress continually calls out for no-shows, the Tripplehorns, Phil acts on impulse and nabs the booking. "Yes, we are the Tripplehorns" Their deception however leads to a classic case of mistake identity. Their romantic dinner morphs into a dangerous adventure as they become caught in the middle of large scale bribery. The frantic Fosters become a tear way target for gangsters, mafia boss and crooked cops alike, all hell bent on retrieving a"little computer chippy thingy"; a USB key containing valuable secrets.Attempting to improvise their way out of the troubled night-on-the-town, Claire seeks help from an easily remembered one time real estate client, millionaire playboy and resourceful high-tech security consultant, Holbrook (Mark Wahlberg, looking very Boogie nights). Holbrook skillfully tracks down the real Tripplehorns; a heavily tattooed young couple, Taste and Whippit (James Franco and Mila Kunis). However, The Fosters get nothing useful from the reengaged couple and are no closer to returning to the safety of their quiet lives. The Fosters finally embrace their precarious situation by going the offensive and inadvertently rekindle their fire.The hilarious concoction of boating escapades in Central Park, police car pile-up's, and a spectacularly awkward sex robot striptease routine benefit greatly from Aussie Dean Semler's camerawork, however, the eye-popping action scenes fall under the dark cloud of the comedies free-fall.John Klausner's script is sadly the films weakest link. The risqu jokes, muted gunplay and schmaltzy predictable ending does little justice for the first time comedic teaming of Fey and Carell, who although are a required taste, definitely deserved better in the lines department.The Verdict: If you're from the burbs and a series of misadventures descending into chaos on the island that never sleeps sounds like fun, live life on the wild side and go out on a Date Night. Published: The Queanbeyan AgeDate of Publication: 16/04/2010