Lola, la película

Movie about the life Lola Flores, the most famous Spanish flamenco singer of all times.

The rise to stardom of Lola Flores, one of Spain's most prestigious Flamenco singers and dancers, who died in 1995

Lola, la película is the best excited movies torrent of Xesc Barceló (story), Miguel Hermoso (story), Antonio Onetti (story), Antonio Onetti, Juan Carlos Rubio. The released year of this movie is 2007. You can check list actors in this movie torrents, for example Gala Évora, José Luis García Pérez, Carlos Hipólito, Alfonso Begara, Antonio Morales, David Arnaiz, José Manuel Cervino, Ana Fernández, Kiti Mánver, Cristina Barrull, Macarena Ramírez, Mercedes Hoyos, Ramon Villegas, Àlex Adrover, Silvia Espigado. There are many categories, such as Biography. This movie was rated by 5.5 in www.imdb.com. We have a good movie torrents. Enjoy this movies torrent and share to your friends

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Download   Lola.La.Pelicula.[DVDRip.XViD][MP3.Spanish] DVDRip 45 34 701.67 MB
Download   Lola. La pelicula Other 32 27 699.26 MB
Download   Lola, la pelicula Other 49 44 699.26 MB

Users reviews

Andrey B (gb)

Note the legendary Vincent Price as Edward's creator. Johnny Depp gives one of his eccentric performances as Edward who falls in love with beautiful Winona Ryder. Very charming and delightful tale with easily recognizable Tim Burton themes and production design

Andy S (kr)

ight scenes choreographed by Strictly come dancing, all in all a bit of a flop. . . This film starts out well but the end sequence really lets it down, the wooden movement, hollywood magazines, death of a friend. PANTS

Ben C (it)

1408 is a genuinely terrifying film boasted by the claustrophobic performance by John Cusack

Bruce B (ru)

2 Stars. 4 1. This is Art house stuff try it, I will warn you it takes a little to get used to but when you do your hooked to these movies. Its in Black & White and the Language is Chinese with English Subtitles. By the title you can guess the ending. In this movie a Paper Merchant who is married with children falls in love with a courtesan (Whore), and must choose between the two. if your idea of a good movie is Spiderman, Harry Potter or Ghostbusters, then the Criterion Collection IS NOT FOR YOU. If you don't know what the Criterion Collection is you need to do a Google Search on it and check out about 400 of the best films you will see in the lifetime. From The Criterion Collection Spine Number 104

Cameron J (gb)

5 - Fair. 2. At the end of the runway, a formulaic path disjointedly alternates between aimless dragging and dehumanizing undercooking, while directorial cold spells reinforce that blandness that secures the final product as underwhelming, but on the backs of captivating scoring, art direction and cinematography, and endearing highlights in writing, direction and acting, Jalil Lespert's "Yves Saint Laurent" stands as a generally tasteful, if disappointing study on the genius and flaws of one of modern fashion's most important figures. Niney's material isn't consistent, but his performance is consistently engaging, more so than the film itself, which is still graced with enough style and narrative highlights to endear and sometimes resonate, in spite of all of the coldness. Lespert certainly knows what he's doing with this talented cast, as most everyone does his or her part respectably, with Pierre Niney being particularly impressive in his emotional portrayal of Yves Saint Laurent's transformation from a humble young visionary to a flawed, overambitious and somewhat bitter power in the fashion industry. The writing team of Jacques Fieschi, Jalil Lespert, Jrmie Guez and Marie-Pierre Huster, despite having power in numbers, cannot seem to get it together, being formulaic, undercooked, overdrawn and all around disjointed, but nonetheless biting in its wit, and audacious in its approaching so many layers to mishandle, so even problematic writing establishes some potential for Lespert's directorial storytelling to do some justice, through a very French thoughtfulness that is often bland, and just as often tasteful, enough so to engage through and through on the whole. Well, maybe the story approached by this film isn't especially unique material for a biopic, despite of that refreshing fashion angle, although that does not justify the formulaic, or uneven interpretation, as this classic story on a bumpy rise in an artistic industry that will put one's personal life through a series of harsh tests is an intriguing one, which isn't exactly done a complete injustice. We are talking about a film that talks about French fashion here, so it should come as no surprise that if nothing else stands out, it is style, of a musical and visual nature, to the point of holding your attention on an aesthetic level, while your dramatic investment is adequately sustained even by the concept of the film. Art direction is, at least seemingly, more important in bringing life to this portrait on a man of style, and although Aline Bonetto's production designs are too subtle to be especially flashy, that subtlety is what makes it so impressive, as it reflects a delicacy which ultimately immerses, while a lack of flash to art direction goes compensated for by cinematography by Thomas Hardmeier which is absolutely gorgeous in its unexpected and unique emphasis on darker coloration, which, upon clashing with radiant lighting, proves to be breathtaking. If nothing else, this film is a pretty solid showcase of, of all things, Ibrahim Maalouf's skill and diversity as a composer, alternating between, if not uniquely combining realized and convincingly old-fashioned jazz styles that capture the color of the setting and era, and a tenderly French classical flavor that is consistently haunting in its individual beauty and in its impact on the feel of the film. Much potential is lost, but never completely, because as flat as this film is in a lot of ways, it has its share of highlights, with style being the most satisfying aspect. This is a rather dull drama in feel, and the limpness is secured in all of the formulaic and uneven structuring which render the final product somewhat forgettable. The film is kind of lacking in a sense of humanity, something that it needs in order to compensate for a lack of flare to substance, because even though musical and visual style is about as captivating as the late, great alternative artistic this film focuses on would hope it to be, Jalil Lespert's direction hits its share of cold spells throughout the final product, which ranges from bland to boring more often than it should. The disjointed structure of this drama leaves the film to jar about when it struggles to juggle the titular Yves Saint Laurent's struggle in the fashion industry and struggles in his personal life, resulting in a convolution of a sense of urgency which mixes with all of those aforementioned limitations in exposition in order to result in a lapse in resonance. I will go so far as to say that the narrative is just plain disjointed, and this sort of uneven structure thrives on uneven pacing, for if you're surprised to hear me boast that dragging is a major issue in a film that has only 105 minutes to handle potentially extensive subject matter, you might not be surprised to hear that when the film doesn't tell you too much, it doesn't say much at all, thinning exposition and failing to flesh out each layer of this conceptually rich drama. There are times in which the film seriously drags its feet, in that it either plants fat around the edges, or leaves material to meander, until the narrative collapses as rather aimless in its being so overdrawn, in spite of its path's being so predictable. The film just doesn't do much to freshen up the typical biopic formula, approaching unique subject matter so un-uniquely that predictability comes to kick in pretty firmly, no matter how much the film takes its time to come to an expected point. The film is quite decent, make no mistake, it's not as flashy as either Saint Laurent or Spider-Man, or even as a original as a film that would have the guts to combine those two aspects (Like Saint Laurent would be caught dead in Peter Parker's fashion design). Either way, someone sort of slam-banged this film, because it would appear that France has the same idea of dumping off the misfire dramas early in the year as us Americans. They did a mighty solid job of dorking up the also pretty Pierre Niney, but looking at how much he looks like Andrew Garfield, I couldn't help but wonder if this was Lespert trying to beat Bertrand Bonello to making a film about Saint Laurent, or the French trying to beat the Americans to making "The Amazing Spider-Man 2". what? Jokes aside, the French sure can be pretty, and I think we can partly blame Yves Saint Laurent's tastes for that, even though he himself wasn't especially pretty. . . and that chiseled jaw, and the, uh. . . and those eyes which stare for miles. . . Well, Lespert was wise enough to not show up on the screen and remove doubt of his being fruity, with those cheesy little full lips and that stylin' hair. by someone tribute to someone with that good ol' "French" passion for fashion. . . It's French gay, in the fashion industry, no less, and it doesn't get any more fabuleux than that! If Jalil Lespert is trying to dismiss any rumor that he's gay, then he's not helping himself by making this this, the long-awaited

Denny O (es)

A great literary work, both literary and cinematically. Bogart and Howard were at the top of their game. An adaptation worthy of all the praise it's Broadway predecessor received

Eytan D (gb)

Otherwise, this one's cheesy 80's fun. It tends to drag at times, so in that respect, the remake is better. A bit creepy, even claustrophobic, at times, "My Bloody Valentine" benefits from creative kills, a memorable and original villain and a likeable cast. It's best watching the original "My Bloody Valentine" in its entire uncut glory

Hosni G (kr)

Underrated brilliant film elevated by the great Tilda Swinton's subtle turn

Liesl E (ru)

Great casting. Charming, delightful and very much in the spirit of the source material

Lisa W (us)

I figured out the ending within 25 minutes