Then he finds out that he is not the only tough kid in Bangkok and gets mixed up with others like him and causes more trouble for everyone. He is also a bad influence on the brother. Once at his home he causes more trouble immediately. Once there he gets arrested and even though he hates his father, he has to rely on him to bail him out. His mother tells him to run away to Bangkok. One night he gets into a fight with him stabbing him in the stomach. He hates his stepfather. His father lives in Bangkok and has a much better life with another brother. He lives in the countryside with his mother and stepfather. Longchun is from a broken home

Long June is the best funny movie of N/A. This movie was introduced in 1996. We can counted many actors in this movies torrent, for example Kriangkrai Angkunchai, Sorapong Chatree, Somchai Kemglad, Karnjanaporn Plodpai, Suchao Pongwilai, Attaporn Teemakorn. The kind of movie are Drama. The rating is 10 in This is really a good movie to watch. Share with your friends and watch this movie together

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Links Name Quality Seeders Leechers Size
Download   Long June 1996 [Thai Movie] Other 33 36 968.75 MB

Users reviews

a a (fr)

Languages - English, Italien

Brian S (de)

ecommended !!. A classic science-fiction movie. It feels long, not much really happens for the first hour, but, for it's time, it's an impressive movie, with great special effects and an epic performance by the great Harrison Ford. I don't think I've ever seen a sci-fi movie quite like this one, it's got it's very own style, but it works well

dean h (ca)

. . its an ok kids movie

Indira S (mx)

fred astaire never failed to bring such a good movie :)

Jacob D (ru)

This movie was scary as hell, it's also disturbing to the point that you want to look away but definitely a must see

Jaime L (ru)

Definition of 80s cheese right here, I can understand why some people would enjoy this film but it the acting was too atrocious and the plot too nonsensical for me to like this thing

Kevin X (ca)

A perfect example and important pioneer in experimental cinema

Maria P (nl)

This film is a compelling rephrasing of Burtynsky's provocative body of work that challenges us to think beyond our daily experience and decide for ourselves what globalization truly means for us and our world. The reality of the situation for those that live it and the world that suffers for it is precisely the polar opposite of our exciting consumer experience they are suffering to create. It's not exciting, it's uncomfortable and real and sterile. The amazement the viewer feels is inevitably coupled with a touch of boredom at the calculated slowness of the film, yet your own boredom is like a meta-commentary on the very reasons why we probably didn't know these circumstances exist. This film isn't any sort of exciting thrill-ride; it's a slow, deliberate visual journey through the industrial underbelly of our consumerist culture that few in the western world would likely ever experience otherwise. This fact incriminates us further through the message that we cannot even be shocked out of our ignorant comfort without it being on our own terms. He knows that they will be best received in a depoliticized manner that empowers the viewer to come to their own conclusions. She shows us that Burtynsky's decision to keep the message of these images ambiguous is a result of his sensitivity to the very consumerist culture that created these conditions in the first place. Yet the documentarian is contextualizing the imagery and challenging us to consider our reactions to it. He is allowing the viewer to unravel their own opinion of these nearly unfathomable, eerily beautiful images and their underlying message. Baichwal includes commentary from Burtynsky and on-site footage that extract the fundamentally environmentalist views of the photographer, yet eventually highlights his decision to enhance a certain elegance in these scenes. This removes the humanity and all that we see is mechanized industry. A slow panning out to the image as a whole exposes hundreds just like them lined up at the same work, whose bodies become just parts of a working machine. The camera lingers there and we invest in them, the day to day that we understand and to which we're generally able to relate. The filmmaker however, brings focus to the human element by concentrating on a specific portion of each image - say, an individual at work. Burtynsky's images are impersonal and highlight the mechanical nature and magnitude of his subjects and their effects on our changing world. The film explores the work of photographer Edward Burtynsky, who presents the other side of globalization and consumerist culture - the industrial and production side - through pointed, yet somehow frequently beautiful imagery that just stares you directly in the eyes, asking you what you think of it. Then it hits you: the point is the absurdity of this situation - how unbelievable is this place?? And that amazement continues to unfold itself for the next stunning and nearly unfathomable hour and a half. Then after a couple of minutes they might consider how bored they're getting and maybe that the director wasn't too self-aware to drag this on for so long. At first, the viewer may just notice this factory's extensive ugliness and sterility. While setting the plodding tone for Manufactured Landscapes (2006), director Jennifer Baichwal allows the viewer to undergo a brief version of the same experiential process through which the film as a whole will take them. A six minute establishing shot that travels seemingly endlessly up the aisle of a gigantic factory is absolutely as excessive as it sounds

Nefie T (gb)

. . ultimate movie about cultural clash

Pansy P (br)

Monty Clift was really heartbreaking in this film, you can only imagine his inner personal torment during this period of his life but he still gives a beautiful, sensitive performance aided greatly by the beautiful Lee Remick & the much underrated Jo Van Fleet