Interconnected stories are told entirely through images captured on security cameras in storage rooms, police cars, parking lots, shopping malls and other locations. Store manager Tony has affairs with the women who work under him, high schooler Sherri schemes to seduce teacher Berry, a pedophile stalks his next victim at a mall food court and two thieves go on a killing spree that links to other tales witnessed by the unseen electronic eyes.

Americans are captured on surveillance cameras at least 170 times a day mostly without their knowledge. This produces millions of hours of footage revealing the nature of those hidden secrets. . You can read more in Google, Youtube, Wiki


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Matt C (es) wrote: I cannot get my head around the acclaim this film has received, I found it dull from beginning to end. Cute kids talks like those inspirational quotes Middle Age Mum's post on Facebook and Instagram whilst a nonsensical plot plays out. Really, really boring.

Brianna G (ag) wrote: this is a good movie

priya m (us) wrote: very good movie based on love and trust

Camilo d (ag) wrote: La mejor demostracin de que una pelcula romanticona no tiene que ser melososa y cebollenta. Buena.

William R (kr) wrote: An overly too long biop film that is saved by a career best performance from Robert Downey Jr.

Phil H (br) wrote: Ah that common phrase...loosely based on, yep this is loosely based on the Japanese manga series. I'm not overly sure how this compares to the original source material but from what I've read on wiki about the two there are differences in plot which isn't overly surprising. Not sure why Mark Hamill has top billing on the movies poster fused with the Guyver mask though. He isn't the Guyver and has a smallish role, using his name to sell the film methinks.In this movie it is said that aliens came to Earth at the beginning of time and created man as their ultimate organic weapon. They implanted a special gene into man that allowed them to change into super monsters called Zoanoids, although not every human it seems. The leader, the Zoalord, awakens from some sort deep sleep at some point in time (eh?) and creates the Chronos corporation with plans to take over the Earth for some reason. It also seems the aliens that created mankind and the Zoanoids left behind a piece of technology called 'the unit', a suit of armour that attaches itself to a host by literately implanting itself inside the hosts body. Once inside a human the suit gives the host a shit tonne of power, strength, speed etc...all the good stuff. So basically the bad guys in the movie are the Zoanoids from the dastardly Chronos corporation who want the unit (the Guyver suit). Of course the suit attaches itself to an innocent good looking young all American martial arts apprentice who then uses it to stop the Zoanoids from trying to gain complete control. If a Zoanoid uses the suit they become even more powerful than a regular human. Still unsure why these aliens didn't implant the special Zoanoid gene into every human including women, seeing as humans were their weapons experiment. The manga series does seem to be different of course with three Guyver suits on the loose, a different take on the origins and there is way more detail and info over the US movie.It does seem (to me) that the character of Spawn has possibly been influenced by this Japanese Guyver suit. The Guyver is a really cool creation, a symbiotic bio-mechanism that fuses with the host and lives inside its body like a parasite. The suit is nigh on invulnerable accept for the circular 'control metal' on the forehead of the suit/host. This seems to be the suits brain that gives it its power, it also stores information about its host (DNA data possibly) and it is the only weak spot. In the manga series the suit does a lot more and apparently alters the host both inside and out to improve it! Also apart from giving the host special super powers it also has built in weapons such as its chest cannon, elbow blades and the control metal can fire lasers too. These are seen in the movie but there is more in the manga series, the movie also shows what happens when the control metal is damaged badly. Basically the suit disintegrates and kills the host along with it, in the comic it is said the suit eats the host! But the control metal will respawn or regenerate the host from the stored data it holds (somehow), seemingly making the host invincible and unable to die. So my point is Spawn is almost a hellbound version of the Guyver to a degree, the concept of the living suit is very similar.This movie really gives you the impression its gonna be badass, it looks dark and broody, the suit looks excellent and there are plenty of big monster suits...what could be better?! Now when I first saw the monster (Zoanoid) suits I loved them, they look like your typical 80's rubber horror monster suits with a bloke inside. If you think of Gill-man in 'The Monster Squad' then you have an idea of what I mean. All the monsters have a certain look to them, one is kinda like a werewolf, one looks like a big Gremlin from the Joe Dante movie (shame about the cliched stereotypical personality it has), one has elephantine features, one looks like a bug etc...so the visual side of things is positive. The Guyver suit also looks great with a lot of detail, some brilliant LED-esque (were LED's available back then?) lit up eyes, nice suit colouring, steam coming out of the vent things on his mask, moving parts and most importantly it actually looks like the Japanese source material.The problems occur when the action kicks in, yes the Guyver looks awesome standing still in the shadows but oh dear...the disappointment. First up the action is generally very weak with no blood, no profanity and no violence really, all the martial arts you see is clearly fake stunt work. Secondly the action is martial arts!! why?! doesn't this suit have all manner of cool stuff it can do other than enable the host to perform decent martial arts! that's so 80's. We know the suit has these big deadly blades on the elbow section...yet he never uses them! only for final moves does he seem to use them. This just seems utterly pointless when its obvious he could end the fight whenever he wanted with these deadly blades, instead we get lots of aimless martial arts that goes nowhere. And yes the martial arts is totally aimless, lots of jumping around in big cumbersome suits that makes for very crappy fight sequences (when he should be slicing and dicing). All these guys seem to do is throw each other against walls and rubble yet nothing ever affects them ever. The final nail in the coffin is the fact every suit in battle looks incredibly like what it actually is...pure rubber. These suits flop bounce and squish all over the place, the Guyver blades bend, you can see the suits are padded when a strike makes contact etc...its terrible.The bottom line is this movie is a dark version of 'The Power Rangers', yep that's right. The action is identical in every way down to the hammy music, the way the creatures just keep getting up and carrying on fighting, the body movement of the Guyver in hero and taunt stances, the way the Guyver speaks though his suit and of course everything looks fake. Although it does feel and look kinda manga-ish/Japanese-ish, kinda. Don't get me wrong there is a lot of nice visual work going on here, some good sets, great prosthetic work, creature effects, mutation effects, basic cinematography etc...But it all falls apart whenever the action rolls in, that's when everything is revealed to be rubber. The finale battle between the Guyver and the Zoalord is hilariously bad, the creature design is intriguing and well made but the sequence is awful. The creature is way too big, too slow, jerky and clearly doesn't do what the designers intended, what they were going for. Its a shame because the fantasy element is great and I love how its all hands-on craftsmanship but it just doesn't work.I think the cast do well in the movie with certain people boosting the silliness. Michael Berryman is always good for a bad guy isn't he, can't go wrong there, as said Hamill has a small part and pumps a bit of cult class into the proceedings but its David Gale as the Chronos president who steals the show with his Peter Cushing-esque looks. I thought this character played out a lot like Dick Jones in 'Robocop', I dunno I just got that feeling when he first comes onto the scene, he looks like a combination of Dick Jones and the OCP president with the added bonus of classic Hammer Horror looks.In the end I really wanted to like this and I kinda do...but ultimately it just feels too childish and too silly. I don't know if the Japanese manga series was dark or not but this tongue-in-cheek approach really feels misplaced here if you ask me. It pains me because there is so much here, so much brilliant material both from the source and in this US adaptation. This really is a rich universe that is desperate for a kickass action flick, its ripe and ready. This was a bold attempt and there are some things here that are great, some lovely visuals and live action work which I give full kudos too, but you can't look past how badly it fails at the same time. If ever a movie/original idea needed a fresh reboot with up to date special effects and full frontal kickassery...this is most definitely it.

Matthew T (au) wrote: Definitely dated at points, but also relevant in others.

Joel H (gb) wrote: Condorman is a little too slow for kids and a little too corny for adults. Nevertheless, it still holds a special place in my heart because it was a childhood favorite. I also think the premise is pretty strong - a comic book writer whose work comes to life when he is recruited by the CIA. I can't believe I'm saying this, but a remake of this movie could be worth doing.

Aj V (de) wrote: A hilarious comedy about love and marriage. It's sort of a love adventure, and it's fun. I really liked this movie, and it has a good cast too.

Brandon E (us) wrote: based on james clavells real experiences in a pow camp in WWII, read this book + his entire asian saga, there my favorates

Grayson D (it) wrote: Atmospheric horror inspired by Jane Ayre.

David M (us) wrote: This is the Batman I grew up with (no disrespect to Michael Keaton) and this is the best reboot and origin of one of the greatest heroes ever told on screen.

Kurt F (kr) wrote: 2/27/08 Netflix, 6/3/16 THis is like 2 movies in one. The first part is mainly about the son's relationships with people. The end is more like a thriller. It actually keeps you on the edge of your seat and is very tense. Some of it is a little far fetched, but I enjoyed how much anxiety I was feeling as I watched it. Enjoyable, but not an outstanding film.