When Fiona wakes up in the hospital, unaware of the events that had transpired and resulted in her being hospitalized, she feels abandoned by her family and all around her. She lashes out at Anna who is forced to reveal the horrifying truth. Written by Wanjiru Njendu
When Fiona wakes up in the hospital, unaware of the events that had transpired and resulted in her being hospitalized, she feels abandoned by her family and all around her. She lashes out ... . You can read more in Google, Youtube, Wiki
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(ag) wrote: Intense little film with superb acting and a true sense of isolation, the only complaint I have is the ending, which didn't explain enough for me.
(ag) wrote: This movie was highly recommended to me, but it failed to move me.
(ca) wrote: soon oil will be cheaper then clean water...
(br) wrote: A truly inspirational man.
(gb) wrote: Theater of War tries to be a number of things, and doesn't succeed in any of them, with the exception of being able to see Meryl Streep as Mother Courage.
(it) wrote: really no Smokey again! god could have mention him. u could have made him the Santa thief but no! and if this is the final one than fuck u. u could had show Smokey one last time before ending this piece of shit sequel
(fr) wrote: Alkaa t aasialainen toiminta pikkuhiljaa tkkimn. Varsinkin kun se on yliampuvan kikkailevaa.
(ru) wrote: Diese romantische Version der Artus Saga von Jerry Zucker, ist nicht unbedingt erfolgreich geworden. Denn die Liebesszenen werden langsam nervig und es geht nicht voran. Auch die Schauspieler mhen sich einen ab, dass die Geschichte klein wenig dramatisch wird. Aber auch dies kommt nicht wirklich rber. Sicher spielen Connery, Gere und Ormond gut, und auch Cross hat seine Prsenz. Aber es lsst einem mit der Zeit kalt, weil es einem nicht mitnimmt. Fazit: Gute Darsteller in einem oberflchlichen Film, der mit angezogener Handbremse luft!
(br) wrote: This is supposed to be terrible, but I saw the first one, and I liked it.
(gb) wrote: EXTREME PREJUDICE is an often ignored (but much better than "above average") action film from one of my favourite 70's/80's directors Walter Hill. A modern day western, really. Not only is the 80's-style action still acceptable in it's "over-the-topness" but you simply can NOT beat this cast. Nick Nolte plays one of the hardest, toughest sons-of-a-bitch... I may have EVER seen in a movie. PERIOD! He's all scowl and grunt and it looks like he could bore holes through solid concrete with his unflinching, 1000ft stare. He's no-nonsense... doesn't have anything even resembling a sense of humour... He's a man with some real issues and you know how we know he's a real man? HE DOESN'T WANNA TALK ABOUT EM! Powers Boothe is great in the role of Cash Bailey... (Nolte's nemesis/friend and to be fair, the juicier of the two parts). Their final showdown is one for the ages. These two actors are joined by a supporting cast consisting of Rip Torn (almost steals the show)... Clancy Brown, Michael Ironside and William Forsythe all doing wonderfully with their supporting roles, but knowing well enough to stay out of the way when the sparks ignite. Watch this one if you can find it. Great story, great acting... lot's of fun.
(ag) wrote: The story may not be the most complex or original, but the characters and their development are great, helped by the performances of Rudd, Segel and Jones.
(kr) wrote: A good movie and based on a true story. (They leave out how the FBI really got the info on finding those three young men. "The mob" went down and beat it out of a KKK member)
(fr) wrote: John Travolta + Full body leotards + Bad acting and dialogue = This unforgiving mess.