Love Before Breakfast

Love Before Breakfast

Preston Foster plays Scott Miller, a successful businessman (so successful that he can buy the oil company of his rival for Lombard’s heart, just so he can send the rival off to Japan), who hangs out with a snooty silly Countess in his spare time, but really has the hots for Kay Colby (Carole Lombard). He pursues Lombard like crazy, even though she is already engaged to Bill Wadsworth (Cesar Romero). Bill is sent off to Japan, leaving Kay unmoored, so Scott moves in for the kill, following her around town, buying her drinks, popping up everywhere.

Preston Foster plays Scott Miller, a successful businessman (so successful that he can buy the oil company of his rival for Lombard’s heart, just so he can send the rival off to Japan), who hangs out with a snooty silly Countess in his spare time, but really has the hots for Kay Colby (Carole Lombard). He pursues Lombard like crazy, even though she is already engaged to Bill Wadsworth (Cesar Romero). Bill is sent off to Japan, leaving Kay unmoored, so Scott moves in for the kill, following her around town, buying her drinks, popping up everywhere. . You can read more in Google, Youtube, Wiki


Love Before Breakfast torrent reviews

Mike D (ag) wrote: Everyone should watch this. Fascinating.

diego m (fr) wrote: It was the usual disney channel movie. i really dislike all of them. with an exception of High School Musical. this movie, i thought, wasn't at least funny and the only suspensful scenes that they had was a complete mess.

Christopher C (de) wrote: Released in 2000, BLACKBOARDS was the second film by Samira Makhmalbaf, daughter of acclaimed Iranian auteur Mohsen Makhmalbaf and a precocious director in her own right. As the film opens, a group of itinerant teachers lug blackboards into the mountains of Iranian Kurdistan, seeking to bring education to this illiterate, impoverished region in exchange for some meagre income.Two the teachers quickly branch off from the group, and the film follows their adventures. Sad (Sad Mohamadi) falls in with a group of nomads trying to get back to their native land across the border in Iraqi Kurdistan. Rebwar (Bahman Ghobadi) meets a group of children transporting contraband over the border. The teacher's efforts to help the locals learn read and write are rebuffered time and time again, to the point that the film takes on the quality of a play by Samuel Beckett or Harold Pinter. Sad's attempts to get through to the lone woman in the party (Behnaz Jafari) are the height of absurdism.Samira Makhmalbaf's visual aesthetic is mainly that of her father's early films, and the film evokes the beauty of this mountainous region, as well as the desolation that causes its poverty. And it's cool that the dialogue is in Kurdish, as there aren't so many films available in the West that highlight this people. However, I must say that I found other aspects disappointing. BLACKBOARDS makes a thought-provoking point that the poor are too busy surviving to worry about ideals like education, but the script doesn't really hang together. The acting is also inconsistent, with a big disconnect between the professional actors and the local Kurds who were brought on. You might take a chance on BLACKBOARDS. I certainly don't regret seeing it, it's memorable and there's some humour. But I remain unsatisfied.

DeShawn J (ag) wrote: great movie original comedy best part is it doesn't seem scripted

Fagatron P (it) wrote: The other dangerous liasons as it is known to others,is actually the better of the films. While we dont have the grandiose of ms.close we have a solid cast. The only negative is the score seems flat.

Aael G (nl) wrote: The ending was so sad I cried

John T (kr) wrote: I found this version very very very dull and boring.

Gregg A (it) wrote: I love my Paul Naschy films, but this one didn't do it for me. I'll stick to his Spanish Werewolf epics from now on! Mind you I loved Exorcismo and there wasn't a werewolf to be seen!

Van R (ru) wrote: Admittedly, Henry Hathaway's "Raid on Rommel" isn't the masterpiece that Brian Hutton's "Where Eagles Dare" was for Richard Burton, but this low-budget World War II epic about an unlikely British commando unit operating behind Nazi lines in North Africa doesn't qualify as a complete bust. Richard M. Bluel's screenplay is predictable but entertaining for the most part. Sure, better movies about the British North African campaign have been made going back as early as "The Desert Rats of Tobruk" (1944) and then in the 1950s came Hathaway's own "The Desert Fox: The Story of Rommel" (1951), followed by Robert Wise's "The Desert Rats" (1953), Nicholas Ray's "Bitter Victory" (1957), Terence Young's "No Time to Die" (1958), Arthur Hiller's "Tobruk" (1967), and one of the very best and most grim: Andre de Toth's "Play Dirty" (1969). "Raid on Rommel" deserves no Oscars or special recognition of any kind, but it is an amenable way to spend 99 minutes.Indeed, "Major Payne" producer Harry M. Tatelman plundered the Universal Studios' stock footage archives for all of the exciting action footage from Hiller's "Tobruk" and seamlessly incorporated it into "Raid on Rommel." I would even argue that the action footage fares better here than in Hiller's "Tobruk." "Tobruk" was a "Guns of Navarone" clone with Rock Hudson as a Canadian and George Peppard as a German Jew who fought against the Nazis. Mind you, recycling footage in Hollywood is an age-old, time-honored practice. For example, every low-budget caveman or lost continent movie that came out of Hollywood in the 1950s exploited footage from "One Million B.C." In "Raid on Rommel," Burton is cast as Captain Alex Foster. British Intelligence riddles a Nazi half-track with machine gun fire and Foster climbs into it and drives off into the desert seemingly oblivious as to his destination. Later, a Nazi convoy ferrying sick P.O.W.s discovers Foster and picks him up. Initially, Major Hugh Tarkington (Clinton Greyn of "Robbery") knows that Foster isn't suffering from heat exhaustion, but he warns him that he wants to know his orders. Foster reveals his mission to Tarkington, only to learn that he has stumbled onto the wrong convoy. Instead of seasoned commandos at his disposal, he has the sick and the injured. Boy, is Foster upset and Tarkington isn't inclined to help him. Eventually, Tarkington changes his mind.Meanwhile, Foster manages to make something of the men at his disposal thanks largely to Sgt. Maj. Allan MacKenzie (John Colios of "Scorpio") and the British overpower their Nazi captors and disguise themselves as the enemy. Talk about improvising! On their way to Tobruk, Foster and MacKenzie give their men a boot camp in firing mortars and rappelling down ropes by slinging them to the sides of the personnel carriers. Along the way, they pick up a civilian and a beautiful woman and use them as a part of their masquerade. Our valiant heroes enter Tobruk, meet Rommel at his headquarters where Foster learns the whereabouts of a fuel depot, and then they blow everything to hell and gone. The scene at Rommel's headquarters is especially neat because Tarkington gets into a polite argument with a cultured Rommel about collecting postage stamps, thereby giving Foster??disguised as a Nazi officer??time to study secret German maps.No, "Raid on Rommel" is not the most historically accurate World War II film by any stretch of the imagination. However, few films produced about historical events are faithful to history. If you see a movie to get the facts straight, you're a misguided soul. Hollywood doesn't specialize in history lessons; movie makers want to entertain us first and then second strive for accuracy. During the last half of the 20th century, all World War II movies contained historically inaccurate equipment. American 'Cold War' army tanks usually masqueraded as Nazi Tiger Tanks and vintage Navy propeller driven fighters doubled for Japanese Zeroes. As far as that goes, most filmmakers ignored the fact that Nazis spoke German and Hitler's madmen uttered their lines with obvious ersatz accents. These problems became conventions largely because American audiences couldn't speak the foreign dialects and subtitles were confined to foreign art films. "Raid on Rommel" contains one of the most obvious conventions of World War II movies that "Catch-22" changed. During one scene, an Allied P-40 Tomahawk fighter attacks the Nazi convoy that Foster has joined. The enemy manages to hit the fighter and it streaks off, pouring smoke, and crashes behind a sand dune with a fireball explosion rolling heavenward to mark its demise. Of course, the producers no more than the owner of that vintage plane were about to destroy it for this inconsequential movie. In "Catch-22," you actually get to see a plane crash nose first into the side of mountain! Meanwhile, the significance of "Raid on Rommel" is undoubtedly lost on today's audience. In 1951, Hathaway helmed an ahead-of-its-time World War II biography "The Desert Fox" and portrayed Rommel (James Mason) in sympathetic terms. In fact, Hathaway's portrait of Rommel proved too sympathetic and most film critics scourged Twentieth Century Fox for this depiction. A couple of years later to set the record straight, Mason reprised his role as Rommel in "The Desert Rats" and he was not accorded the sympathy that outraged critics in the Hathaway gem. Read the major reviews of "The Desert Fox" in Time, Newsweek, and the New York Times and you will see for yourself that Hathaway stirred up controversy.Yes, "Raid on Rommel" is a potboiler of sorts, probably memorable to World War II fans more for Hathaway's brief but sympathetic Rommel scene and for??according to one Burton biographer??Burton's sober performance. He didn't drink a drop while he was acting, but then crusty old Henry Hathaway, who never gave any actor a break, probably kept his eye on the Welshman. The performances are standard and one of the most respected Bavarian actors who specialized in playing German officers??Wolfgang Preiss??plays Field Marshal Rommel.

m f (mx) wrote: the beast is in this movie is stupid looking.

Stella D (ru) wrote: quite good early lang and henry fonda and sylvia sidney have lovely chemistry together. it's an early 'lovers on the run' story, similar to ray's 'they live by night'. i don't really see how this isn't considered film noir except that it's just outside the time frame

Denise (kr) wrote: Vivien Leigh is breathtaking as always and who wouldn't want a man like Robert Taylor to fall in love with!

Martin B (ru) wrote: An interesting failure.After such well written films as "Life of Brian" and "The Holy Grail" Graham chapman stars in this pirate comedy that do lack of that genious that characterized the previous movies.It is however not a complete disaster, it do have its moments. Marty feldman with beard and bandana is a perfect looking pirate, too sad he passed away during the shooting of the movie. There is a overall mix of briitish and american actors involved and this rarely works nor in Yellowbeard. A complete british production should propably have worked out much better. Still some pirate-ey fun here and there.Betty: When little Dan was two minutes old I tattooed it on his head.Yellowbeard: Does he know about this?Betty: Oh, no no no, that's why I kept him in the cupboard for three years. That may be why he's a bit odd with all these books, and reading, and stuff like that.