Loves Her Gun (2013) torrents full movies


Loves Her Gun

Loves Her Gun is a romantic tragedy about a young woman who flees violence in New York for the laid back environment in central Texas. Once she settles into Austin she falls into the local ...

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. . Once she settles into Austin she falls into the local . Loves Her Gun is a romantic tragedy about a young woman who flees violence in New York for the laid back environment in central Texas

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Users reviews

Alison M (fr)

. . it has claude rains in it, come ooon

Big Jorge M (fr)

pretty much carpenter at his best!! loved this movie

Daniel M (ca)

As a documentary it succeeds by conveying its message in an appealing and stimulating way, and by having an emotional core which feels honest and inviting. But it crucially succeeds by not being entirely esoteric, providing a wide range of scenes and images which reach out to the viewer and invite you into this forgotten world. It takes a while to embrace its every idiosyncrasy, and its deeply personal tone may be alienating to some. Of Time and the City is a deeply evocative film which examines memory, time and identity in the midst of a conflicted portrait of Liverpool. Shelley?s Ozymandius like a priest might read from the Gospels: with reverence and a dry sense of humour. B. Eliot?s The Four Quartets and P. S. He reads from T. He waxes lyrical about his love of film, expressing an almost religious passion for cinema as images of Gregory Peck and Ava Gardner grace the screen. But amidst his bouts of passionate fury, there are also plenty of moments with Davies embracing his past. He even finds time to express contempt for The Beatles. ? On more than one occasion, he expresses distrust of the church, recalling how he discovered ?it was all a lie? and calling himself a proud atheist. In one laugh-out-loud moment he remarks: ?the problem with being poor is that it takes up all your time; the problem with being rich is that it takes up everybody else?s. He lays into the monarchy during scenes of Elizabeth II?s coronation, calling it ridiculous to preserve such a thing out of tradition, and finding it obscene to stage such lavish ceremonies while millions were still on rations. There are great sections of him getting angry or expressing disillusionment with what was then the status quo. Davies? relationship with the past is far from straightforward, and the film is neither a breathless rant nor sentimental hagiography. But this is not some boring old fool moaning about the youth of today; this is a man remembering what he had, with mixed emotions, and trying to find glimpses of the good he knew in what he sees today. Late in the film, he mournfully asks what has happened to his city, showing a montage of new housing developments and the changing shape of the riverside. The film is a cinematic scrapbook with Davies retracing his footsteps, trying patiently to hang on to his memories and to the city he once knew. But more deeply, Of Time and the City is about identity and memory, and how one shapes the other. The section of Davies recalling Christmas in the 1950s is very evocative; it brings to mind the traditional seasonal images of Christmas past, without feeling in any way picture-postcard or chocolate box. There is something about black-and-white which brings out the earthy ruggedness in people, bringing all their crags and wrinkles to the fore. Of Time and the City is on one level profoundly elegiac, with Davies mourning or remembering sadly all the images and traditions of his childhood years. It?s a tender and elegiac combination, casting a grey cloud of sadness over an already dark time in the city?s history. In one very poignant moment, he shows a collection of black-and-white images of abandoned factories, scoring them with Brahms? Lullaby. His choice of music and images mesh together beautifully, creating moments of great power in which one enhances the other. Even if it were little more than a collection of photographs set to music, one cannot deny that Davies is a skilful compiler. He narrates: ?people got on board in black-and-white? they disembarked in colour?, and the footage mimics his narration. In one beautiful moment, Davies recalls a childhood memory of catching a ferry on a day trip across the Mersey. There is no central narrative or thesis beyond a loose chronology, which takes us spontaneously from the Second World War to the present day. But after this uneasy first quarter of an hour, the film begins to build and you start to get swept up in the images that unfold. For anyone too young to remember Wallace Greenslade or John Snagge, it takes some getting used to. He resembles an old-school university lecturer, brought out of retirement to teach his favourite subject to a class of disinterested first-years. Davies? voice is one of long, dolorous vowels and nervous consonants, and he expresses his opinions on a spectrum ranging from suppressed fury to jowly mourning via open-mouthed rapture. Anyone expecting a film about Liverpool to be narrated by someone with a whining, nasal Scouse accent is going to be surprised (perhaps pleasantly). The other immediate obstacle is Davies? narration. Just as Danny, the Champion of the World suffered from the involvement of Thames Television, so the funding and expertise of BBC Films may explain the uneasy position Of Time and the City occupies on the big screen. But even if certain elements of said footage are cinematic, they are still assembled and structured in a manner more befitting of television. Part of this might be down to our reaction to seeing archive footage on the big screen ? we are so used to seeing black-and-white newsreels in TV documentaries than it is easy to forget they were originally shown in cinemas. The opening five or ten minutes, which feature contemporary shots of Liverpool?s religious iconography, feel very televisual. Things don?t get off to a very convincing start. It is a poignant and emotional examination of ageing, memory and coming to terms with one?s past. It is instead a film of contrasts and contradictions, examining the ambivalent relationship one has with one?s origins, whether physical or cultural. Although it is unquestionably Davies? most personal film, it is not marked by anything which could resemble arrogance or vapid self-promotion. Of Time and the City should therefore be congratulated for avoiding both traps. The subject matter may be too esoteric, the content may lecture the audience, or in the case of An Inconvenient Truth, you find yourself agreeing with everything being said whilst being bored senseless by the man who?s saying it. Environmental films in particular start out with the best intentions and a solid amount of resources, but a number of factors intervene which prevent them from having ?mainstream appeal?. The second, resulting problem is that the vast majority of documentaries end up, in some form or another, preaching to the converted. Michael Moore may be the greatest culprit, but this trend can be traced back to Nick Broomfield?s Driving Me Crazy, in which all the dead-ends and failures of filmmaking were filmed in real time and included in the finished product. The first is that the films often become more about the personality of the people making them than the facts and arguments they are trying to present. There are two main problems with contemporary documentary filmmaking

Eleanor W (ag)

However, some of the other cinema goers didn't like it. Not your usual film but a still a sweet romantic tale. Not a bad film, it has some great lil moments and the visuals are great (good soundtrack)

Greg W (jp)

well crafted doc i enjoyed this

Hli L (it)

caf. . . Patriarchalism? Change? Hope? Great food for thought and a worthy subject at your local. Fingers ain't pointed and nobody is innocent. Here she teams up with Isabelle Huppert to explore the darkness and the madness colonialism has inflicted in Africa, beautifully. . . Enjoy your exotic fair trade African coffee? Claire Denis knows exactly where it comes from and at what cost

Ithak N (kr)

Impressive and violent french action film that oozes style and sometimes feels like a live action anime film! Good shootouts, stunts and a pumping soundtrack with lots of wacky characters

Jacob B (gb)

See it if you like Goldie Hawn, war comedies, military movies, or comedies from the 80's. Pros: Funny, had a great plot, and not to mention Goldie Hawn <3 Cons: Nothing to hate about it

James C (br)

The only interesting part is the electrocution, as it was unexpected. This film is definitely not top quality and is one of the worst found-footage films I've seen. One of the many movies to come out of the franchise

Jessica R (fr)

I don't know that I would want to see clips of my life. I've always been fascinated by the concept of this movie