Maniac Cop 3: Badge of Silence (1993) torrents full movies


Maniac Cop 3: Badge of Silence

A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac cop returns from the dead once more to seek revenge, destroying everthing and ...

Maniac Cop 3: Badge of Silence is the best funny movie of Larry Cohen (characters), Larry Cohen. The released year of this movie is 1993. We can counted many actors in this movies torrent, for example Robert Davi, Robert Z'Dar, Caitlin Dulany, Gretchen Becker, Paul Gleason, Jackie Earle Haley, Julius Harris, Grand L. Bush, Doug Savant, Robert Forster, Bobby Di Cicco, Frank Pesce, Lou Diaz, Brenda Varda, Vanessa Marquez. The kind of movie are Horror. This movie was rated by 4.9 in This is really a good movie to watch. The runtime of this movie are awesome, about 85 minutes. KimHoaNg is good uploader, she is very lovely. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Awesome', so what is your thought. Do you know what are customers? ChimTo is the best. I don't leave my laptop screen. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

. . Maniac cop returns from the dead once more to seek revenge, destroying everthing and . A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt

Maniac Cop 3: Badge of Silence torrents

Maniac Cop 3: Badge of Silence full movie

Maniac Cop 3: Badge of Silence1993 torrent

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Users reviews

Abhishek M (ag)

good concept raw action cud hv done better !!

Emil S (us)

Love this movie!! Germany's answer to Amelie

Eric B (us)

id we ever find out why the father was deemed a traitor? What role did the Prince play in that? What role did the general have in all this, except to hunt Nam-Yi down? Why was any of this important?. Plot? What plot? While the action is good, the story had so many holes in it that I was left unsatisfied at the end

Gavin M (fr)

The music is really good, too. "Not even the best of friends can go halfsies on a rubber!" Priceless. There are some very great quotes in this movie

Harry W (it)

So though Con Air's overblown spectacle runs for a long time and spreads out the action, Simon West's brilliant directorial work packs the film with exceptional set pieces and awesome stunts against the backdrop of a remarkably serious atmosphere all while John Malkovich delivers a striking villainous performance. Dave Schapelle even adds a slight sense of humour to the film without detracting from its serious nature. Still, Danny Trejo is an awesome villain as always, as is Ving Rhames who should both appeal to their fanbase with strong amounts of screentime in such a mainstream blockbuster. He does it well and speaks with a convincing attitude of a criminal lost within his on mind, but it's just a shame that the story couldn't do anything with him when there was clearly potential. Steve Buscemi is left to do nothing but sit around and speak a few lines. In actual fact, Garland Greene is ultimately reduced to making a lesser impact on the narrative than other criminals like Johnny 23 and Diamond Dog. Considering that when he enters the screen he is given the Hannibal Lecter treatment in which he is kept confined to a ridiculous amount of chains and restraints, you'd think that the implications are that there is a lot to say about the character. Steve Buscemi is a welcome presence, but there is a sense that he is underutilized. John Cusack is an effective addition to the cast in Con Air. He keeps within an intense state of mind the entire time and shares a feisty chemistry with anyone he crosses paths with, ultimately adding to the reality of the situation. Yet John Cusack sinks into the role with a sense of determination and brings out the drama within the character. He supports the narrative by providing perspective onto another side of it where he rarely gets involved in the action, therefore he is ultimately one of the less interesting characters. John Cusack's role in the story is to do all the talking. Nicolas Cage delivers one of his best action-oriented efforts to date in Con Air, boasting a memorable hairstyle and muscular physique as well as a dedication to actually kicking ass with his own bare fists. Nicolas Cage actually looks like the character portrayed by Jean-Claude Van Damme in Hard Target, and the comparison is an affectionate one. The man's fighting skills are very impressive, and there are even scenes where he delivers kicks which look familiar of Jean-Claude Van Damme's technique, as is his appearance. His status as an action hero is so much more in Con Air than in most of his other vehicles as he doesn't spend all his time hiding behind a gun, but rather dedicating a tenacious effort of brute strength. In actual fact, what's impressive about his effort is his physical achievements in the role. Admittedly, he does spend the entire film speaking in a monotonous Southern tone of voice, but it fits the character due to the nature of him as a patriotic American stereotype while his lack of emotion can be considered a facet of his confidence as a powerful military soldier. Nicolas Cage is also a solid presence in the film. His screen time is inconsistent, but the quality of his performance is not. John Malkovich embodies his role with every inch of the character on a physical and internal level, and the resulting effort is a truly remarkable boost for the credibility of both the film the actor himself. John Malkovich's performance is hard to describe for how remarkable it is, but if you consider the notion that Con Air is a film all about style instead of character and John Malkovich is even able to transcend this in the face of a $75 million spectacle. And it is clear that the accomplished actor is a thoroughly intelligent man because there is barely any acting that goes into the part. He is not playing an archetype, he is playing an absolute criminal mastermind. His line delivery is tenacious because he becomes the character so well. Instead of portraying an overblown product of his own insanity, John Malkovich plays Cyrus Grissom with absolute full control over the character and the audience. The two-time Academy Award nominated actor is the screen stealer because within seconds of being on screen he proves himself an immediate threat. Con Air transcends the standard of acting in the average action film by featuring John Malkovich as the central antagonist. And even though there are so many characters that keeping me up with each and every once can prove to demand a lot of effort, the cast make this kind of engagement worth it. This is great because the lineup of actors in Con Air is fairly high profile sense of value beyond its mere technical values. In the style of old disaster movies they very much all represent some kind of archetype, but the result ends up ensuring that essentially every cast member is of true relevance to the film. It's impressive how well the cast make the dialogue work because every actor is given some sort of character rather than just a presence in the movie. And while the viewer is being bombarded by explosions, the film is not short on character. Con Air is packed with a versatile collection of action scenes which bring out the best in the production values while being captured with strong cinematography and editing. There are even cars getting towed across the skies by planes, and so the fact that the film is overblown is essentially an understatement because it's a fact that Simon West is proud of. This ends up ensuring that Con Air has everything from well choreographed martial arts fights to aerial vehicle combat and even firefighter truck chases. A lot of the action in Con Air just happens because there is so much money to spend and Simon West wants to be as versatile as possible. There is occasionally a sense that Con Air is overblown and that its story simplistically delves through a lot of plot dynamics without regard for much in the way of development, but there is clearly a lot of precise work put into the film so that it works out to become the best that it can be. Simon West is thrown straight into the deep end with $75 million to spend, and he diverts it all into strong production values. Yet what's more impressive is the fact that it is his debut. In his debut as director, Simon West brings along the value of his knowledge as a music video director by creating an energetic experience which has a strong use of music. But as well as that, they bring Simon West's first feature length vision to the screen. Teaming up again with Nicolas Cage, the two of them bring in awesome action results once again after their collaboration on The Rock. There are many people involved in the production of the latter who are responsible for bringing Con Air to the screen, and Jerry Bruckheimer is a key factor in that. Imagine a cross between Air Force One and Speed with the cast of Armageddon. The sound effects and editing of the film add striking dramatic effect whenever there isn't any music in use, but whenever there is, Mark Mancina and Trevor Rabin's work is notable for its climactic embrace. The musical score oscillates between reinforcing slow-burning large-scale tension at one moment and fast-paced action at the next. As a result, the atmosphere is always on par with the intentions of the narrative, and the musical score keeps up with this consistently. Con Air moves along at a pace where the story is constantly developing, whether through the method of explosive action or intense interactions between characters. Admittedly, the focus on the latter can end up leaving many periods of talking or slow-burning atmosphere building instead of climactic action stunts, and this is not precisely consistent enough to stretch to around two hours of running time, but the fact is that there is always something happening in the film. It is a straight up disaster-thriller fueled with powerful action scenes and an awesome dedication to intricate plotting which ensures that the film is more than a brainless affair. The result is awesome because Con Air is a lot more than a meager guilty pleasure. The film is so intense and serious, and with Jerry Bruckheimer backing the film it is able to embrace this mood with a blockbuster budgeted action thriller. It works, because Con Air ends up being atmospherically brilliant. There is a light touch of comedy as a result, but all it does is make the super intense experience of the film slightly more commercially viable. Scott Rosenberg's screenplay is fueled with dialogue that has a sporadic touch of comedy to it, but it is very much buried beneath the intensity of the film which ensures that the film takes a very serious approach. Con Air is a film which tries not mess around. The film sets up Nicolas Cage to play a good action character and gives a dramatic edge to the film, giving the feature a good start. The protagonist is a man who ends up in prison for the crime of manslaughter even though his crime was self-defense, and the difference is that the man is a respectful military soldier who refuses to give up hope as he puts his faith in seeing his daughter again. In this case, there is slightly more edge as there is more character in the sequence. Con Air begins with a conventional setup, delivering a familiar introductory plot device. Considered to be one of Nicolas Cage's significantly better action vehicles and featuring the presence of John Malkovich, Con Air sounded like a promising Jerry Bruckheimer production

Jos M (ru)

La v con pocas expectativas y termin gustandome, a ver las otras peliculas dirigidas por Tommy Lee Jones

Michelle E (ag)

Kept me entertained and it flowed well. there were some gasps, but not enough to destroy the story. I live first stories, and I think this ice was a good one

Miguel M (ca)

t une souffrance". . . -"C'est une joie. -"Hier encore vous disiez que c' (C)tait une joie". . . "Tu es si belle que te regarder est une souffrance

Mike N (kr)

It was a good movie and im glad i decided to watch it,

Richard Y (jp)

o!. throughout the film I can't help thinking Timothy Gibbs face resembles that of Sean Connery in Dr. . . Funny thing is. Cheaply made but could be better. Good start all through to the middle, then gets disappointing towards the end when the mystery finally unravels