Sophie remains on the outside, yearns to leave, and decides to travel to Marseille for a second time. Her love for Ivan, the husband of her best friend Hanna, remains undeclared and the relationship between Hanna and Ivan seems to dominate. When she returns to Berlin, she is immediately immersed again in her former life. Sophie is happy. Two days later they meet again and spend the evening in a bar, captivated by the lightness of not knowing anything about each other. In an auto-repair garage, she asks a young mechanic, Pierre, if he can get her a car. Sophie dives into the city, she is alone, she takes photographs. It is February and Marseille seems harsh and closed in the bright sun. Sophie, a young photographer, exchanges her apartment with a student from Marseille

Marseille is a excited movies torrent of Angela Schanelec. The released year of this movie is 2004. There are many actors in this movies torrent, for example Maren Eggert, Emily Atef, Alexis Loret, Eva Lageder, Elisabeth Beyer, Mathias Baudez, Jérôme Leleu, Benjamin Granier, Sophie Aigner, Alexander Simon, Marie-Lou Sellem, Louis Schanelec, Devid Striesow, Bettina Schneider, Verena Jasch. There are many categories, such as Drama. The rating is 6.4 in www.imdb.com. This is really a good movie torrents. Share with your friends and watch this movie together

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Links Name Quality Seeders Leechers Size
Download   Angela Schanelec - Marseille (2004) Other 31 35 700.04 MB

Users reviews

Amber B (au)

ut then I came back and watched it all the way through and really enjoyed it!!. I tried watching it but couldn't get into it

AndrClaude L (us)

fresh and light, with a lot of heart and magic

Ben L (ag)

A rating that belongs to part 2, Madagascar is an original dreamworks production that deserves more attention. This was a miss by the critics

Carlos I (de)

Fairly one dimensional, and cliche, but it's message and brutal depiction of the violence and injustice is enough to give this a watch

Edith N (kr)

Honestly, I can picture the girls' having written the plot as well, though they would not have made Josiah Brown kindly--and he never would have had that last name, of course. I don't remember anything about the character--I think she's an impoverished noblewoman who hopes to ensnare Hector--but I can perfectly imagine Ruby Gillis giving a character that name. Gertrude Astor plays a character named Morella Winmarleigh. Inasmuch as they remind me of the names Anne, Diana, and the others come up with for their own characters when Anne and company were schoolgirls. Montgomery. M. Elinor Glyn, who wrote the original novel, pioneered the field of modern erotica aimed at women, but the names remind me more of L. They're Victorian melodrama names. The other thing which kind of got me, and this tells you a lot about me as well as about the movie, is the names. Who turns out to be a much nicer person than he could have been, had this been a different movie. But no, everyone assumed he couldn't be interested in a poor woman, so she married the man from a humble background. Or maybe if she had talked to Hector after he rescued her and maybe seen if he was interested in her or not. I think that, if she had talked to Josiah about her feelings toward him in the first five minutes of the film, before she married him, the rest of the movie wouldn't have happened. I'm not inclined to believe that. But somehow, she got it into her head that the only way to save her family from some unnamed fate, presumably bitter poverty, is to marry Josiah. To be sure, Theodora couldn't know that. However, it really strikes me that this is what Roger calls an Idiot Plot, one where everyone's issues would have been solved if two of the characters had just had a conversation. I mean, with that setup, they could have gone a lot of places. The movie itself, though, isn't much. Two great stars, if not necessarily great actors, in a movie together. Indeed, the only reason I'm giving the movie a positive review is that it's an interesting moment in film history. The pairing of the two of them couldn't help being a melodrama, and it was not, alas, all that likely to be good. The Kennedys could tell you about her, though they'd really rather not. well. . . Rudolph Valentino's death was one of the biggest pop culture events of the '20s, and Gloria Swanson . However, the pair of them were well known for the drama they attracted onscreen and off. [/i] Which doesn't count. Now, as it happens, I don't think I've ever seen a Valentino film before, and the only Gloria Swanson film I'm certain I've seen is [i]Sunset Blvd. Most of them would relate to our two stars, Gloria Swanson and Rudolph Valentino. In fact, I kind of feel the need to throw in some more adjectives. This is a melodrama. Oh, yes. However, they are unable to resist their desires. At first, they believe that they can still see one another and just imagine what can never be. She is married, remember, and leaving her husband would ruin pretty much everyone concerned one way or another. ) They fall in love, but she believes they must be stronger than their love. (Theodora is a bit danger-prone. Alas, she encounters Lord Bracondale again, this time by falling off a cliff and being rescued by him. Therefore, even though she meets the dashing and wealthy Lord Hector Bracondale (Rudolph Valentino) when he rescues her from being lost at sea, she is convinced that he will never marry her--because poor--and so she obeys her father's wishes and marries the wealthy but elderly Josiah Brown (Robert Bolder). The lovely but impoverished Theodora Fitzgerald (Gloria Swanson) has been raised to put her father's wishes above hers in family loyalty. Indeed, I'm grateful, too, because this held a certain place in movie history, an intersection of two of the great silent stars who were only in one movie together. It must have been very satisfying to the person who found it. Still, this was probably one of those movies on a lot of people's dream lists of lost films to be found somewhere. There were only a few minutes wherein it seemed the composer was actually trying to work with the material he had. Indeed, large amounts of it remind me of the soft jazz station that I listened to off and on for several years in the late '80s and early '90s. It's also clear that this wasn't the original score. And by the look of it, not much effort was put into the job; I could have made more authentic-looking ones myself with the right equipment. Yes, the title cards on the print were in Dutch, but that's easy enough to fix. However, unlike most of the ones we've dealt with, this film was found in a more or less complete state. Only Important For Its Stars Once again, we are dealing with a Lost Film

Greg S (br)

The sets and costumes are cheap but very inventive, but the amateurish acting and joyless villain hold it back from being much more than an intriguing curio. Caligari performs neurological experiments on her asylum patients in this surreal and sexy low-budget R-rated oddity by a director better know for avant-garde hardcore porn films like CAFE FLESH and NIGHTDREAMS. The granddaughter of Dr

Lee M (fr)

Certainly has its didactic moments, but the very fact that some have read the film as a parody is evidence of its ideological complexity

Maria A (mx)

???????????? !!!! ? ??? ???????? ?????? ??? ??? ??? ?????????, ???? ?? elephant man

Tio B (mx)

What a wacky bunch of ethnically diverse pranksters! I can't rate this film honestly, it's a plotless and predictable mishmash, but I have a soft spot in my head for this seventies-spawned urban shenanigan

Toad K (jp)

ood movie. Nino Brown the villain you love to hate