In order to secure school admission for his son, an impoverished auto-rickshaw driver enters a 'fixed' race.
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Mathias L (mx) wrote: Film id (C)al pour occuper doucement une nuit blanche.
Erwan A (jp) wrote: N'est pas Poelvoorde qui veut.
Ida K (kr) wrote: A 17 year old Goth teenager and a 49 year old clothes salesman develop a relationship. I fell asleep during the last half hour of this.
Michael L (gb) wrote: i liked this but i expected to like it more. this is supposedly hartleys best but i think trust is quirkier and more inciteful. however, i will say that henry fool the character really grows on you. i needed to get the hang of the film before i really started enjoying it. hartley plops you down and doesnt give you a lot initially but i guess that is one of the joys of the film -- the slow realization of truth
Scott A (nl) wrote: Just all kinds of stupid. Even Bernie Mac was bad.
David L (nl) wrote: One of Louis Malle's great films. 17 years later it's still touching and beautifully told as its simple --just as the first time I saw it
Les E (ru) wrote: Better than most of the 50's music biopics. A very young Roger Moore does a good job.
Ashley W (es) wrote: The themes of life and death weave themselves together beautifully in order to create Chaplin's masterpiece: a film that reflects acceptance of the inevitable.
Michael M (kr) wrote: It's a pretty romantic love story when you really think about it, but of course that's often lost amongst the beginning of Sandler's unfunny phase. And why does Rudy have a lisp?