The film is an exploration of the life and music of down-and-out jazz trumpeter Miles Davis (Don Cheadle). In the 1970s, Miles Davis tries to recover his new session tape from music producers. . You can read more in Google, Youtube, Wiki
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Miles Ahead torrent reviews
Christopher S (it) wrote: Fucking nuts. Loved it.
Tony M (jp) wrote: Fast paced and quite entertaining.
Nicola W (fr) wrote: Love this film, one of my favourite rom coms. Sandra Bullock is brilliant and so funny
Ollie W (kr) wrote: I actually enjoy these slighter, more playful works as much as Woody's big old comic masterpieces. This one boasts a particularly brilliant performance from the indelible Mia Farrow.
Justin B (ag) wrote: We get it Bill Hinzman, you played the first zombie in the original Night of the Living dead; but that doesn't mean you get to to write, direct and star in your own spin off. Simply put, this is a movie made almost entirely by a man who had no idea how to actually make a movie. I so badly want to call this the worst film I've ever seen but I can't deny that it's entertaining schlock and has its old-school zombie charms in the first half hour in which all the denim-clad teenagers meet their grizzly demise.
Bobby L (us) wrote: My friends were much more taken with this than I, but it certainly wasn't awful. Vincent Price as Goldfoot is clearly having a ball, and if we never left his evil lair/ laboratory, I think this could have really been something great. But we have a rather boring plot involving Goldfoot's army of gold-bikini clad robots poised to take over wealthy men's assets and give them to Goldfoot. Watching the fembots in action is an exercise in monotony, a thing this film really enjoys oddly enough.Frankie Avalon, for his part, does extremely well, and it's a great showcase for his comedic talents. He's bolstered by an enjoyable Dwayne Hickman, as his partner in trying to stop Goldfoot's plan. Plus, as stated, Price is clearly having fun, and it's a shame it's to little effect.Norman Taurog, the director, has little to no sense for this kind of comedy, and most scenes last 3-5 minutes too long; effectively killing whatever joke just happened. Until the end, it's only a mild hinderance, as it's still funny, just trying to wring out too much. But the ending chase sequence drags, and drags, and drags, and felt like it was 30 minutes long, when it was a little under 10. The ending really grated on my nerves, and it seemed to be a tease, setting up for future installments, of which there are at least 3. Why? I'm not really sure. How many ways can one try and get rich?
Jose A (ag) wrote: How can be people who prefer Star Trek than Star Wars ?
Shawn S (it) wrote: This installment in the franchise is so ridiculously silly that not even Superman himself could save it.
Miguel A (br) wrote: Impressionante anlise dos conflitos interiores vividos por uma mulher indecisa entre a vida estvel de casada e a liberdade do amor adltero. Aquilo que comea por ser um drama quase pendular, vivido entre a provncia e Paris, ganha a certa altura a dimenso de intriga matrimonial num espao incomodamente circunscrito e no se fica por a. Jeanne Moreau, al (C)m de ser linda e perfeitamente afeioada ao que uma cmara quer, (C) capaz de uma caracterizao que diz mil palavras com a simples posio da cabea ou o modo como as mos ajeitam o cabelo. The Lovers? (C) ponderado e morno apenas porque quer e para que as suas melhores surpresas tenham o efeito desejado. Sabe-se que as suas cenas de amor eram demasiado ousadas para o ano de 1958 e a verdade (C) que ainda hoje so um abalo sem nada de muito grfico. No me admirava nada que estivesse por aqui o antecedente mais decisivo para tudo que vimos muitos anos depois em Eu sou o amor?. A Tilda Swinton que me perdoe, mas The Lovers? abafa Eu sou o amor? nem que seja porque chegou frmula muito muito antes.
Michael W (jp) wrote: Williamson as shoeshine boy ruthlessly rising to gangster before the inevitable fall. Freddie is dynamic and tailor-made for this role. Lacking Larry Cohen's usual sense of humour. Great music and theme song from James Brown.