Moontide (1942) torrents full movies

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Moontide

After a drunken binge on the San Pablo waterfront, longshoreman Bobo fears he may have killed a man. In his uncertainty, he takes a job on an isolated bait barge. That night, he rescues ...

Moontide is a excited movies torrent of FangFap. The released year of this movie is 1942. You can check list actors in this movie torrents, for example Jean Gabin, Ida Lupino, Thomas Mitchell, Claude Rains, Jerome Cowan, Helene Reynolds, Ralph Byrd, William Halligan, Victor Sen Yung, Chester Gan, Robin Raymond, Arthur Aylesworth, Arthur Hohl, John Kelly, Ralph Dunn. There are many categories, such as Thriller. The rating is 6.9 in www.imdb.com. This is really a good movie torrents. The runtime of this movie are awesome, about 94 minutes. Itachi8x is funny uploader, he is very fast. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Awesome', so what is your thought. Do you know what are users? ChimTo is the best. I don't fight my laptop screen. Enjoy this movies torrent and share to your friends . You can read more in Google, Youtube, Wiki

. . That night, he rescues . In his uncertainty, he takes a job on an isolated bait barge. After a drunken binge on the San Pablo waterfront, longshoreman Bobo fears he may have killed a man

Moontide torrents

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LinksNameQualitySeedersLeechersSize
Download   Moontide_J.Gabin_I.Lupino.Eng.Noir-PARENTE-1942Other2746697.27 MB
Download   Moontide (1942)Other4427746.93 MB
Download   Moontide (1942) 94 min.DVDRip Ida Lupino_Jonzee.mp4DVDRip29491.45 GB

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Users reviews


Aicha S (br)

u will get a lesson from it which is very important to our life


Brittany E (ca)

Branagh never even comes close. David Tennant embodies the both manic madness and calculated coldness of the doomed prince of Denmark with absolute magnificence. The minimalist setting allows for some of the most stunning Shakespearean performances to shine through


Damon H (nl)

Similar to, but better than Lolita. A true story that follows a young girls coming of age, as she falls in love with an older chinese gentleman. A beautifully shot film, that does honor to the book


Ghaal S (ag)

otta support Kristin afterall!. If it wasn't for Kristin Richardson, I wouldn't have watched more than 30 minutes or so


James C (us)

Mukhtar, with his high ideals and refusal to torture or kill prisoners, is a very different Muslim fighter to the popular Western image of the suicide bomber today, which only makes director Akkad's death in 2005 in Amman, Jordan by an Al-Qaeda suicide bomber the more tragic. There's a certain pan-historical element to the story - the Bedouin stand for all colonised peoples fighting their colonisers; this is made explicit in the film by Mussolini comparing the wall Graziani builds with Hadrian's, and one gets the feeling watching the film that it could be inspirational to the oppressed people of Palestine now. Far worse is the tendency to cast veteran English Thespians as elder Arabs: Andrew Keir just about gets away with it, but John Gielgud as a wily old collaborator with the Italians is preposterous, with his rich upper class English tones and pale skin. We expect Reed to be hammy, but he is large without being absurd, and predictably outdone by Steiger doing a shouting turn as Mussolini (a role he also played in 1974's Mussolini: Ultimo atto). The performances are pretty ripe, except for Quinn, who over-eggs his pudding by being too kindly, too scholastic, too intrinsically good to convince as a real human being. The camera-work is excellent throughout, the battle sequences impressive and certain set-pieces (the montage of the concentration camps the Italians put the Bedouin in; the hanging of Mukhtar) are impressive and worth watching the film for. There is a lot to admire in the film as an achievement in big-scale movie-making. The two most notable of these motifs are the constant encounters with "good" Italians who although they wear a fascist uniform shrink from the more abhorrent crimes they are asked to perform and have a scarcely hidden admiration for Mukhtar (exemplified by Raf Vallone's veteran negotiator), and Bedouin children in jeopardy but learning from the "spirit of Mukhtar" - this latter strand of motif leans towards the cloying and sentimental. L Craig's screenplay makes rather too much use of repetitive motifs, which don't develop as the story goes on but simply come up again and again at intervals. A. H. The film is pretty successful in cramming a long historical story into two and a half hours of screen time, and the narrative is pretty clear. . . " The woman must be told by the man, even when the man is her tiny child. There is an intriguing scene in which a grieving war widow brings her son to Mukhtar's tent, and the old lion gives the boy his father's book and instructs him to "tell your mother to keep it safe for you. The society that Mukhtar was defending is not questioned, even though it is clearly a society which is relentlessly anti-modern and in which women have very little active role to play. Yet in creating such a black and white view of reality (reminiscent of the many popular films the allies produced during and after the 2nd World War), the film comes across as dated, unambiguous and conceptually crude. It's horses and guns versus tanks and bombs for the most part, and the film makes no bones about being propaganda for Mukhtar's resistance movement - not too difficult to swallow, considering the army he was facing. Mukhtar and his fellow Bedouin are the personifications of good, patiently and relentlessly opposing the mechanistic might of the Italians. The film is a fairly simplistic affair. Oliver Reed plays his nemesis, the Italian fascist General Rodolfo Graziani. Anthony Quinn, who was also in Mohammed, play Mukhtar as someone's kindly old uncle, a wily old desert lion with one spectacled eye on the Koran and the other on the field of battle. The second (follwing Mohammed, Messenger of God) of producer turned director Moustapha Akkad's rather foolhardy attempts to create a popular Islamic cinema using Western cinematic and narrative forms which were 20 years (at least) out of date even in Hollywood, Lion of the Desert tells the story of the 20 year campaign of resistance against Italian imperialist occupation by the Bedouin desert armies of Omar Mukhtar


Ken T (de)

w this one a long time ago, way before Van Damme got big". . . Awesome martial arts flick


Michael R (de)

Hellbound delves deeper in the mythology set up so artfully by Cliver Barker, all while adding even more graphic and frightening terrors to the mix. One of the best and most underrated sequels in cinematic history


Secret S (br)

The greatset Elvis movie where Barbara plays a Milf


Stephanie H (nl)

horrible plotline such cheesy noises when they were fighting love the dance moves and the songs salman khan is so hot and cute his older brother is so creepy and hideous and expressionless lol when he is drunk his voice is ducky like