Mortal Kombat

Mortal Kombat

For nine generations an evil sorcerer has been victorious in hand-to-hand battle against his mortal enemies. If he wins a tenth Mortal Kombat tournament, desolation and evil will reign over the multiverse forever. To save Earth, three warriors must overcome seemingly insurmountable odds, their own inner demons, and superhuman foes in this action/adventure movie based on one of the most popular video games of all time.

In dark period centuries ago, Kung Lao, an outstanding warrior monks from the Order of Light church was charged with protecting the kingdom of Lord Rayden's powers before World Out. Joining him were two warriors: TAJA and Siro. They recruited and trained recruits for the next war... . You can read more in Google, Youtube, Wiki


Mortal Kombat torrent reviews

kyo 9 (jp) wrote: okashiii.. I don't understand the movie but I like how the movie being presented.. cool!!

Innius D (de) wrote: All the sex was unneccesary...It didn't add anything to the overall outcome...

Kenric A (de) wrote: Very surprised I'd never seen this before. If I'd even heard of it, I didn't remember. Super impressive cast featuring Billy Crudup, Samantha Morton, Michael Shannon, Denis Leary, Jack Black, Dennis Hopper, and Holly Hunter. RIYL: Arizona Dream, Fear and Loathing in Las Vegas, Chappaqua.

Amina E (gb) wrote: Silly family fun. The type of film you could only watch once though due to poor acting and ridiculous script

Mike M (ag) wrote: The f- bomb was dropped twice in the same sentence so I turned it off !

Paula K (gb) wrote: Very rough and fast, and likely does not do the book justice - still, it has its moments.

Nathan J (gb) wrote: This is the movie that Metallica used heavily in their video clip for "One". Unfortunately because of the video clip I'd seen all of this before...

JamesMasaki R (jp) wrote: The second Dracula film with Christopher Lee, it has all the atmosphere and graphic blood expected from a Hammer film of that era. But the whole movie with Christopher Lee playing a mute Dracula for no apparent reason in the story is a little disheartening, especially since it's Christopher Lee. Although he has stated the dialogue was so bad for his lines that they eventually just did without them. Oh well.

Blake P (ru) wrote: Christine is a cat, a jungle red loving femme fatale that could lure any man into her clutches with just the right lighting and just the right sort of desperation. She gets off on manipulating those weaker than her; she's a sadist with looks good enough to help establish her innocence when need be. Murder isn't far from her brain when the relationship between she and her object of desire is threatened. She'd do anything to keep herself, and her most recent boy toy, protected in the cruel world in which we live. Christine is also a 1958 Plymouth Fury, the type of car motor fetishists gawk at and purchase no matter the cost. And she's alive, ready to kill anyone who isn't her owner. Which is exactly why she's so dangerous. We first meet her before she's even off the assembly line, a place where she maims two men who push her over the edge. Little Richard and Buddy Holly blare through the stereo whenever she's feeling especially bloodthirsty. The interior lights up like a Christmas tree when she's in the mood to off whoever's inside. Driving, it seems, is not as important as extermination. So when the film jumps ahead twenty years, we're more than disturbed -in the two decades since we last saw her, she's probably slaughtered hundreds of men and women that didn't much tickle her fancy. In our reintroduction to her is she sitting in a scruffy man's desolate yard, dusty and in pieces. She looks like the survivor of a brutal race against Herbie. No one should want her. Unless they're cash strapped and have a thing for automobiles that used to be great. So naturally, she attracts the attention of a pair of teenagers, one a wimp and one a stud. The stud, footballer Dennis (John Stockwell), sees garbage when he steps in front of Christine's cracked headlights. But the wimp, Arnie (Keith Gordon), sees a treasure in the making. Already socially inept, being the owner of a car Steve McQueen'd be proud to drive might propel him to status comparable to Dennis's. And it'd be nice, anyway, to have the fixing up of a car help him take his mind off the unceasing psychological battles brought on by bullies and by his own skinny covering of self-confidence. But not long after he hands his cash over - the man selling sympathetically drops the price to $250 - does Arnie metamorphose into the guy he's always wanted to be: suave, self-assured, and a little cocky. He's shed his bulky glasses and now dominates conversations. He's kind of a dick. And kind of as convincingly tough as one of John Travolta's cronies in "Grease" (1978). Clear, though, is that something's very, very wrong; and Dennis, alarmed by the change in his friend's demeanor and by the weirdly commanding presence of Christine, takes it upon himself to get to the bottom of the starkly unbelievable mystery. "Christine," of course, is starkly unbelievable, too. No matter how hard one tries, it's impossible to have a car with a mind of its own serve as a villain without a laugh of disbelief to follow a death scene. Having not read the source material, which is, famously, a minor Stephen King novel, it's difficult to tell how much better the story worked on the page as opposed to on the screen. Here, it's involving but also slightly dizzy, the well-made dead teenager movie that doesn't have the premise to soundly back everything around it. John Carpenter, who directed and co-scored "Christine" as a contractual obligation following the financial failure of 1982's now classic "The Thing," wasn't so enamored with the text being adapted himself. "It just wasn't very frightening," he lamented in a 2015 interview. "But it was something I needed to do at that time for my career." That the film manages to be a classic case of cinematic professionalism that cannot overcome a middling story is impressive. Carpenter could switched onto autopilot. But instead he makes "Christine" an admittedly ridiculous horror movie that surprisingly never puts forth a shoddy exterior. If we could more easily accept its antagonist, we'd have something stellar. But we can only kind of do such a thing, and so the movie's competently produced though modestly unnerving.

Grant S (ag) wrote: Dr. Isak Borg, 78, is a renowned physician and researcher. His life's experiences have left him cold, distant and uncaring. Now he is travelling to be awarded an honorary degree by a university, a reward for his life's work. Driving with his daughter-in-law Marianne, currently estranged from his son Ewald (whose personality seems to be following that of his father's), he finds himself reminiscing about his past, especially his 20s. He has also been having strange dreams, dreams that remind him of the person he has become, and potentially what lies ahead for him.Incredibly thought-provoking and emotional movie. A metaphor for life and what you make of it. As someone who could understand how Isak could get that way, and even endorse how he feels, this was an eye-opening, and potentially life-changing, movie.While many of Bergman's movies are sombre and depressing, this, having started that way, turns it all around, channeling the negativity to find something positive. A very nostalgic and uplifting movie. Also, not that predictable in its positivity. The upliftment sneaks up on you...Wonderful film.

Christopher S (us) wrote: When you look at the basic story and visuals, this could have been a decent summer movie. But Ice Age: Continental Drift falls short due to awkward writing.

Haotian X (jp) wrote: Great story balanced with tried-and-true martial arts. Fighting! However, The best outcome from all this is DY landing in Rogue One.

Bobby N (ag) wrote: Entertaining enough on performances alone. I did appreciate the intimate scope of Marilyn's life but it just wasn't very interesting, although well made.