Mozambique (1965) torrents full movies

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Mozambique

An out-of-work and penniless American pilot is offered work in Mozambique and promptly becomes an unwitting pawn in a world of drug smuggling, kidnap and murder.

Mozambique is the best excited movies torrent of Harry Alan Towers (original story), Peter Yeldham (screenplay). The released year of this movie is 1965. There are many actors in this movie torrents, for example Steve Cochran, Hildegard Knef, Paul Hubschmid, Vivi Bach, Martin Benson, Dietmar Schönherr, George Leech, Gert van den Bergh, Sophia Kammara, Peter Maxwell, Vic Perry, Maria Rohm. There are many categories, such as Drama. This movie was rated by 5.1 in www.imdb.com. We have a good movies torrent. The runtime of this movie are awesome, about 98 minutes. BushCuLan is good uploader, he is very hard-working. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Awesome', so what is your opinion. Do you know what are visitors? Maria Ozawa is the best. I don't push my Galaxy screen. Enjoy this movies torrent and share to your friends . You can read more in Google, Youtube, Wiki

An out-of-work and penniless American pilot is offered work in Mozambique and promptly becomes an unwitting pawn in a world of drug smuggling, kidnap and murder

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LinksNameQualitySeedersLeechersSize
Download   Mozambique - 1965 (British Crime Drama)Other41331.01 GB

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Users reviews


Carol H (jp)

A dark and unfunny Hollywood satire


Hunter W (ag)

It's amazing how great the visual effects still look, and how much John William's score still makes the heart soar


I dont know w (de)

Looks like a good dutch film


james h (it)

ou can see why japan switches to animation to eliminate the bad actors. early japanese atempt at sci-fi


Jonathan R (ag)

Turned it off. Horrible


Morpheus O (de)

F, they couldn't afford to hire another actor to play a 5 second non-speaking role?!This movie sucked!!. . . . I swear to God it's the same dude! And if it is him, . At about 43 minutes into the movie, Kevin Smiths gay lover shows up and he's the spittin' image of Gino, the older son of the main antagonist. . . . The acting may very well be the worst thing about the movie but, the directing and the dialogue both try real hard to be even worse than the acting. Then I finally saw the movie and although the acting was terrible, it was about as good as I expected it to be since by then, before I saw it, I knew that Sid Haig wasn't in it. Then I heard more about the story and that just made me want to see it even more. This probably would have been a far better film if that had been true. Then I heard that Sid Haig was playing the lead character. What I heard about this movie was far better than what it ended up being! First I heard something about the story and it was definitely something intriguing, albeit morbidly disgusting


Paul Z (br)

One day sit down and make a list of groups of people in any or all countries, not least of which ours, that can be equated to this, and you may see a less distilled, less explicit holocaust that may or may not end. When you take away the rights of people, when you dehumanize them, they will of course work as corruptly and extremely as you to survive your oppression. The film sneers at how we, most of us, more than we'd like to know, feel we can generalize about groups of people, races, nations, ethnic and religious groups, how in the bleakest of examples of this shameful human weakness gone to the extreme, it is all self-fulfilling prophecy. Or the world. And not like many mainstream Holocaust films, even great, monumental ones, The Grey Zone is actually frank enough to renounce the prospect of hopefulness in Auschwitz. The film's feeling for images gives it a grave intensity, but it's thrust by the acting, self-conscious or not. If this story must be told and retold, and to be sure it must, then The Grey Zone is to be praised for discovering a new approach. The violent rebellion, played not for hero worship but with somber fatalism, using minor key tonality in its score. There are nevertheless many extraordinarily bleak and, most significantly, unflinchingly emotional scenes and moments that it's out of the question that you'd not be moved by the film. Whether its sense of style seems to trivialize the authenticity of its situations, that's not to say it aims for the heart and misses. I think for every time that's done successfully here, there are just as many instances where we see through the baroque artifice. Needless to say he must also know how to make an actor seem not to act, how to put him or her at their ease, bring them to that state of relaxation where their creative faculties are released. Nelson, an actor himself, knows experientially how to stimulate and inspire his cast, which is comprised of other strong performances than just Keitel's. But ultimately, these are defects that, ironically, make fodder for subsequent discourse. Nelson takes an emotionally inconceivable situation and comes close to sterilizing it with self-conscious technique. Sometimes it works and sometimes shrieks of pretension. There's an affected purpleness to everything. You can virtually hear the components of his principled device stirring as characters rap their adages and aphorisms. I don't feel anyone's true nature comes through in their words, except perhaps Harvey Keitel's surprisingly becoming SS officer. No doubt there is much tension created through all the tug of war, but characters are too graceful and fluent while speaking under pressure and in conflict. His screenplay needs to show more of the catch-22, instead of have his characters put on hostile debates about it. It sounds like American slang and divulges its theatrical roots, which works against the potent acting and the intrinsic impact of the subject matter. And yet Nelson's dialogue is like a horse race. Nelson attempts to utilize the past to remind us of the fragile vagueness of our own principles, that most of us will never have to know what we might have the capacity for in particular conditions. These prisoners were made to assist the camp's guards in shepherding their victims to the gas chambers, then disposing of their bodies in the ovens. The Grey Zone furnishes soul and significance for an episode that's little more than a postscript in history books, the story of the Jewish work units in the Auschwitz concentration camp


RA L (de)

Perhaps it has one or two overexpository moments, but it is a great work of atmosphere, camera, acting and scripting. The mixture of denunciation of a totalitarian regime and of the psychological exploration of a marriage is just spectacular. / A total surprise. Acaso tiene su par de momentos sobreexpositores, pero es un gran trabajo de atmsfera, cmara, actuacin y escritura. La mezcla de denuncia a un rgimen totalitario y de exploracin psicolgica de un matrimonio es espectacular. Toda una sorpresa. WEB


Robert D (us)

must see!. Great film of one of the all time great short stories


Sabrina U (jp)

Sounds like porn to me