In a polluted mangrove swamp, the locals recall the time when they could fish and catch mud crabs to sell and feed their families and themselves in their isolated community; now the swamp is dead and they can hardly find a fish or a crab in the dirty water. During a night, dead bodies raise from the swamp, attacking and biting the dwellers that transform into aggressive zombies. The local Luís fights against the monsters to survive and save the life of Raquel, on whom he has a crush.
- Stars:Ricardo Araújo, Marcelo Castanheira, Kika de Oliveira, Walderrama Dos Santos, Markus Konká, André Lobo, Antônio Lâmego, Maurício Ribeiro, Reginaldo Secundo, Julio Tigre,
- Director:Rodrigo Aragão,
- Writer:Rodrigo Aragão (screenplay)
A poor community in the remote state of Espirito Santo, Brazil, ekes an existence by fishing and picking crustaceans from the local tropical mangroves. Their meagre survival gradually ... . You can read more in Google, Youtube, Wiki
Mud Zombies torrent reviews
(us) wrote: Mel still has it, but I feel like this storyline has been done and redone.
(mx) wrote: Probably the worst film yet of the found film genre. The acting and plot were bad. The special effects and locations in relation to the story were horrible. It is almost like they shot the film in a day. And what's worst is that it was not scary. I have never wanted a film to end so much in my whole entire life.
(br) wrote: was watching this on a live stream. got about 30 mins into it, but i just couldn't take it seriously.
(fr) wrote: It's ok but it get a bit boring if u watch it over and over again xx
(jp) wrote: Parkour sequences were amazing, action in general was amazing, and the storylike was pretty good as well. I can definitely say that this one is better than District B13.
(au) wrote: This origin story is interesting enough, but feels incredibly unnecessary. Sure it's fun to see Lector taking his bizarre form of revenge out on Nazi after Nazi, but this story could have played as a prologue just as successfully. Some of the kills are kind of cool, but it's hard not to miss Hopkins throughout.UPDATE: Second viewing was much more satisfying. Savage and elegant.
(it) wrote: In my opinion, this is one of the most overrated movies ever. I'll give it this most of the acting is good, the style for the musical numbers is visually interesting and I do love the music, especially Cell Block Tango. The problem is outside of those flashy musical numbers, this movie is DULL! The non-musical parts look so drab, the story is slow and barely there and I really don't like Renee Zellweger as Roxie. She just comes off as a spoiled, entitled little brat. And I have to say it's the fault of the actress because Velma is an equally despicable person, but she's so much more enjoyable because of, in my opinion, the perfect casting of Catherine Zeta-Jones. So overall not the worst movie, but honestly you're better off skipping this and just going on YouTube to watch the musical numbers
(br) wrote: I LOVED IT! If there are any Walter Matthau fans and have not seen this movie, I totally reccomend it. This was indeed the last movie that he was in before he passed away in July 2000.
(kr) wrote: The real meaning of the movie is when u get knocked down u get back up and keep fighting.. and with teamwork and the rightmotivation... anything is poosible
(br) wrote: Jonathan Hutchings sucks
(es) wrote: Deliverance stands today less shocking than it was upon its original release in 1972, but its brutal thrills and psychological issues stand as effective as ever.Deliverance is a film that holds a strong cultural line between country and city life which it conveys in an excellent manner. The locations used are beautiful as they convey the more grey side of the country, more dark and gloomy land against a river running rapidly. It explores the land deeply, mainly through excellent cinematography which is used to angle the land in views from all different directions. It conveys the beauty of the natural land as well as the darkness of it, ensuring Deliverance is given a strong setting to be based in, especially as it is conveyed as if the land has never been seen by anyone and is unknown territory, just as the main characters would view it.The atmosphere is masterful, as director John Boorman makes use of silence to enhance the mysterious feel of unknown land. Yet the music used at the beginning of the film is an eccentric and energetic country piece which conveys the type of land the characters have entered. It's an excellent and memorable moment with terrific music, and similar music plays later on in a slower pace to convey the slow moving structure of country life, even when it's used as the characters are rushing down the rapids of a river. It just maintains a constant atmosphere so strongly that we see the main characters as the fishes out of water the normal folk see them as, and John Boorman's role as director is truly deserving of very much acclaim, because his handling of the story takes a laid-back approach to the events so we understand how the atmosphere naturally exists in the world the characters are in. His direction perfectly contextualises the story. And it's special, particularly because handling such a story is rough territory to charter into, but he treats it as the author and screenwriter James Dickey has clearly intended, and in due process turns it into a landmark thriller movie. One reason it does this well is by never tying the characters to the setting. It makes it abundantly clear that the land does not welcome them, nor do the people. It develops into the fear the characters gain of the wild land as they become trapped in it, forced to commit actions which they cannot comprehend doing in their own town. They drown themselves in fear and paranoia of what will happen, and slowly they collapse psychologically. The development is flawless, particularly at one scene where the characters deal with murder. They don't play it off as something that just happened. They actually realise "We just murdered somebody!". How they attempt to deal with it individually is emphasised excellent, particularly since death has grown to becomes such a commodity amongst film and something characters can cause without flinching. But in Deliverance it's different. It's incredible.But what's the best part is how a story as simple as that of Deliverance can be so thrilling and so clever in the manner that it psychologically manipulates its characters, and its truly an excellent spectacle.And the cast of Deliverance keeps it alive.Jon Voigt leads the story strongly in Deliverance portraying Ed Gentry, the character perhaps most haunted by everything, even when what happened to Bobby Trippe would be significantly more scarring. He strongly conveys his internal struggles and psychological dysfunction after a series of cataclysmic events leave him shattered, and the way he frantically is forced to turn strong in a hard situation is an excellent scene for the characters development.And Burt Reynolds makes a breakthrough in Deliverance. Before he became iconically comedic for his work in Smokey and The Bandit he worked immensely into his character in Deliverance, portraying a character with strong physicality but a weak ego in his characterisation of Lewis Medlock. Deliverance is a front for his immense skill at dramatic work very early in in his career and foreshadows some of his most acclaimed work in serious dramatic character roles, such as his Academy Award nominated turn in Boogie Nights.Ned Beatty also worked tremendously hard to secure a powerful performance in Deliverance , and since his character is put through a forcible male rape sequence it's difficult not to feel shocked by the dynamics, but Ned Beatty works with this and conveys the horrific fear from the moment in his character perfectly. The scene is unforgettable and his work is deserving of serious acclaim. Ronny Cox was also good.Essentially, Deliverance is a masterful thriller constructed excellently on a low budget with shocks and fears that are haunting in their imagery and are absolutely unforgettable.
(es) wrote: Working-class Astaire/Rogers musical (he's a sailor, she's a singer); the subplot with Scott & Hilliard slows things up a bit. Songs include "Let Yourself Go," "I'm Putting All My Eggs in One Basket," and the classic "Let's Face the Music & Dance." Lucille Ball & Betty Grable have bit parts.
(br) wrote: This was better then what I expected. However, taking something really serious and making it into a fun comedy isn't the best idea. This was really disjointed and not very well executed also a poorly constructed script, random plot points thrown in throughout the film, horrible direction, barely existent editing and a lack sound mixing didn't help either. However, Katherine Heigl was somewhat watchable.
(fr) wrote: It's good movie to watch
(ca) wrote: Rio isn't an amazing animated film, but it's good enough to be good enough to watch having a good plot, memorable characters, and great animation.