Muita Calma Nessa Hora

Muita Calma Nessa Hora

Three young friends, Tita, Mari and Aninha decide to change their situations and travel to a beach place for a weekend. On the road, they meet Estrella, a hippie that wants a hide to try to find her unknown father. Together, they will live hilarious, absurd and moving situations. More than a change the air, they change themselves.

Three young friends, Tita (Andréia Horta), Mari (Gianne Albertoni) and Aninha (Fernanda Souza) decide to change their situations and travel to a beach place for a weekend... . You can read more in Google, Youtube, Wiki

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Muita Calma Nessa Hora torrent reviews

Davika K (es) wrote: Oh my goodness! This is a gem! Great cinematography and soundtrack. There is something so raw and so voyeuristic about this film, it will leave you breathless!

Tim M (es) wrote: Lil Wayne be ugly y'all! Despite some dated references and themes, there are some laughs to be had.

Inna H (es) wrote: Really well- acted, gripping drama. Hawkes is amazing.

Ryan C (br) wrote: it seemed kind of stupid and it was overacted yet still had its insane parts that just were really funny

Amanda N (jp) wrote: This was so historically accurate, I think it's technically considered a docudrama. I liked it well enough. It was intense, but I really don't like Bill Paxton. That was hard to look past. Great directing from my fellow ginger Ron Howard. I'd certainly like this more if it weren't for Paxton, because he was incredibly annoying and distracting. It's too bad they didn't have Siri back then. I'll bet she would've given the crew a stellar reentry plan!

Noah D (gb) wrote: A dank movie the whole family should see!

Issac L (es) wrote: There is a ship full of passengers in the film, but it is not Titanic, there's no icebergs either, with a satirical overtone, this Oscar-winning (BEST ART DIRECTION and CINEMATOGRAPHY in B&W section) film from Hollywood's ill-fated tycoon Stanley Kramer, who has nominated for 9 Oscars without a single win, could be best interpreted as a bourgeois lampoon to the times before WWII (1930s). The hotchpotch of the first-class passengers (from Mexico to Europe) depicted in the film are complying with the milieu of that particular period, notably the 3 Oscar-nominated performance from Simone Signoret, Oskar Werner and Michael Dunn (the latter is a very interesting example of a nomination from a normally pedestrian presence, I hope the dwarf card is not the case here), and judging by my taste, Heinz Rhmann and Vivien Leigh are also quite in the top form, especially Ms. Leigh, not to mention her turbulent real life status at that time, her frail with dignity performance is rather too harrowing to watch. However the true heartrending sympathy I am able to sense is from a divine Simone Signoret, a countess on exile, along with her foredooming love story with the inward doctor on board Oskar Werner. One thing niggling me is the film's aloof stance towards the poor underclass, they are living in another parallel world even though they are on the exactly same boat with those well-off patrons in the first class. I expected that the film could have gone much further by creating the contradictions between these two classes and which would be more emotionally radical to underline the more meaningful exposition on human's prejudices. But the film doesn?t offer this on its tilted menu and most characters are indulging themselves in their own insignificant trifles which I easily lost my absorption to address myself to.

DeLaine E (au) wrote: Such a great film despite what critics say. Billy Bop and Tina Fey were terrific! Portrayed the complexity of this war as well.