My Chemical Romance: Life on the Murder Scene
Life on the Murder Scene is the first live album by New Jersey's My Chemical Romance. It was released on March 21, 2006 (see 2006 in music). The release includes three discs (two DVDs and one CD) of the whole history documenting the band from the start to the present. Life on the Murder Scene is a predominantly live album, but also includes two demo tracks and a previously unreleased track. Models Jamisin Matthews and Jaime Andrews portray the demolition couple in the cover photo, booklet, packaging, DVD art, and DVD menus. One DVD documents the band on the road in the form of a diary and the other covers live footage, Sessions@AOL, MTV $2 Bill performance, and four of their videos with the behind-the-scenes "Making Of..." for three of them. The cover features a live version of "Demolition Lovers II" (the name of the album cover of Three Cheers for Sweet Revenge).
. You can read more in Google, Youtube, Wiki
My Chemical Romance: Life on the Murder Scene torrent reviews
(gb) wrote: A tribute to Star Trek and, of course, Spock.
(ca) wrote: Funny at times, good performances but it just wasn't my thing.
(nl) wrote: Once again, Kellan Lutz is gorgeous as always, but the movie fails to deliver. I like Nick Stahl not playing a pot smoking dumbass but the movie just didn't go anywhere. The end disappointed me as well.
(mx) wrote: Well, at least it's not as bad The Apocalypse (2007) or Left Behind. Of course, that's not saying much of anything because this film is still horrendous. The only redeeming aspects of the film are unintentionally funny moments like when a guy driving a car is killed by hail which goes through him like a bullet after going through the windshield. Other than that, this film is your run-of-the-mill crappy, low-budget religious exploitation film and should be avoided like the plague.
(fr) wrote: Just watched it on netflix, and even though it is a bad movie I was still entertained, I'll admit I laughed at even the terrible humour and found some of Wayans moments hillarious, bad but enjoyable
(it) wrote: Tim Burton at the height of his strange, beautiful, emotional, endlessly visual glory.
(ca) wrote: phenomenal musical performances by all acts involved. abysmal in terms of acting, story, editing, and dialogue, but worth checking out for the music and the atmosphere- the raw energy of the musical performances radiates off the screen.
(br) wrote: Review In A Nutshell:It's common for filmmakers to find a piece of themselves in the characters they create, but very few capture the biographical sense as intensely and as personally as Bob Fosse's All That Jazz. Biographical films are usually created at a time when the subject or figure that is explored has already firmly established their place in the world and some have already left our world, and the pieces we are left with to remember him/her by is the product or influence that they have left behind. All That Jazz pushes the expectations of the genre by telling a then present recount of his own life; as he was making this, he was going through the same issues as his protagonist, making the film seem much direr than what it actually is.A sense of risk is felt when watching this particular character, slowly disintegrating through his destructive vices; but the character's flaws are not present for plot purposes, instead it is Fosse's way of crying for help. Though aware of one's own self-destructing nature, he is also aware that he is trapped by his ego, constantly hungry for perfection in order to gain that praise that allows personal satisfaction; as anybody who appreciates fine art, it is difficult to want this man to stop himself from his habits as his drive allows him to create the most beautiful of products, and it would be a shame if the public would not get the chance to see it. The film's dread and melancholy is undercut by the layer of satire that lingers on its surface; it almost seems like Fosse wants us to laugh at him because he himself is also laughing with us. He balances both of these tones wonderfully, not allowing one to dominate the other; depicting its characters and its emotions with a sense of reality.All That Jazz's perfection also could have only been possible with Roy Scheider as the leading man, demonstrating a sense of intimacy in the way the character displays emotions, hiding the truth of himself behind his perfectionist persona; but what is most important is that the character feels human, we are watching an individual who has problems and handles them in such a flawed way, which in my opinion is humanistic. Scheider's most impressive moment was at the film's ending, where he hugs his daughter, and he looks into the eyes of his sad ex-wife, displaying tenderness without changing the tone of the scene; it was a moment that happen for only a second, yet it possesses the heaviness of something much longer.All That Jazz captures the perfectionism qualities of humans accurately and effectively, never reaching for the melodramatic elements in order to make a sympathetic film. It also acts as a great representation of the darkness that many are not aware of within show business.
(es) wrote: if there was a playbook for movies 1990<* this would be it
(fr) wrote: Damn, Brian O'Conner (Paul Walker) really does not like Dom Toretto (Vin Diesel) on this one. They have some sort of good friendship but at the same time they both just want to kick each others asses. This 4th installment to the Fast & Furious series gets a 8 out of 10. Amazing movie, but did not kinda get to the Fast & Furious level. But i'm glad that it was only this movie that kinda failed in a small way.