Nasi Lemak 2.0
Young Chef Huang (Namewee) struggles to get his restaurant business going because he cannot adapt to the “localised’ cooking his patrons are looking for. However, despite his unpopular cuisine, he is well-known as Hero Huang in the local neighbourhood where he carries out good deeds by helping the community – that is, until he met Xiao K (Karen Kong) who gets him in deep trouble. So as to get his life and the restaurant business back on track, Chef Huang must now seek help from a mysterious hawker stall lady (Adibah Noor), who summons him to embark on the extraordinary journey. He is to meet many ‘local heroes’ who will help him rediscover his roots and the hidden message of ‘Nasi Lemak’.
- Stars:Karen Kong, Adibah Noor, Datuk David Arumugam, Afdlin Shauki, Dennis Lau, Chee, Yuhang Ho, Kong Karen, Kenny, Mohamad Nadzif, Namewee, Reshmonu, Liew Seng Tat, Nadine Ann Thomas,
Chef Huang embarks on a journey to hunt for the best Nasi Lemak recipes and the hardships (and laughter) he's going through. . You can read more in Google, Youtube, Wiki
Nasi Lemak 2.0 torrent reviews
(ca) wrote: Ten seconds into Peeples, I realized that I had boarded a sinking ship. In the opening scene, Craig Robinson is revealed to be a guy who sings to kids at the library. Fine, but the song he's singing is called "Speak It! - Don't Leak It!" which, if I understood correctly, is a song that encourages the kids to express their emotions rather than urinating on things. Why? Why sing that song? What is the message? Why would anyone allow him to sing that song? I know I'm being over-analytical but it gets the movie started on the wrong foot. What's worse is that creative team behind Peeples think that this song is so funny that it provides the movie's payoff.Peeples is unbearable; a movie hammered together out of spare parts from better comedies and laid out on a foundation borrowed from failed sitcoms. It has the kind of dialogue that sounds weird without a laugh track and a plot that ebbs toward Meet the Parents but doesn't even bother to come up with any jokes or any genuine feeling for any of the characters. It's a shooting gallery, a joke is set up and knocked down. There is no attempt to pull the comedy from human nature.Robinson plays Wade Walker a nice guy from New York with designs on being a child therapist. For some time he's been dating Grace (Kerry Washington), and wants so badly to propose marriage that he walks around with the ring in his pocket 24/7. There's just one little hitch: Grace hasn't told her family that she's dating him. Why? Simple. The plot needs her to keep Wade a secret so all kinds of shenanigans can take place over the course of a weekend. She's headed to Sag Harbor for a Moby Dick celebration (you can guess where that idea is going) but wants him to stay behind.Not to be outdone, Wade crashes the proceedings and hi-jinks ensue. Grace's family is a bizarre mix, and not in the good way. Her mother Daphne (S. Epatha Merkerson) is a former disco diva who overcomes her alcoholism by smoking pot. Her sister (Kali Hawk) is a CNN anchor and closeted lesbian who travels around with her camerawoman/partner Meg (Kimrie Lewis-Davis) but hasn't given the news to the family even though Meg spouts poetry at the dinner table about being intimate with her. Her brother Simon (Tyler James Williams) is a math genius and kleptomaniac with designs on being a thug. Then there's Virgil (David Alan Grier), the family patriarch, a federal judge who is a perfectionist and a lion when it comes to protecting the family - even in places where it isn't needed. He's a bitter old snort who regards Wade like a cockroach.I don't know exactly how to describe the next 90 minutes. It's the kind of disjointed, unfunny series of set-up jokes that would kill a sitcom in the pilot. The jokes are designed to make Wade look like a jerk while we wait for all of the family's secrets to come spilling out of the closet. What is troubling is that the movie has no narrative flow. It feels like just a series of set-ups and put-downs that seem to have been written by different people on different days and then just hammered into the script.There are plot points here that are brought up and have nothing to do with anything. For example, Wade hears that Virgil is going to play at a local jazz club. He goes to the club and finds that Virgil isn't there. He looks for him and finds him headed for a nude beach. The joke, of course, is that Wade is devastated to have seen Virgil's testicles. But the scene goes nowhere. He returns to the house, doesn't tell Grace about it and then it's not brought up again until a vague explanation at the end. There's no comedic payoff and the scene is just left laying there. There are at least ten scenes like this, but no attempt to really deal with anything. The movie shoves the characters through a series of comic sketches but the screenwriters seem too timid or too lazy to deal with these people as people. What's worse is that there is a genuine bad feeling from this cast. No one seems to want to be here. The characters are written as petty and hostile and indifferent to one another. This movie is an unpleasant experience.So, is the movie funny? No. I smiled once, at a line from Robinson about Uncle Ben and Bojangles. Other than that, I mostly regarded this film with blistering indifference. Doing research before the movie, I wasn't surprised to find that Peeples is a Tyler Perry production whom I regard as this century's P.T. Barnum, a talentless charlatan who has turned a lack of talent into a billion dollar enterprise. People flock to his movies presumably to have a good time but what Perry gives them is the same kind of garbage that the audience would turn off if they caught it on television. Thus far, I've seen three films that he's been involved with - Tyler Perry's Single Moms Club, Tyler Perry's Temptation and now Peeples (I don't count Star Trek) - and I find them painfully unwatchable. All three seem to have been written and produced with the kind of grace and ingenuity of that urination song. This movie is aggressively bad.
(mx) wrote: Touching drama about cultural and generational gaps.
(ca) wrote: that movie was great...the ending was so unexpected and you got to give props to the genius of it all
(nl) wrote: 5 tane erkek arkdas war yakin,onlarin hayatlarini annatio,esas oglan stefanao accorsi ve benim hatun giovanna mezzogiorno,erkek arkdaslardna birisinin dgnnde baslio film,orada genc liseli bi kizla kesisio tanisio bzim stefano,sonra onunla grso partiye gidio vs derken,o gece arkdaslarindan birisinin babasi lo,karisi oraya gidio vs derken yakalanio cakal,karisi annesinin ewine kacio,sonra bu onu yeniden kandirio ayarlio derken filmin son sahnesi ok fena,hatun kosu yapio ebbegi dogurduktan sonra,yanindan gecen bi elema glmso,elemanda gelio bunun yaninda kosuor derken film bitior..ayip walla ayip.. diger elemanlardan bi tanesi rasta sacli olan ssrekli hatunlarla yatior hergn,sonra bi tanesi sewgilisindne ayrilmis onun acisini cekior,bi tanesini cocugu war ama karisyila anlasamiolar vs.. onlarda karavan satin alip turkiyeye gelme ya da afrikaya gitme vs hayalleri war,onlari yapiolar,bizim eleman ve yeni ewlenen eleman kalior bla bla bla.. bi de hatunun annesi war ,o da ewden ayrilio sonra geri dno .. italyan filmi iyi bayagi... 4.5 den 4 werdm :)
(de) wrote: An enjoyable action buddy film but very middle of the road. Stephen Baldwin is doing a typical Baldwin role in a typical Baldwin acting style of a masturbating chimpanzee. but Laurence Fishburne is brilliant in the role with some fantastic one liners. Salma Hayek has a very 2D role, but still fantastically fit.
(de) wrote: Dreyfuss and Hunter can't quite save what is a sappy and grating melodrama -- but they come close.
(kr) wrote: A funny light hearted movie that consistently charms, Real Genius is a one of a kind comedy.
(es) wrote: for me this is the best sean penn movie. He had me rolling on the floor laughing with that pizza scene.
(es) wrote: Effective Slasher, Hell Night is a fun treat despite its flaws. The film is an underrated horror yarn that stars Linda Blair and Vincent Van Patten. With effective kills, this one should appeal to horror fans looking for Obscured, forgotten titles. Hell Night is entertaining from start to finish, and boasts enough entertainment value to please the most demanding genre fan. This film has its imperfections, but is held together by Linda Blair's performance that is pretty good and makes the film worth seeing despite its cheesiness. As a Slasher film, this one works well and is far better than most run of the mill Slashers of the early 1980's. This is a good flick that has plenty to offer. Although Hell Night doesn't reinvent the formula, it still has all the ingredients to make for an effective horror flick. At times the acting, and dialogue suffer, but Slasher films are not going to win any big prizes. As far as the genre is concerned, this is a fine little flick that is a must see for genre fans. The gore is great and each kill is intense, also there's plenty of suspense and a hint of atmosphere due to the fact that this was filmed in a Victorian mansion, which adds a creepier feel to the picture. Although the film relies on the derivative Slasher formula, the production values and setting of the movie make it a tad more accomplished than most in the genre. I very much enjoyed this film, and it is an obscured gem of the golden era of Slasher flicks.
(ca) wrote: Jaws Is One of the best horror movies of all time and yes its a horror movie! The movie still holds up today yeah the shark looks robotic but its still scary especially the part where the shark ate the kid. This is a must see movie
(mx) wrote: Herzog mai si greseste