Naya Din Nai Raat (1974) torrents full movies

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Naya Din Nai Raat

Sushma believes that she is too young to get married, but her father, Lalla Banarsilal insists, and she runs away. Her adventures take her to a lonely wealthy widower with a cute daughter ...

Naya Din Nai Raat is the best new movie of A. Bhimsingh (screenplay), Rajendra Krishan (dialogue), A.P. Nagarajan (story), Umakant Sharma (dialogue instructor). This movie was introduced in 1974. You can check list actors in this movie torrents, for example Sanjeev Kumar, Jaya Bhaduri, Sunder, Shivraj, V. Gopal, Johnny Whisky, Dilip Dutt, Polson, Keshav Rana, Hameed, Dada Mirasi, Rirkoo, Bedi, Master Aziz, Swaraj. The kind of movie are Family. Many people rated for this movie, Rate is 7 in www.imdb.com. We have a good movie torrents. The runtime of this movie are awesome, about 127 minutes. Fakyougo is crazy uploader, he is very proactive. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Crazy', so what is your opinion. Do you know what are visitors? ShinichiKuto is the best. I don't push my iPhone screen. Enjoy this movies torrent and share to your friends . You can read more in Google, Youtube, Wiki

. . Her adventures take her to a lonely wealthy widower with a cute daughter . Sushma believes that she is too young to get married, but her father, Lalla Banarsilal insists, and she runs away

Naya Din Nai Raat torrents

Naya Din Nai Raat full movie

Naya Din Nai Raat1974 torrent

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LinksNameQualitySeedersLeechersSize
Download   NAYA DIN NAYEE RAAT 1974 (HINDI) ~~A FILM BY BHIMSINGH~~RARE GEMOther3630850.66 MB
Download   Naya Din Nayee Raat|1974|Sanjeev Kumar 9 Roles|PhantomOther4833683.56 MB

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Users reviews


Blake P (jp)

Good thing I happen to love "Danger: Diabolik" and love to hate "Barbarella. It's a forgettable bender, sure, but I'm more than willing to spend eighty-seven minutes in the presence of laudable style. Written and directed by Roman Coppola, the brother of Sofia and the son of Francis Ford, "CQ" obviously has a swagger that can only be associated with the celluloid savvy family. We'd rather not think about everyday mundanities when a sizzling superspy lusts after adventure right in front of us. Its moments of commendation are fantastic -- Lindvall is a hoot -- so it's a shame about the faux deep domestic struggles Paul faces. This is a movie that's meant to work as an exercise in chintzy nostalgia, not observational, real-life woes. But because its ways of tribute are distinctly more dulcet than its central plotline (which is too weirdly angsty for my taste), we come to resent "CQ" when it attempts to mean something. I've perhaps made "CQ" sound more serious than it is -- really, it is much more proud of its sending up of the aforementioned "Barbarella" and "Danger: Diabolik," using an apparently substantial plot as a way to give its flourishes of self-pleasingness some sort of weight. Since he's falling in love with his heroine and because he's so involved with finding the perfection within this bad little movie, a new chapter might be unfolding, though it might be one that begins with a notable sense of loss. So when burgeoning filmmaker Paul (Jeremy Davies), who's participated in the editing process throughout filming, is thrust into the director's chair just as everything appears to be headed in a direction of doom, his potential for success is just as decent as the potential for his current relationship to make way for destruction. The script isn't even finished -- those involved are still deciding what the best climactic payoff would be for a film so kooky. Production is taking slightly longer than expected. In a short period of time, the film loses grasp of two separate directors (Grard Depardieu, Jason Schwartzman). But ignore its handsomeness and you'll notice that most of the set is plagued by trouble. " Everything about it looks beautiful: its leading lady, American newcomer Valentine (Angela Lindvall), is a honey and an ace at mastering the characterizational tone of her debut, and the set design is '60s chic with a touch of winning gaudiness. Set in 1969, it is mostly dedicated to detailing the fictional production of "Codename: Dragonfly," a low-budget, science fiction adventure caper with much in common with "Barbarella" and "Danger: Diabolik. When it's not, it's a bore. Since I'm sure that I, along with most casual viewers, prefer movies with a tongue in the their cheek over projects that take themselves much too seriously, "CQ" is better when it's on the side of swinging rclame. It's split between two camps, one an homage to 1960s mod movies, the other faithful to certifiable quarter life crisis theatrics. 2001's "CQ" is two movies for the price of one, but only one of them is actually worth the ticket


Erin M (br)

am guessing the makers of this have expensive mortgages to pay so they all agreed to beat this series of films to death. This was just OK for me. Ugh. . . Another sequel to this


Isadore H (jp)

I also feel like I've seen it a hundred times, but other than that it's okay. On espically stupid moment was when that one kid says "we can't climb the walls because the vines don't grow high enough" when RIGHT FUCKING BEHIND HIM are vines reaching the top of the wall. I was pretty let down with this only because everyone talked it up like crazy


Jaime R (gb)

Keep playing that fiddle and don't stop


Josh G (kr)

But at least they fixed Pierce's puffy hair from the previous films. However, the sexual puns and double-entendres are a little too much to bear. Well, once you accept what you're in for, it's kind of fun


Justin K (kr)

One pf the greatest!!!!


Lanning (mx)

Just a beautifully done movie. I think there might actually be a paper topic in the way Clifford Odets, the writer-director, plays with the conventional elements of realism and tragedy -- perhaps even of naturalism -- on the journey to a classically (not ha-ha funny) comic ending. NB: Although this might appear to be coming from a kind of a place of gritty realism, it is very much a fairy tale with an appropriate fairly tale ending. Still, this one is so much more "real" than most of his characters, I might have to rethink putting him on the list. If only Grant had done more like this, he might have made my all-time favorite actor list. A wonderful cast all around, with special praise for Barry Fitzgerald and Jane Wyatt. Not "Cary Grantish," if you know what I mean. The kind of role I wish Grant had tried more often


Ryan W (nl)

Way too violent it is predictable and as is the case with every horror remake it focuses on blood and gore and does not pay attention to the story