'Neath Brooklyn Bridge (1942) torrents full movies


'Neath Brooklyn Bridge

The East Side Kids find a young girl in the apartment of a man who has just been murdered. Believing her to be innocent, they hide her in their clubhouse while they try to find the real ...

'Neath Brooklyn Bridge is the best excited movies torrent of FangFap. The released year of this movie is 1942. You can check list actors in this movies torrent, such as Leo Gorcey, Bobby Jordan, Huntz Hall, Gabriel Dell, Noah Beery Jr., Marc Lawrence, Ann Gillis, Dave O'Brien, Ernest Morrison, Stanley Clements, Bobby Stone, Jack Raymond, Betty Wells, Dewey Robinson, Patsy Moran. The kind of movie are War. Many people rated for this movie, Rate is 7.3 in www.imdb.com. This is really a good movie torrents. The runtime of this movie are awesome, about 61 minutes. Dat1Phit is interesting uploader, he is very proactive. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Excited', so what is your thought. Do you know what are visitors? ShinichiKuto is the best. I don't push my iPhone screen. Share with your friends and watch this movie together . You can read more in Google, Youtube, Wiki

. . Believing her to be innocent, they hide her in their clubhouse while they try to find the real . The East Side Kids find a young girl in the apartment of a man who has just been murdered

'Neath Brooklyn Bridge torrents

'Neath Brooklyn Bridge full movie

'Neath Brooklyn Bridge1942 torrent

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Download   'Neath Brooklyn Bridge 1942 Dead End Kids Bobby Jordan Leo GorcOther3644399.32 MB
Download   'Neath Brooklyn Bridge 1942 Dead End Kids Bobby Jordan Leo GorceOther5050238.7 MB

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Users reviews

Dan M (br)

Overall, this is just an okay movie. There isn't much of a story here. At times the score would play bits of "People" to remind us of the better, original movie. There are a few good songs, and a lot of forgettable ones as well. Unnecessary sequel

David F (ca)

Utterly depressing, but at the same time amazingly heartfelt

Glenn C (us)

ts a really peculiar movie!. . . Whatever. I am guessing she came on board after the fact to help fund it's distribution. As the end credits began to roll it was strange to see Olivia Newton-John's name pop up as a producer. A lot of the editing is forced and unnecessary but the overall journey is well worth watching. As days begin to meld into each other the story begins to resemble something from Apocalypse Now as Strel slowly slips into madness and delirium. but once the marathon swim begins, the movie is captivating. . . I found this irritating as if they're declaring to the world "We're from Slovenia, aren't we weird?". The film begins in a very hokey manner which basically has it's subject, Martin Strel, prancing around like a drunken imbecile. Its a river full of countless dangers; piranha, anacondas, alligators, parasites, whirlpools and Amazonian natives to name just some. a fete never attempted. . . It chronicles one middle-aged man's determination to swim the length of the Amazon river. But the strange thing about this doco is that it's entirely compelling. It looks amateur (because it is) and it is edited and executed like they've just cracked the box open on Final Cut Pro. Its not a well made film by any means. This is one of the most bizarre documentaries I've ever seen

Grant T (br)

unaway jury makes the mistake of being too "Hollywood" and forgetting to make the audience care what happens in the end. Predictable and relatively dull

Greg W (ag)

The Wild Child is fascinating not only for its Tarzan-like true-life story, but also for what it says about the process of nurturing and educating children, and the tools we use -- language, discipline, affection -- to do so

Low B (fr)

It really drives into the protagonist's psychological state, hinting at a perfectionist trait being the root of his projected rage. It's mindblowing how such a sensitive topic is handled by the real characters, who seemingly dramatise it reflexively. Amazing film based on an actor's ins and outs of drug abuse, starring the actor himself and his family. My dad picked up this film on vcd when we were in beijing

Mara A (jp)

He wants the actors to bring their own version of the character, not be a mimic of his vision. Altman further gave some very good insight into his own style of directing, explaining that he does everything he can to not give the actors any sense of what *he* envisions how they should play the character. It's almost the kind of film that everyone who watches sees something different, and so you should. To explain any more of the plot, or to draw parallels between other like movies, would do a dis-service to anyone who hasn't seen the film. It was somewhat a relieve to find it wasn't only me, as it reportedly left its Cannes audiences mostly confused. I was left not being sure. . . It was helpful because after having just watched the film. Or does it? Later, in watching the director's interview "Imagining Images", which I found as interesting to watch as the movie itself (but for a different reason), in the first 2 minutes Robert Altman explained what the movie was about, for which I was thankful. And then it does. And then it doesn't. Is it a ghost story? A view into a troubled mind? A horrible trick being played on this poor woman, to make her think she's going insane? It's dark and muddy, and at times confusing, then when you're not paying attention, it suddenly clicks and starts making sense. It turns out the story read on the voice over was a story Susannah York had written herself, and Altman worked it into the story. The voice-over was very difficult to understand, though her voice is certainly mesmerizing. . . " Silly me, she said, not remembering even ordering this DVD. " Ahhh, I'd missed that ever telling part of the description: "impressionistic drama written and directed by Robert Altman. Then I'd turn the volume up, only to be nearly knocked out my seat by the "mood music. I listened to the very beginning twice, and still couldn't catch all of what she was saying

Mickey M (fr)

I personally wouldn't put it in my Top 10 "Must See" movies, but I would probably put it somewhere on the low side of my Top 5 choices for rent if my first movie wasn't available. It is a trip to see the clothing of when I was 10 though. The wardrobes are typical for the time the movie was released, and nothing really stands out. If the theme song was released today, I can pretty much guarantee it wouldn't chart on Billboard. The theme song, which you hear a few times during the film, is not even catchy. The music, with the theme song sung by Roberta Flack, is not memorable. The movie was released in the early 1980's, but sounds like pop from a decade earlier. If you ask me, the music is not great. To me, it looks as if Pryor and Tyson took time to get to know their young co-stars and began to care for them to the point that they brought that to the screen. Tyson does a good job herself, and has pretty good chemistry with Pryor and especially the children. Pryor shows off the transformation really well. "Joe" starts off as a street-wise punk, but slowly becomes a loving man who now knows there are people in more need than he. In fact, Pryor's performance is probably the best. And, as "Joe" begins to warm up to the kids, you get to see some fair chemistry between them and Pryor. There are some good performances in the cast. Many of the jokes, in fact, only produce some good chuckles. Pryor keeps the laughs going, but they aren't side-splitting jokes. There is that, but they basically stop about half-way through the movie. The first thing you'd expect from a Richard Pryor movie is jokes laced with four-letter words. However, he slowly learns that there is more to life then himself. At first, "Joe" is not happy with his situation and does not like what he has been forced into. He is assigned as a bus driver for special needs students and their teacher (Cicely Tyson), who is taking the students, who the community has shunned, from Philadelphia to a farm in Washington state. When he gets arrested again, he is brought in front of a judge (Bill Quinn) and is assigned community service. "Joe" (the late Richard Pryor) is a foulmouth con man/thief who has been in trouble with the law in the past for most of his life

Nate A (jp)

Probably only recommended to Kurosawa completists. Not that it's bad, just nowhere near as compelling as his other films. I can see why. . . It's not a feature that gets mentioned very often in Kurosawa's oeuvre and honestly. This needs a blu-ray transfer badly, but I doubt it will get one even though Kurosawa won an Oscar for it. Although this was filmed in 70mm and Kurosawa's second color picture, the transfer on the DVD is terrible and doesn't do the sweeping landscapes and forests any justice. The tragic end of the story picks up a lot more though and gives a suitably reverent and appropriate closing to the story. 5 hours, a philosophical back and forth isn't all that compelling (had to finish this in two sittings). For 2. Really only vignettes of this man born and raised in the wilderness guiding Russian surveyors in the wilderness and how his view of life differs from his companions. There isn't much of a plot. The results are mixed in my opinion, but it gave Kurosawa a much needed boost that allowed him to go on to make a final few masterpieces in the twilight of his career. A project that he had on the back burner for decades, he finally got to make it as a Russian/Japanese co-production. This is Kurosawa's first film after his attempted suicide

Pete G (es)

aybe subtitles could've been better?. I was more confused about the ending than the first one, hah