A man fights against a tyrannical institution for his right to smoke, hence, for individual freedom.
- Stars:Allison Anders, Jane Anderson, Doug Atchison, John August, Shane Black, John D. Brancato, John Carpenter, Larry Cohen, John Abraham, Ayesha Takia, Paresh Rawal, Ranvir Shorey, Joy Fernandas, Sanjay Gandhi, Karan Makhija, Megh Pant, Pravishee, Jesse Randhawa, Gajraj Rao, Kiku Sharda, Vineet Sharma, Vivek Sharma, Sanjay M. Singh,
|Download||No Smoking | 2007 | Hindi | Esubs| Xvid | MP3 | Phantom||Other||48||46||707.93 MB|
|Download||No Smoking (eng subs)  Anurag Kashyap||Other||49||27||699.46 MB|
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No Smoking torrent reviews
Chris B (ag) wrote: V/H/S is a collection of five short horror films all bundled together in a collection and seamlessly attached to one another, making a nearly two hour film in total. The whole thing is a mixture of hit-or-miss shorts that runs just about 20 minutes too long. This is because of two things, shaky found footage for nearly two hours and some exact situations and overlong sequences. It doesn't help that the film is filled with very shallow, dimwitted, and downright evil characters with very few redeemable qualities among them. This makes for a very dark and feel-bad type of experience and on top of the shaky camera effects and digital tweaking done, we are distracted fairly often throughout the film. There are few films within the horror genre that actually work out using the found footage to enhance the experience and make it seem more realistic in nature without being overly distracting. The only I can think of off the top of my head that work are The Blair Witch Project (1999) and Paranormal Activity (2009), of which the latter went on to produce several sequels and prequel films. The amount of shaky camera work here and other digital tweaking was just too much and distracted from the story more than it was used to enhance it. Each story involves grisly imagery and gore along with some extreme acts of violence and will only appeal to horror genre fans and those that can overcome the body horror elements and overly dread of the movie. If horror films aren't your forte or extreme violence and grisly imagery upset you, then steer very clear. Horror fans that don't mind these elements will find a few genuinely scary moments among the convoluted entirety of the film.
Dickie L (gb) wrote: Good looking noir yarn gets by on technical achievement. A little cold though and not much in the way of character development.
William James S (nl) wrote: This film looks amazing!
Karen B (ru) wrote: Finally watched Inglorious Basterds on Amazon Prime. This is Tarantino at his most irreverent. Even the horrific scenes have laugh-out-loud moments. As far as story-lines go, much of it seems a bit far-fetched, and Brad Pitt's Tennessee accent was comical. But it's Tarantino, so it gets an A-minus.
Ola G (ru) wrote: As a child, Frankie Mack (Kevin McKidd) is confronted with two pathways in life, relating back to his ambivalent feelings for his father. Faced with this swaggering man, a womanizer and a drinker, Frank is torn between rejection and unconscious imitation. From then on, he continually vacillates between a desire for self-control and stability, and giving in to hatred and mistrust, a legacy of his painful experience of betrayal. His first precocious glass of alcohol drags him in to a dangerous violent direction, which continues throughout his adulthood..."16 Years of Alcohol" explores one man's battle against the social and psychological ravages of alcoholism. The film is split into three sections: Frankie's troubled childhood, his violent adolescence as a ska-loving skinhead who commands a small gang, and a period of change, in which Frankie tries to believe in hope and love. The backdrop of historic Edinburgh set the feeling and environment in which we see Frankies violent demise as a human being and the resurrection that still ends with his past catching up with him. Its a balance between hope and hopelessness in his life, and the end is left open to the viewer. I saw "16 Years of Alcohol" some years ago, and re-seeing it now doesnt change my opinion about this movie. Its such a strong and emotional story that goes through the screen. The homage to "A Clockwork Orange" is done in a great way and I do love the voice-over from Kevin McKidd and the philosophical narrative. Kevin McKidd is excellent as Frankie Mack and the beautiful Laura Fraser as Helen is a great counterpart to Frankie. The soundtrack adds to the storyline as well.
Jeff J (us) wrote: Decent film that gets the job done.
Matthew L (gb) wrote: It's alright as a dumb B movie, but when you use your brain...
Zach M (jp) wrote: This was an alright horror movie that had an interesting idea of using the ouija board.Tawny Kitaen was alright but they don't shed enough light on the killer trying to possess Tom.It took awhile to get nudity from Tawny.
Stephen C (nl) wrote: One of the best films of the 70s and i feel it stands as one of Arthur Penns greatest works. Gene Hackman is simply brilliant as Harry Mosby an ex pro football player turned private eye who is assinged to find a missing girl for a boozy ex actress. The trouble is Harrys own private life is a total mess,as his wife is cheating on him . Penn and writer Alan Sharp weave a cracking tale as Mosby tries to piece together a seemingly simple mystery while trying to pick up the pieces of his marriage. Penns films always had a thinking cap on them and this one is no exception as Harry is sucked into a mystery that he ulitimatley has no control over and just like that other 70s masterpiece Chinatown the ending is open ended and down beat. This deserves to stand along side Chinatown as a film that engages the brain and thrills in all the right places
Phil H (ca) wrote: Back in the days when comicbook movie adaptations were generally wankadoodle and shrugged off within days of release, we got this. The ultra sexy, ultra tough female Dark horse character that is a bar owner by day, umm...and a part time bounty hunter by day also, naturally all set within a war ravaged dystopian future Earth (2017 people! we're almost there!). Now I bet you're thinking I'm gonna say this movie changed the game and set comicbook movies on the right path...well you're wrong.Now I knew nothing about the original Dark Horse character (still don't), like many at the time I only found out about her when this movie came out, after which there was a feverish scramble to find out more. Why you might ask, well its simple, this movie was basically a soft porn flick for Pamela Anderson (check wet strip tease at the films start), heck even the movies poster looked like a cheap porn flick image. Sounds crazy I know but back in the day Anderson was the biggest blonde bombshell since Marilyn Monroe (probably bigger) and this was her vehicle. Whether or not the movie followed the original comicbook source material I don't know but that simply didn't matter back then. This was a chance to squeeze Anderson into a skintight fishnet clad dominatrix outfit and have her gun down lots of faceless bad guys...with the odd bit of crotch crushing with her black thigh high leather boots (I'm actually turning myself on right now).The plot...what plot?? this was all about sex guy! But seriously the plot kinda ripped-off the classic 'Casablanca' believe it or not. Set during the second American Civil war in the only free city of Steel Harbor, a former government scientist is trying to escape to Canada with the help of a freedom fighter. The reason being they have information on a secret new bio weapon in development by the Nazi-like Congressional Directorate (the bad guys that overthrew the old democracy and started the war). The only reason Barb Wire is involved is because she has these special contact lenses that enable people to pass through the Nazi's retinal scans which would allow the fugitive pair to escape the US. Thing is Barb is a bitch, she doesn't play by the rules and she's on no ones side, or is she? The plot is wafer thin, had Barb just cooperated at the start the movie would have been over very quickly, and there's no real reason for her not to cooperate frankly.In typical 90's fashion this movie is visually just like all the other sci-fi action flicks of the 90's. You name it, 'Johnny Mnemonic' 'Freejack' 'Strange Days' etc...they all have a very similar bleak industrial future Earth vibe going on. Lots of steel structures usually battered or shiny, deserts, scrap yards, computer monitors everywhere, Mad Max-esque vehicles, skimpy outfits for females and generally in that typical barbaric apocalyptic setting. Yet despite its incredibly cheesy overused visuals I can't deny the film does look good for the most part. You could easily think this might be an early Michael Bay movie with all the glossy closeups of ass, sunsets, dust shots, gleaming metal, biker porn and glorious extreme usage of explosions and gun play. There are actually some nice shots here and there, some good use of sci-fi technology in an imaginative way and some well choreographed sequences. One gun battle between some thugs and Barb is actually quite decent, the gun shot sound effects are very effective with solid booms and thuds.I must also give kudos to the fact that they went with an adult rated movie and kept everything nice and...errr adult. Lets be honest with someone looking like Pammy Anderson you could hardly make a PG-13...not with those perfectly large, fake, round boobs bursting from their tight restraints. Again I don't really know how accurate everything is here but the grimy, rain soaked, heavy metal, leather-bound biker theme is pretty prominent and who am I to say that is wrong. Sure its cliched and kinda redneck-ish but bugger me if Pammy doesn't fit in so well, she's the perfect blonde biker chick from hell and she does admittedly look stunning, slutty but stunning (slutty is good mkay).All the acting is pretty terrible throughout from everyone involved obviously including Anderson, but we all know why she's here and its not for her thespian skills. A B-list of semi-famous character actors (for the time) make up the other characters, Xander Berkeley, Temuera Morrison, Steve Railsback and cult star Udo Kier who is easily the best thing here. Its actually funny watching all the male actors in this movie because I swear they're all doing their best manly swagger acting to try and impress Anderson, like moths to a light, not that I blame them. Berkeley especially seems to be trying some kind of Clint Eastwood impersonation half the time, the quickfire one-liners really don't help him either, its all very cringeworthy at times. Gotta admit Railsback is actually quite good as the Nazi-esque leader with his stormtroopers, clearly enjoyed chewing up the scenery with his evil snarls.Things do go downhill towards the end I must say, all the stereotypical, steamy, neon lit bar/club scenes with goth rock chicks and bondage clad females was pretty darn sweet at the start. As the film climaxes it all gets too silly with stupid shoot-outs, a car chase and somehow all the characters ending up fighting at the top of a massive crane...can you guess how it might end? I'll be honest its not terrible, I've seen much worse, at least this film knows its a silly booty-fest for males to leer at and doesn't try to be anything else. In that sense the film does work, its lives up to expectations and gives you exactly what a comic/graphic novel would (in some cases), overblown violence and ass. Lets be brutally honest here, Anderson might not be the best actress but she certainly looks the part of a hardcore badass femme fatale, can't deny her that.Much like 'Tank Girl' at no point was this movie ever really going for gold, you know what you're gonna get from it so you know what to expect. Being a fan of the source material might help but in general this was simply a movie for blokes to get hard watching Pammy Anderson kick ass in tight revealing attire, mission accomplished movie.