Only Once

Only Once

Greg and Kellie are two well adjusted and highly-motivated teenagers, from happy homes with loving parents. They find they have much in common, including their future college goals, their love of family and the Lord. They fall in love and into temptation "Only Once." Their love and their faith are put to the test. Can they find the courage and inner strength to do what is right.

Two teens (Austin O'Brien & Britt Leary) fall in love and must make some important moral decisions. . You can read more in Google, Youtube, Wiki


Only Once torrent reviews

Catherine T (ru) wrote: A cute romantic comedy. I'm not one for chick flicks generally (despite being a chick), and frankly I only picked this one up because of David Tennant, but I enjoyed it. Kelly Macdonald is very, very good as local girl Kate, who describes herself as "Kryptonite to men". After her fiance dumps her, she returns to her island home of Hegg and her terminally ill mother, just in time to encounter James Arber (Tennant), a one-hit author about to marry internationally famous Hollywood star Lara Tyler (Alice Eve). When Lara discovers that the supposedly secret location of their wedding has been infiltrated by the same paparazzo that ruined their last attempt, she runs off, leaving her people to substitute Kate in her place in order to fend off the photographer. Hijinks ensue, as Kate and James bicker and race across the island to find Lara and undo their "marriage".

Pascal H (es) wrote: Je ne suis pas d'accord avec les critiques. Ce film est pas mal bon. Patrice Robitaille est excellent.

Eliabeth A (de) wrote: An interesting film and a really good one. I liked it. Nice cast too.

roberta d (au) wrote: the best of the best:)

Grant T (ru) wrote: A good start but a pitiful finish leads doomsday to be another forgettable virus flick. The villains were pretty creepy though

Anthony B (ru) wrote: After all of the anticipation and hope I felt for this one, come to find no return was ever really necessary, and this sequel proves it...with a vengeance. The only question going through my mind by the end of this debacle is "did the director not try at all? Or was he actually trying to adapt dog shit to celluloid?" SLEEPAWAY CAMP 4 is AGGRESSIVELY BAD...and not in a fun way.

Jerome B (de) wrote: An impressive film that truly captures the raw facets of urban life..

Alem W (fr) wrote: play movie its a good one best ever made

Mark B (mx) wrote: man i loved this movie when i was a kid , i wanted to be a member of the "daggers" hehethis is a movie that made alot of kids including me , go out and buy skateboards and try to mimic the L.A for a cameo from red hot chilli peppers..."what do you thrash"....."what ya got".

Richard S (nl) wrote: I don't get how Gene Wilder was ever a thing. He's shrill, neurotic, and unfunny. This is the best of the three movies he made with the adorable Gilda Radner, which isn't really saying much. She doesn't even show up for the first half hour, but the part does give her a little more to do than her other roles. Unfortunately, Sidney Poitier directs it in the style of a sub-par 70's TV show. Hanky Panky makes the (somewhat similar) Outrageous Fortune look like Citizen Kane.

Edith N (es) wrote: Herbie Movies Don't Have to Make Sense! Okay, so we're not talking high art. This, I grant you. I'm not entirely sure it's even a good movie; it's one of the ones that kind of haunts the borders. Once again, it's possible that my nostalgia is overtaking my taste. It wouldn't be the first time. It is also true that Herbie movies without Dean Jones are inferior. It is further true that, by 1980, live action Disney was well and truly slumped, a state from which it has still not yet recovered. (Their animation unit picked up, but the live action?) I mean, there is the obvious [i]TRON[/i] exception, and we'll see how well that sequel works out, but by and large, the clamour for family programming seems to have included taking away the real nature of it--which is that adults can enjoy it, too. Our beloved Herbie has ended up on the scrapheap. Jim Douglas has, against all expectation, actually put the thing in a dump. He has also given the car to his nephew, Pete (Stephen W. Burns), and his best friend/mechanic D.J. (Charles Martin Smith), though they have to go to a Central American scrapheap to get it. Then, logically, they ship it by extravagant ocean liner down to the Grand Primeo, a car race in Brazil which Jim Douglas has assured them the car can win. Hilarity ensues, not least with young Mexican street urchin Paco (Joaquin Garay III). There's stowing away and being chased by evil men in search of Inca gold, which is somehow in Mexico, and a crazy ship's captain played by Harvey Korman and crazy Cloris Leachman and her frankly unnecessary studious niece, Melissa (Elyssa Davalos). And stuff. It's pretty dippy, really, and there's no reason to think it would be otherwise. We're talking late-period Disney, after all. And okay, yeah, even the early stuff isn't exactly Proust, but there's a point at which they stopped expecting anyone with half a brain to get into the movies. It's really disappointing that we have a choice between so dumb no thinking adult has an interest in them and so mature that it's frankly inappropriate for little kids. Did we lose the balance somewhere? Did we miss it? I mean, I like dippy kids' movies to a certain extent, but there's a certain expectation I go into a movie with, and frankly, most movies today don't meet them. It's disappointing, and it can't just be disappointing to me. It's also funny that, in the first movie, the Chinese businessman hides behind the racist expectations people have of him, but here, we actually do have something touching those racist expectations. Most of the natives we see are unpleasant and greasy. The only one who seems to speak decent English is Paco, and he's a scummy little pickpocket who's just winning enough to make us forget that it's his own bloody fault everything goes wrong. (Okay, admittedly he does save antiquities from thieves, who may well melt the thing down, but still.) It's alarming, really, that twelve years changed so much--and in the wrong direction. The Mexico we see here is the worst kind of banana republic, no pun intended, where calling the police isn't an option until the last ten minutes. I'm quite sure this is the least of the original Herbie saga, though it's been quite some time since I've seen the third installment. It's certainly not my first choice for how to spend a leisurely afternoon. We did enjoy it, and there are some laughs to it. I could give you quite a long list of better live action Disney--and, yes, they'd pretty much all predate with the one obvious exception. It's also, oddly, the movie where he gets called Herbie least. The kid spends the whole movie calling him "Ocho"--which I heard, the first time I saw the movie, as "Old Joe"--which apparently is a Spanish pun that I didn't catch because it's never explained. He's called Herbie once at the beginning, and then he's either Ocho or "the car."

Steve D (jp) wrote: dumb dumb dumb and not at all funny

Bon B (ru) wrote: Fando! Fando! Fando... I am paralysed. Wow the most surreal thing you will ever set eyes on. Love it!

Kelsey L (ru) wrote: need tosee want to see

Kat S (it) wrote: Such a random concept, but I must say it is memorable.

Bill T (ru) wrote: Interesting, I wouldn't say all together successful movie about Religion, persucution, customs, you know, Atom Egoyan's favorite subjects it seems. As a matter of fact, for the first half hour or so, I thought we were being treated to a different take on "Ararat", Egoyan's (quite great) film from a few years back dealing with yes, Religion, persucution and customs. But then the film takes a bit of a left turm, gets a little talky and preachy, and ends on an interesting note. In the film, a teacher encourages a student to make up a story about his Dad being a terrorist and how he got his Mom to bring a bomb on a plane for him. only to be stopped by customs. The story takes a life of it's own, affecting everyone around him, why would the teacher do this? It's somewhat tricky and confusing, and Egoyan does an amicable job to keep a totally convulated story afloat, because this baby goes off in all directions. Again, it gets to be a bit much, but under Egoyan's touch, is certainly watchable.