Paisa (2013) torrents full movies



Prakash is a sherwani model from the old city that believes money is the most important.

Paisa is the best new movie of K.K. Benoji, Padmasri, Patrikeya. The released year of this movie is 2013. There are many actors in this movies torrent, for example Nani, Catherine Tresa, Siddhika Sharma, Charan Raj, Duvvasi Mohan. The kind of movie are Drama. Many people rated for this movie, Rate is 6.4 in We have a good movie torrents. The runtime of this movie are awesome, about 0 minutes. DeGea is crazy uploader, she is very proactive. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Crazy', so what is your thought. Do you know what are users? Maria Ozawa is the best. I don't fight my iPad screen. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

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Users reviews

Brian B (ca)

It has flaws but it kept me entertained throughout the whole experience. It is both uplifting and disheartening at the same time. I really liked this movie. It is very easy to follow so anyone can pick up on it. You don't need to be a mathematician to understand the movie. Also, this movie isn't confusing in terms of math. The constant cuts between time periods can be kind of heavy-handed but if you're able to get over it then you should like the movie. I was more engaged into the film when it showed them. It gives more insight to this dark tale by featuring them. Also, there are some very depressing and sad moments near the end. Also, the realization in their heroism is gut-wrenching. The mutual trust and friendship between the colleagues is uplifting. It is suspenseful and exhilarating watching them try to crack the code. But I found this movie to be very entertaining. You can argue that this movie is Oscar bait and technically you'd be right. The rest of the movie retells the incidents of how they solved the code and the events that happened in between. This is a movie based on a true story about a group of mathematician's trying to solve the Enigma code. He did a performance for all ages. He was truly amazing and he deserves to win Best Actor. How fast have you been sold on someone's performance? Benedict Cumberbatch sold me in the first 5 minutes

Dan I (jp)

Both of those films struck a balance between how I now view melancholy independent films and made me appreciate both the happy ending and the heartbreaking-but-more-likely-real endings of movies like Eternal Sunshine or Lost In Translation. Really the first "indie" film I saw that resonated with me outside of Eternal Sunshine of the Spotless Mind. Another film that altered the way I view films

David C (fr)

It would be more entertaining than watching this. If you want to waste 90 minutes of your life, sit in a darkened room with the lights off staring at a wall. Some of the worst acting, dialogue and lame action scenes imaginable. Oh my, this is terrible

David W (ca)

James Bond has himself get beaten up by thugs easily and has him ignore women around him for better or for worse, but the action plus the song makes Diamonds Are forever worth watching

Gregory W (mx)

just ok coming of age tale as a small town girl heads 2 rome-chaos ensues

Jimmy C (jp)

Fun, lighthearted adventure yarn

Julian H (fr)

this sequel is little cartoony at times but still not bad i'm giving it 3% cause of lin and roy love scene in the middle and the kiss towards the end that was romantic

Li N (au)

campy acting and some of the dodgiest blood writing ever

Lisa C (kr)

It was a good film. This movie had a lot of situations for the dog

Maarrk H (de)

That Truffaut re-explored the idea so thoroughly in both films (and given his own upbringing as a child essentially discarded by his parents in a similar fashion to that of Doinel), it's intriguing to wonder if he himself ever felt truly served -- and, more importantly, freed -- by the world of adulthood. As Antoine dreams of disappearing into the sea, Victor stares through the large open windows of Itard's estate towards the forest at the edge of the property -- both boys longing for escape from the stifling rules of society placed upon childhood. Itard may run a rather stuffy and demanding household, but as a film, The Wild Child is far more fascinating and energetic than one would expect given the original source-material writings from which it was drawn. While The Wild Child may lack some of the spark of The 400 Blows (though admittedly, few films in history equally share it), there are few auteur filmmakers with as indentifiable an on-screen energy as Truffaut. Shot in gorgeous black and white and tipping its top hat even further to early cinema through its use of irises, The Wild Child also displays Truffaut's entrance into a canon of classical-minded cinema, a movement in his mid-period films that some critics claim flies in opposition to his 1954 anti-establishment manifesto "A Certain Tendency of the French Cinema," published in the pages of the Cahiers du Cinema magazine. As can be expected, Itard learns just as much from his student, yet Truffaut's treatment of the scenario is never cloying or trite -- a double achievement given his steady and worthy performance in front of the camera. Portrayed by Truffaut himself, Itard toes the line between reward and punishment, patience and cruelty. Freeing Victor from the confines of a crowded hospital for deaf and dumb children in which he's constantly punished and attacked by the other patients (echoing the humiliating constraints of the military boarding school of The 400 Blows), Itard takes him to his countryside estate, attempting to ingrain the rigours of proper manners and basic language skills in his new-found ward. Adapted from the late 18th century writings of behavioural scientist Dr Jean Itard, The Wild Child portrays Itard's attempted re-education of Victor de l'Aveyron (the young, frantic-eyed Jean-Pierre Cargol), the titular wild child discovered in the forests of Aveyron who set the imaginations of late-1790s Paris alight. Even without the direct reference to Truffaut's directorial debut, the connection between the two films is as strong as the two sides of a single coin. It is of no small coincidence that the opening titles dedicate the film to Jean-Pierre Laud, the actor responsible for his multi-film portrayal of Truffaut's on-screen alter-ego Antoine Doinel starting with The 400 Blows. manners, but secondly as a personal valentine to cinema (including his own). society, and man vs. nurture, science vs. The true power of Franois Truffaut's 1970 film L'Enfant Sauvage (The Wild Child) is two-fold: first as a fascinating comment on nature vs