A teenage boy takes a job as a counselor at a summer camp. He finds that the camp is run like a military training camp, and he resolves to turn it into Party Central. . You can read more in Google, Youtube, Wiki
A teenage boy takes a job as a counselor at a summer camp. He finds that the camp is run like a military training camp, and he resolves to turn it into Party Central.
|Download||Party Camp (1987) VHSRip.mp4||Other||33||39||1.02 GB|
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Party Camp torrent reviews
Dan C (us) wrote: Brilliant documentary!
Terry B (ag) wrote: Stupid - just about as awful as you can possibly imagine. This thing can't even make it to a bad "B" rating. Embarrassing for the actors one would think, but then they didn't have much to work with.
Thomas T (es) wrote: Watching it as a kid, really loved it. Watching it now, wishing that I was a kid again. What happened?
Veer S (ru) wrote: one of the best movies of its time
Scott A (ru) wrote: Just as good as the first but the women are better in this one. Basically the same plot though.
Lee M (ag) wrote: Idiot Box is an early film from a Aussie director who has certainly progressed. It??s not a terrible film but it??s a noisy, confused and tiresome one.
Randy T (jp) wrote: A little more 'mainstream' than the Almodvar I've come to know and love, but still very enjoyable.
Dakota D (ca) wrote: like the best movie of the 80's
Allan C (es) wrote: A true American film classic if there ever was one. Never mind the historical inaccuracies, that's not what John Ford film are about. To quote from another Ford classic, "When the legend becomes fact, print the legend." That's what Ford films were about and that's why "The Man Who Shot Liberty Valance" can be viewed as a perfect coda to Ford's film legacy (though he did have several subsequent films). I'm really not sure what I can say in a review that hasn't already been written before about this film, but it's a staggeringly beautiful western. Henry Fonda as Wyatt Earp coming to the town of Tombstone is at his laid back all-American best here. Fonda's performance, which ranges from comic to dramatic to staggeringly violent, is certainly one of his best. While Earp has an easy going manner, there's a simmering violence just below the surface that the audience knows could come out if it's called for. The story is really a revenge picture, with Earp out to avenge his murdered brother on the despicable Clanton family, led by Walter Brennan as Old Man Clanton. But this isn't really a revenge film. This is a film about the settling of the west. The town of Tombstone is in the process of being built. Earp brings order to a town that has drunks shooting up the town when he first comes to town, criminal elements control the town and decent folks don't have a place to turn. In Ford's cannon of films, I think this film stands apart from a lot of his film in how suspenseful it is at times. There are some terrific tough guy face-offs that rival the best of Quentin Tarantino; Earp and Old Man Clanton when Earp introduces himself in the hotel lobby, Earp when he first meets Doc Holliday, Earp and Holliday rescuing an actor from the drunken Clanton brothers, and not to mention the most memorable of all film versions of the gunfight at the OK Coral. And that's not even getting into the romantic suspense and tension between Earp and Clementine. But at it's heart, this film isn't an action film. The quiet moments are just as memorable. Linda Darnell as Chihuahua singing "10,000 Cattle Gone Astray" and taunting Earp about his rustled cattle, Earp tipping back in his chair as the stagecoaches come to town (particularly the time he does his insultingly best to ignore Chihuahua as she chews him out), and the church social scene is a classic (it's not a John Ford western without at least one dance scene). Although Ford claimed that this was the most accurate film version of the gunfight at the OK Coral, having listened to first hand accounts of the famous gunfight from Wyatt Earp himself who lived to see himself portrayed in silent films. In reality, the gunfight was two groups of people at opposite ends of a horse coral blasting away at each other and Earp was the only one left unscathed. I'll also mention Victor Mature, who I've never been a fan of, but who is is excellent here as the dying and self destructive Doc Holliday. This is one of my all-time favorite films and just gets better each time I see it. I will say that I'm not sure this is one that will appeal to modern audiences or non-classic film lovers. Some films, like those by Samuel Fuller or Orson Wells, manage to have a pretty modern sensibility to them, but Ford films have a dated quality that is a treasure to classic film lovers, but would probably feel old fashioned to others.
Phil M (mx) wrote: Awful. Loved the first one but this sequel is all over the place. It's a war movie with ADD with monsters slapped into it. Just plain dumb. Couldn't even finish watching.
Mike N (jp) wrote: a interesting story and characters.