A young girl, with an amazing ability to communicate with insects, is transferred to an exclusive Swiss boarding school, where her unusual capability might help solve a string of murders.

A young girl, with an amazing ability to communicate with insects, is transferred to an exclusive Swiss boarding school, where she uses her ability to call on insects to help a paralyzed scientist (Donald Pleasence) fight a monster. . You can read more in Google, Youtube, Wiki


Phenomena torrent reviews

Jason C (au) wrote: The movie has a different premise for a father/son/coming of age story which is uplifted by great acting especially Craig Robinson as a very real speaking father. Carla Juri is great as well and most of the movie I was almost convinced she was Greta Gerwig.

Blake P (gb) wrote: French agent OSS 117 (Dujardin) is back, this time on a job in the exotic Rio, to recover some important microfilm in the wrong hands. To his surprise, he is assigned to be aided by gorgeous lieutenant Dolores Koulechav (Monot) who is not amused by an of 117's antics. The two get even closer to finding the important object, but the ride itself isn't without any misadventures, from being chased down by angry Nazis, to hanging out with French hippies at the beach to uncover information, and even more ... I'm surprised to say that I actually enjoyed "OSS 117: Lost in Rio" a bit more than its hilarious predecessor "Cairo, Nest of Spies" which uses the same director, and the same star, but there's just something about this one that's a little more funny and a little more charming. 90% of the jokes are sexist, racist, and/or politically incorrect (the film itself isn't, it's just some of 117's ignorant opinions on the world) but are somehow hilarious, and as a bonus it seems that OSS 117's naive demeanor isn't ruined somehow, all due to Dujardin's always likable demeanor. Most of this film would not have worked in the US, but the French pulled it off-- who knows how. But what makes the film even funnier though, is how well it parodies everything, from James Bond films, 1960's culture, and spy movies, something that its predecessor did well, but not this good. Every second of this film I enjoyed-- I was either laughing or just being entertained, and with a film as silly as this one, that's what you should pretty much be expecting in the first place. All I can say is that "OSS 117: Cairo, Nest of Spies" was funny, but this one, "Lost in Rio" is sidesplitting. At this point, it doesn't even matter which one you watch first. 3.5 stars. Recommended.

Vittal B (ru) wrote: Certified Copy is a masterpiece about what people can invent with conversation. Or it could be about middle-aged second chances? I have no clue what Certified Copy is actually about, but I love it.

Fiona N (br) wrote: not too sure why Blandine committed suicide, maybe because of the stress and loss of her baby.Some characters are redundant.Overall it's just OK.

FilmGrinder S (ca) wrote: 45%Hated it. R. Lee Ermey was the best thing about it. Epic fail.

Paul A (mx) wrote: this movies pretty good. its meant for kids really

Jake F (kr) wrote: A stupid, terrible, brilliant, perfect piece of fantastic crap.

Simon S (mx) wrote: [b]Angels in America [/b]Had some great moments. (especially the "antarctis" ones)[b] Into The West [/b]Great soundtrack

Ingela Z (ca) wrote: A strange story but worth seeing

Ryan A (br) wrote: A forgotten gem. Misunderstood at the time of it's release and misunderstood now. Not politically correct enough to get many airings nowadays, but when you get past the shock of some of the more crass dialogue you'll realise that any criminals and bigots within are not painted in a good light. An effective thriller that in some ways reminds me of Suspiria for it's sublime score and colour soaked visuals.

Irena A (jp) wrote: oh, the time when women were funny and men all handsome

jay n (au) wrote: High class soap opera with Ingrid, stylishly dressed and becomingly coiffured, looking wonderful. She of course gives the best performance with Perkins a close second. The main problem is that her longing for Montand, a stolid lout, is puzzling. In a sign of how the times have changed the enchanting beautiful Ingrid, who states that she is forty, considers herself old and seems desperately afraid of being alone and is willing to settle for crumbs from a man whom she is clearly to good for. Still as these sort of pictures go this is a fine diversion. Jessie Royce Landis is fun in a small part as Tony's mother.

Brian S (br) wrote: I would have enjoyed this film a lot more if it were shorter. the story was well-conceived, the acting was convincing (especially for non-actors), and certain elements of dialogue and cinematography were very touching and poetic. the pacing, however, was very slow and the overall film is just very depressing. I understand how that contributes to Visconti's neorealist vision, but I think it just dragged on a bit too long.

Jude P (nl) wrote: A lot of psychological thrillers lately has sure got inspiration from this movie.