On opening night of Musical revue in Vienna the backer, who wanted to replace the revue's stars for personal reasons is murdered from the stage,the suspects are the stars. A police officer,... . You can read more in Google, Youtube, Wiki
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Jesse O (gb) wrote: This is an intriguing premise undone by silly plotting and characterization as the film nears its climax. It does a good job at slowly building up to its climax, giving you enough to suspect or to doubt the claims that Da-eun's father had anything to do with the kidnapping and murder of this little kid. Of course, once the statute of limitations is up, which is apparently 15 years for kidnapping and murder in South Korea, which is mind-boggling if you really think about, is when the silliness starts to happen. I like the idea of Da-eun not really knowing the kind of person that her father really was and/or still is. There's a good concept in that, not really knowing the person that you trust and love most in this life. And, again, they do a decent enough job for the most part. It's not like the climax destroys everything the film tried to accomplish, it just puts it several notches below what it would've been normally. The problem is the fact that they have to so heavily dramatize what's going on. There's no real subtlety to the climax. It's melodramatic and overacted. And that's a really big problem, because the story of what a father would do for his child can be a good one if done correctly. Mother, by Bong-joon Ho is a perfect example of how well this story can be told if done correctly. You don't have to resort to overacting, melodramatics, and an emotional score to manipulate the audience into buying your story. Just have a talented actor, or actress in the case of Mother, and let her sell the story on her own, without any smoke or mirrors. Mother is one of my favorite Korean movies, so it's obvious that subtlety worked perfectly in that situation. It's not a terrible film whatsoever. It's just one that doesn't make the most out of its concept. Instead relying on old genre tropes that've been worn out for decades. The acting is fine but, again, there's a bit of overacting once the truth is revealed. It took a lot away from the film, not to mention that it's a little bit silly if you ask me. There's no twist, fortunately, it's a 'he did or he didn't'. Don't expect to be M. Night Shyamalaned. It's also well shot, but unspectacular. Nothing about the film truly jumps out at you in any particular way. It's watchable at the very least, but it definitely won't stick with you for a long time. I think I'm determined to watch every South Korean movie that becomes available on Netflix and that's pretty much the only reason I actually chose it. South Korea is one of my favorite countries and many of my favorite films are from there. If you love Korean movies and you've watched everything Netflix has to offer, then this would be a good choice. If not, you should stay way. Not awful, but not good either.
marco m (ag) wrote: great film! really like Fernanda Romero
Johnny N (nl) wrote: Pointless and not believable. Waste of time.
Annie C (ca) wrote: Only watched it for Katharine McPhee but then I discovered how cute Dave Annable is. A good laugh!
Paul A (de) wrote: it was a pretty good war movie, it shows how hatred for the US can spark.. for an act that should of never happened.The killing of innocent kids was pretty sickening.Its debatable what actually happened, but this movie did a good job of portraying how things may of happened.
Fundacion L (it) wrote: Pelicula colombiana emblematica. Una de las mas populares y miticas en esta escasa cinematografia nacional
Jessica H (br) wrote: Perfect for those nights when you are feeling unimagitive and want to watch a film full of barrowed bad ideals.
Adam R (br) wrote: An absolute disgrace to the original. Depp isn't even close to mastering Willy Wonka as Gene Wilder did. Horrible film. If you want to watch Willy Wonka and enjoy a lifetime supply of chocolate, watch the original movie.
Jonny P (jp) wrote: "Fantasia" is a classic but it is not without its faults. This huge undertaking tackles eight pieces of classical music in their entirety, but there comes a point where this feels like the longest Disney movie ever. Its highs are really high and its lows are pretty low, from The Sorcerer's Apprentice (my personal favorite Mickey Mouse cartoon of all time) down to the slow-moving Toccata and Fugue that shows little more than superimposed images of the orchestra in Technicolor. The entire film is incredibly creative with a vast number of characters, memorable moments that will forever come to mind when their respective song plays, and the transformation of some pieces of absolute music into program music. The lowest point of the film is the evolutionary interpretation of The Rite of Spring. Dinosaurs are cool but this sequence is terribly boring. There is also way too much time spent giving this an authentic concert feel with lengthy introductions for each piece, an in depth explanation of the soundtrack, and even an intermission. This is evidenced by the fact that subsequent releases of the film edited out the majority of the introductions in favor of a more compact musical presentation. I prefer the more family-friendly "Fantasia 2000" that focuses on the music, cuts each piece to an appropriate length, and animates its sequences with memorable stories. The film does successfully bring its musical selections to life as the colors in each scene reflect the mood of the music and the pieces are given some sort of story. The various nationalities represented in The Nutcracker Suite are cleverly given their ethnic characteristics, though the racial representations went a bit too far in Beethoven's 6th Symphony (and have since been edited out). The Beethoven is great when the cartoony unicorns are flying around but the centaur love sequences and drunk god of wine detract from the whimsy. Seriously, so much nudity with those centaurs. The Dance of the Hours provides the iconic ballet-dancing hippos and elephants that bring some much needed comedy to the latter half of the film and the Night on Bald Mountain sequence continues to be one of the darkest moments in all of Disney animation. As I mentioned, the highlight is The Sorcerer's Apprentice. This marks the first appearance of the redesigned Mickey who now had pupils to allow for a greater range of expression. The colors are vivid, the story is fascinating, and it is perfectly in sync with every musical cue. It is no surprise that this sequence has influenced rides and shows at Disney parks as well as being reused in "Fantasia 2000." You will be hard-pressed to find a better Mickey cartoon than this one. I know that I should claim this as my favorite Disney film because of the attention that it brings to classical music but I do find it to be longwinded and that it might actually cause younger kids to dislike classical music. Parts of the film are entertaining but the feature as a whole is cumbersome, even for some with two degrees in music. "Fantasia" is a film best suited for classical music experts and die-hard fans of Disney cinema. Everybody else should defer to the pared-down-but-equally-significant sequel that captures the essence of Walt's concept without the length, borderline inappropriate imagery, and questionable message of evolution.
Ellen G (jp) wrote: Joda, helt okey monty pyton sjrverfilm fra 80-tallet. Sikker p at jeg s David Bowie der i noen sekunder...