Prince Charming

Prince Charming

After an extramarital indiscretion, a fairy-tale prince and his sidekick are turned into frogs for all eternity or until the prince can convince a maiden to kiss and then marry him.

  • Rating:
    4.00 out of 5
  • Length:87 minutes
  • Release:2001
  • Language:English
  • Reference:Imdb
  • Keywords:magic,   frog,   frog prince,  

After an extramarital indiscretion, a fairy-tale prince and his sidekick are turned into frogs for all eternity or until the prince can convince a maiden to kiss and then marry him. . You can read more in Google, Youtube, Wiki

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Prince Charming torrent reviews

John S (ru) wrote: If jean-Claude gets another face lift he is going to look just like Nancy pelosi. this is a horrible film. but horrible enought to watch.

Edward K (es) wrote: this movie was awesome about a guy who wakes up in a room without food and water and must get out before he suffers from dehydration

mike d (br) wrote: Khon fai bin is about a Robin Hood figure of Thai legend. He uses homemade rockets instead of arrows though. The hero goes after a gang of cattle thieves who are stealing from the villagers.This is very much like a Tony Jaa movie. Lots of muay thai kickboxing. It was very cool and only a little hokey. Riding rockets is a kinda cheesy. But the kicks make up for it.

Kate L (au) wrote: A beautiful screenplay. Characters kept surprising me. A wonderful film about what things appear to be and what lies underneath.

Jennifer S (br) wrote: I think I sobbed for the final 30 minutes of the film the first time I watched it. It still moves me to tears after seeing it several times.

Hilary H (fr) wrote: This is an awesome movie, my friends have been getting together once/year to watch it for 20+ years now. The lines are great. It's a must see for a party with a few cold ones.

Justin D (it) wrote: The sequel to man of marble.

Greg S (fr) wrote: The first 1/3 of this kinda made me sleepy, but after a while I was kinda digging what Romero was doing. By the end, he's put so much humanity into these crazy-ass people that you almost forget they're batshit insane.

Mikael A (gb) wrote: One great pirate movie that more people should see.

adam m (br) wrote: "One has to choose. To lie...Or to die" and that little tagline perfectly describes both the plot and characters of Jean-Pierre Melville's twisty crime-drama, Le Doulos. Here is a dialogue-driven film that goes by American film noir tendencies with a deceptive charm. Melville never fails at creating characters with irresistible suave that nullifies just about all of their flaws. Sometimes Melville has put more of his effort into the slick, effortlessly cool look of his films than into the stories that they tell. Jean-Luc Godard did the same thing in his debut film Breathless (1960), but if it wasn't for them putting so much of his time and effort into the look and visual style of those films from the early 60s, the French New Wave just wouldn't have been the same. Maurice Faugel (Serge Reggiani) and Sillien (Jean-Paul Belmondo) are two very similar men who are in very different situations. Maurice is a career criminal who has just recently been released from prison, Sillien is younger and has taken very dangerous risks, which has lead him to become a police informant, in hopes of moving away to a "nicer" place. Both men have created lives for themselves that requires them to lie just as much as they tell the truth which makes it close to impossible to even know when they are being genuine. When going into this film you just need to let yourself know that nothing is what it seems. One of the best scenes has Sillien being brought in by the cops who are accusing him of informing about a robbery at a mansion that Maurice is involved is a real highlight that is wonderfully ironic. This conversation is filled with lies on both parts along with lies conflicting with their previous lies. At one point they talk about how the police are unable to get any information about a the mysterious murder of Maurice's girlfriend Therese (Monique Hennessy) due to none of the witnesses being able to come to any conclusion besides that a women was in the car and a man left. Superintendent Clain (Jean Desailly) says that the cause of that is because witnesses are easily "influenced" by lies in the newspapers. By the end of this exhausting lie-fest Sillien, the police, and also us, are so lost in the conflicting stories, so when Sillian submits to a lie by the police that has nothing to do with the plot all we can do is laugh. Dialogue is the driving force, without a doubt, but Belmondo and Reggiani's performances are essential to the one-of-a-kind style. Those two men, especially Belmondo, could be put on the cover of a magazine for 60s style. Both embody roles that work perfectly with their natural flair. Belmondo first worked with Melville in Godard's film Breathless, that I have mentioned before. That one film is given credit by many for perfecting the style of the French New Wave. His role in Breathless is as Michel, a wild petty-criminal who lives life without direction or purpose. Here he fits much better in a role as a street-smart criminal who devises patient, genius plans. Reggiani's career in film ended with Le Doulos. After tiring of acting he turned to a singing career which he had much success in. Though seeing how perfectly his rough image worked in these kind of films really makes me wonder what his acting career could have become. I can easily say that his performance as Maurice is one that drifts into the shadow of Belmondo's towering presence, but there are many scenes that Reggiani quietly steals. Melville miraculously keeps this roller coaster of a plot from becoming frustrating, at any point really; plot twists lead to confusion, and confusion leads to frustration and frustration leads to a unpleasant viewing experience. By making it obvious that the real truths will never be given to us, that give a relaxed feeling of just going with the flow of a plot that never stops throwing curves when you so surely expect a fastball. Le Doulos is set in France and has all the classy French culture from the marvelous 60s, though it is an American film noir narrative direction that is taken. Shouldn't it be illegal for a movie to make being a criminal so cool? I'm very glad it isn't, Melville is a man who is dedicated to certain looks and feelings that he expresses in each of his films, so you will always have some fascinating to look at. With saying that, when he gets a good story going watch out because you just may be witnessing something very special. Le Doulos is Melville's first film to bring look, feel, and story together with near perfection.

Raphael B (es) wrote: how can I watch this movie free

Hli L (ru) wrote: Undefinable and incomprehensible on a single watch, Carruth's lyrical film tells the tale of two people caught in a worm-pig-orchid life cycle, all courtesy of a mind controlling parasite. Odd?Complex? We haven't even talked about The Thief or The Sampler! Inspired by the concepts of transcendentalist Henry David Thoreau, this is really visionary and original filmmaking that doesn't take audiences for granted as it questions whether we control our identity or we let our identity control us. Hypnotic editing and heightened sound design are heavily favoured over the verbal and help make the experience as intriguing as the greatest mysteries of life. Watch if you are not afraid of the unknown!

Sam S (au) wrote: HOW DO YOU UNLOCK YOUR REEDUM COAD

Stephen S (br) wrote: This movie is so awful that it's mesmerizing. It's the epitome of 80's cheesetasticness. If you're nostalgic for the 80's, watch this and it will quash those feelings.

Marko S (mx) wrote: follows a lot of cheep noir cliches, and also a lot of cheap freud's psychoanalysis. worth seeing only for the actors' performances.