Red Dirt offers the story of a young man's search to belong in this sublime expression of love and reconciliation. At only twenty, Griffith is struggling with the responsibilities of caring for his unwell aunt, grieving the loss of their family's matriarch, and his own dreams of leaving Pine Apple. With the arrival of a stranger, Griffith's carefully constructed walls of shame and silence begin to come down and his life takes an unexpected turn.
Red Dirt offers the story of a young man's search to belong in this sublime expression of love and reconciliation. At only twenty, Griffith is struggling with the responsibilities of caring... . You can read more in Google, Youtube, Wiki
Red Dirt torrent reviews
(jp) wrote: Curiosa pelcula japonesa, todo va muy bien hasta que... No puedo revelarlo o sabran el final. Pero me dejo a medias.
(nl) wrote: C'est super mauvais, un humour absurde du d (C)but la fin mais ya un gros problme de dialogue, y'en a pas, on dirait qu'ils sortent des vannes et ca retombe aussi sec. Du coup Rouve est peut tre le pire de tous, Blanche n'apparait pas au generique et pourtant son role de rasta humanitaire inculte avec des poux est excellent.
(br) wrote: With catchy songs, articulate dance moves and a captivating plot Burlesque is a fan fav for years to come
(gb) wrote: Belgesel tadnda, kimi kisimlar zevkli ancak bazi bolumlerde cannz sklabiliyor. Yemege bakis acinizi degistirebilcek bir film:)
(ru) wrote: John Carney's musical debut is a bitter-sweet symphony of powerful storytelling and sensational music that his films are known for.
(nl) wrote: Though the plot does not contain enough of the stunning action sequences that its predecessors have, as well as any of the vulnerability of the titular character, Kingdom of the Crystal Skull is still one entertaining movie boasted with Spielberg's great direction and Harrison Ford's best character.
(mx) wrote: I own this on DVD and Blu-Ray.
(mx) wrote: Very interesting look into the late 1970s and early 1980s pornography industry. The drugs and sex are very much a part of this film. Mark Wahlberg, Julianne Moore, and Burt Reynolds are all excellent in this film. The script is very well written and gives us a very clear trajectory for Dirk Diggler (Wahlberg) throughout the film that ends very appropriately.
(fr) wrote: When one thinks of the title "Blade Runner", a range of concepts spring instantly to mind. Androids, hover cars, grit, and dreamscape unicorns all fall within this list, heck, for some it might be the word "Cyberpunk" unfolding into neon pink letters, vibrant against a gritty, aged surface, or even Harrison Ford's performance in what was considered the "Star Wars before Star Wars". These thoughts, and rightfully so, are what make Blade Runner an iconic classic in the public eye; in essence, this film is every nerd's wet dream. Although, this does bring to question, after 34 years does this film managed to stand its ground? With time comes change, and when time changes so do our expectations and values, and the cinema isn't exempt from this cultural phenomenon. Modern day technology has pushed the limits of cinematography. With 3D films such as Avatar, where almost everything is filmed in front of a green screen, directors and studios alike have managed to create photo-realistic sets and costumes that show little contrast in comparison to real objects, and this is exactly where Blade Runner manages to slip through the cracks. There are several scenes in the movie that look genuinely dated. The graphics lack detail and are cheesily integrated into the scene. The hovercraft jumps immediately to mind, with the set of the cityscape lazily positioned behind the car. 34 years has made a substantial difference on the film, and it's not afraid to show its age. There are points in the movie where you will see Atari logos embroidered in fancy neon signs, a company, that while still around, hasn't maintained the influence that it once had. Old CRT monitors decorate the scene, with lengthy cables sprouting outside their grimy shells, polaroids decorate walls, making the current standard for physical imagery obvious, and yet this is the same world where androids walk the street. It's almost as if someone thought the same technology present within the 90's would be somehow capable of advanced techniques, with little to no alterations aside from a coat of dirt. Now, this isn't just a review meant to bash Blade Runner. In fact, while the set design may show the movie's age, the movie manages to somehow make it work. It works in the sense that these props add to the overall atmosphere and design of the world. The world that Harrison Ford explores is that of a dystopian future. It possesses a specific aesthetic, an atmosphere or setting that some might describe as cyberpunk. It's a dirty, cluttered world, dense with people and towering skyscrapers. Smog fills the sky and there's always some form of vapor that seeps its way into the scene. The world makes it easy to believe that the odd relics of the 90's can coincide within a such a futuristic society; the past and present clash together, and that just adds to the charm of what makes Blade Runner a phenomenal film.Blade Runner is enthralling and captivating, and not even time itself can spoil the deep and morally complicated plot that it presents. You invest yourself in the thrilling mystery of hunting down the androids. Subtle hints give clue to who could be a machine and you begin to take notice of a stark uncanny valley esq. vibe that stems from your suspects. With the flux of cold and stern speech to erratic and emotional gestures, the actors do a fantastic job of making the androids that of an enigma. What starts off as a simple plot about hunting down renegade androids turns into something much greater as you come to realize that these machines aren't entirely evil; they're just trying to survive and be free. It presents moral reasoning to the viewer as these machines are capable of feeling emotions, falling in love, and to some, it might just turn out that the humans are the evil doers. Blade Runner may show its age, but that only adds to the aesthetic of the film. The acting and the plot intertwine with one another to create a beautiful narrative that keeps the viewer at the edge of their seat. 34 years have gone by since the release of this film it proudly boasts itself above nostalgia, and unlike tears in the rain, Blade Runner won't be washed from the cultural eye anytime soon.
(ag) wrote: Exciting well made supernatural thriller filmed in black and white with heaps of atmosphere. Dana Andrews plays a psychologist coming to London to give a lecture after being invited by Professor Harrington who has been found dead when he arrives. The plot builds nicely with some great scarey moments. Andrews plays his part well, first skeptical about the demon then gradually realising what he is up against. Fascinating 50s shots of London around railway stations and creepy shadowy interiors of dark old country mansions. Tourneur made a name for himself directing film noir in the 40s and the effects are evident throughout this brilliant film.
(ca) wrote: An elliptical, strange, and surreal descent into a distinctly American nightmare of shifting personalities and psychological damage. After multiple viewings, I still don't know exactly what it's about, nor can I explain how or why things happen. But that's the point. It defies synopsis. Here the images, symbolism, and characterizations are more important than actual narrative.
(de) wrote: "I think we all want to be happy more than we want to be in Swedish House Mafia." Anyone in a band should see this. The guys are funny, the music is the best, and the experience is memorable. Insightful and visually stunning, 'Leave the World Behind' does a fine job of expressing the reason behind the splitting up of the most important EDM group of all time.
(ag) wrote: To me it was awesome but really long and poring. If it wasn't that long it would be better.
(ag) wrote: Noir at its best. Great performances all around. Remember when Nic Cage was this good? Remember JT Walsh? Wow!