Ride Lonesome

A bounty hunter escorts a killer to town to be hanged, but is allowing the man's outlaw brother to catch up with him, for a showdown over a shocking previous murder.

A bounty hunter escorts a killer to town to be hanged, but is allowing the man's outlaw brother to catch up with him, for a showdown over a shocking previous murder

Ride Lonesome is a movies torrent of Burt Kennedy. The released year of this movie is 1959. We can counted many actors in this movie torrents, such as Randolph Scott, Karen Steele, Pernell Roberts, James Best, Lee Van Cleef, James Coburn. Movie' genres are Western. This movie was rated by 7.3 in www.imdb.com. We have a good movies torrent. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

Ride Lonesome torrents

Ride Lonesome full movie

Ride Lonesome 1959 torrent

Ride Lonesome torrent, Ride Lonesome movie torrents, download Ride Lonesome full movie, Ride Lonesome 1959 torrents, download Ride Lonesome 1959 torrents, watch Ride Lonesome movie, Ride Lonesome englishsub, free download Ride Lonesome movie, movie Ride Lonesome torrent

Links Name Quality Seeders Leechers Size
Download   Ride Lonesome (Western) { Scott, Lee Van Cleff, Coburn) [1959] Other 42 33 867.67 MB

Users reviews

Alexis R (us)

im very norma sicke

Bill B (ca)

Recommended. Very quotable and well worth numerous viewings. I really loved this film, it pokes very self aware fun at all the Blaxploitation tropes and instead of laughing at them, feels like a loving homage to the genre

Brian M (it)

would go on to see many more after that, but to this day none have had as much as an impact and influence on me as "Under Siege 2". My love for action films of the blockbuster sort had begun. That night at home, I lay in bed wide awake, full of buzz and excitement as I discovered my first true idol. He granted my wish and I got my play time. We passed by a game arcade and I asked my dad if I could go in and play a "Shoot 'Em Up" game. Afterward, my dad and I walked through the shopping centre and I reeled in excitement as I recapped the whole movie to him as if he hadn't even seen it. This final scene in the film is the one I remember the most after seeing it the first time about 15 years ago. And after all that, he still remains as cool and as calm as he had been since the entire ordeal began. He climbs up it with ease and makes it to the helicopter to see the remainder of both trains meet their demise in a gigantic ball of flames. He leaps with a grunt to exert himself forward and grabs the bottom of the ladder with both his hands. Without about a second left to spare, Ryback makes it to the last carriage just as it was about to tip down into the dark hole beneath the bridge it was heading across. All that was left for him to do now was to make it to that helicopter and spend the rest of his days with his niece, living in peace. He killed the bad guys, stopped Washington from being blown up and rescued the hostages. He has come too far and fought too long to lose here and now. He is not going to let this be the end of him. Ryback runs forward with steadfast focus and determination. The helicopter is waiting for him with its trusty ladder at the end of the very last carriage. He knows he can't go back. Each carriage behind him is smashed to smithereens and plummets to the base of the canyon below. Calm and cool as he always was in the face of danger, Ryback skilfully and tactfully runs towards the end of this train. He runs. He manages to get up and has one second to catch a glance of the diesel train of death tearing its way through the passenger train with no sign of stopping. As the two locomotives smash head-on into each other, Ryback is thrown like a rag doll and tumbles down to the end of the carriage. She hangs onto the bottom of a ladder suspended from a helicopter, safely hovering above the scene and watches in horror as the two trains collide. He also gets his niece safely out of the train through the access hatch in the roof. Casey Ryback, the character played by Seagal, manages to disengage the carriages holding all the passengers, who were being held as hostages. He knows this because the terrorists that have taken over his train (which he once again manages to avoid capture by) have set their locomotive on this path to destroy the train they hijacked, so they can cover their tracks and escape. Towards the end of the film, our hero learns that the train he is riding is on a collision course with another train carrying millions of gallons of gasoline. I walked out of that film absolutely blown away by it, especially the final scene. My dad took me to our local cinemas to see it and it was the first real action film I saw at the cinemas. The movie was "Under Siege 2". The fascination I had for this action/martial arts star came about when I went to see one of his movies at the age of 14. GENRE REVIEWS - FAVE ACTION FILM When I was an early teen, my idol and role model was Steven Seagal

DJ PowWow (ca)

BTW, keep a look-out for numerous "Spidey" references throughout the movie. Fun as long as you don't take it as seriously as the filmmakers apparently did. It's basically a Thai version of Spider-man, except with a hero who uses more muay thai and whose superpowers make much less sense. Another Thai action film that apparently included some of the crew members that worked on "Ong-bak", though apparently none of the talented ones

Jessica K (au)

dded bonus was the beautiful scenes of France. When Meg Ryan was still good and Kevin Klein brings his own blend of quirky charm to this funny romantic comedy

ld p (gb)

They dance and Oliviero defiantly touches Alejandra's belly (implying that she's getting pregnant), observed by Death, Ana and his own double and triple. The couple takes off on Time's motorcycle (Time is not an enemy, he is the protector of Oliverio's most valuable treasure, his memories) but still followed by Death and Ana in a car. Still, he prevails: she chooses him over Death after walking the tightrop without any safety net. They make love, but in the middle of the night Oliverio finds her dancing with Death. Oliverio tries again to cross the tightrope, and this time Alejandra meets him halfway. Time whispers in his ear an advice on how to slow down both of them, Time and Death. This time he also play cards with Time, Death and Ana, and wins. Oliverio doesn't listen: he tries again to cross the tightrope, fails again, and has to sleep alone again. Joaquin warns him against falling in love with her because she already tries to commit suicide. The following day he sits next to the Death during Alejandra's show. He fails (falls in the safety net) and has to sleep alone. His double and his triple laugh as he tries in vain to perform the acrobatic act. As Oliverio begins to walk over the tightrope, she begins to undress. Oliverio tries to make love to her, but she tells him that first he must pass a test: he has to cross the tightrope that she crosses during her show. A man in black comes out of her trailer: he is Death, madly in love with her, and waiting for her to make a mistake. Oliverio is fascinated by Alejandra's show and goes to see her after the show. Obsessed with the woman who can fly, Oliverio asks Time to give him a ride to the circus. In his dreams, he keeps dumping women under the bed, and even himself. Joaquin is intriguing by the posters of Alejandra, a circus acrobat who (the poster says) is capable of flying, but Joaquin introduces him to twin sisters Daphne and Chloe (one is a magician and the other one is her best trick) and Oliverio has sex with them too. Joaquin, a theatrical agent, invites him to a party. Oliverio, always trailed by Time on a motorcycle, looks and finds an old lover, Ana, but Time makes fun of his return to the past. His double convinces him to dump Miranda and travel to Spain. Miranda asks him to find a job, but he is depressed by the aging process. When he is alone, Oliverio talks to himself, to a double and even to a triple. They meet in a dance hall and she introduces him to Time himself, who keeps count of the past but can't predict the future. She's another lover. As he is walking in the street, a public phone starts ringing: he picks it up and has a poetical/philosophical conversation with the woman who called. Back to the bar, Oliverio meets another woman and has sex with her too. They have sex, then he presses a button and dumps the woman into a discharge hidden below the bed. He picks up (or dreams of picking up) a lonely woman. Middle-aged poet Oliverio hangs out at a bar and discusses women and gravity with barman Paco. But the narrative flows in a mature and credible manner, and the way reality, dream and thought are blurring is remarkable. His hyperbolic language recycles stereotypes that are not particularly original (the conversations with Time and Death). There is a bit of Fellini and a bit of Bergman in Subiela's tortuous, and, of course, a bit of magic realism and of Borges. A web of symbols (gravity, time) supports his allegorical journey. The protagonist is an intellectual who is searching for something to redeem his meaningless life. Eliseo Subiela's El Lado Oscuro del Corazon/ Dark Side of Heart II (2001) is a surreal meditation on aging, decay, fear of death and the meaning of love

Michael H (ag)

The vivacious lead pulls us through the movie despite a a fair bit of obvious and heavy handed movie making. And some hip hop parkour. A very earnest movie with lots of hip hop dance

Morad T (gb)

It's worth the watch. It is very educative and balanced in the portrayal of the Chinese and Zambians. The documentary focus on China-Zambia relations

Noah M (au)

oes a good job staying away from the sex component. Really interesting documentary on a very interesting museum

Renan M (jp)

The also cast does a great job. It has its moments where the film is really funny and even touching but it still doesn't come together