Officer Brown, a big city cop comes to Adams, Massachusetts to get away from all the crime, but stumbles across a deadly secret. Adams is the sort of town that you can visit but never leave... . You can read more in Google, Youtube, Wiki
Rise of the Scarecrows
Officer Brown, a big city cop comes to Adams, Massachusetts to get away from all the crime, but stumbles across a deadly secret. Adams is the sort of town that you can visit but never leave...
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Rise of the Scarecrows torrent reviews
Prabhangad K (kr) wrote: better than expected.priyanka chopra <3
Rachel Leann B (gb) wrote: Really Flixster? How about you save my reviews!I saw this long time ago and never reviewed or rated it. I didn't like it as much as I thought I would, but then, I haven't read the comic it was based off or anything. Maybe I'll re-watch it some time once I've seen "Public Enemies" or gone through the rest of the DCAU films.
Randall W (ag) wrote: I did not like this film at all. B level acting at it's best. Gangsters in the Mountains and desert? The story went no-where and the MOJO lacked big-time. I've seen much better Cuda Jr. Films. Too bad, I waisted my time.
stefano l (nl) wrote: Nothing in the middle of unlucky and unlikable characters, innumerable plot holes and a nonsense ending.
Caitlyn M (mx) wrote: Entertaining storyline, happy ending, attractive cast. What more could you need?
Trish H (es) wrote: Definitely one of the best prison based movies I had seen in a very long time. I checked it out because I really like Edward Furlong, and it wasn't a disappointment.
Andrey B (gb) wrote: Dolph Lundren's performance is a gem of this movie.
Arslan K (mx) wrote: Jake was good, hopkin was good, Paltrow was ehh and the story is ok. It's a good film for people who like math.
Dorothy M (mx) wrote: Interesting to see all these actors looking so young. Eighteen years ago!
chris a (it) wrote: complete disaster, extremely boring, and a complete rip off of the thing and aliens, Leviathan jut has nothing new to offer
Van R (ca) wrote: This autobiographical account of the exploits of Audie L. Murphy as the most decorated American soldier of World War II makes for a good traditional military movie where everybody obeys orders. RIDE CLEAR OF DIABLO director Jesse Hibbs and SASKATCHEWAN scenarist Gil Doud have fashioned a solid, unpretentious combat movie that opens with a brief prologue about our protagonist and the rigors that he endured as a deprived teenager. Murphy had no father. The man abandoned his family and left them to fend for themselves with our hero setting aside his eighth school education to earn money for his mother and his brothers and sisters. The outbreak of World War II prompted Murphy to enlist, but the Marine Corps and the Navy rejected him for his size. He stood five feet five inches and must have looked even scrawnier in real life. Eventually, Murphy made it into the Army, but Hibbs and Doud skip his basic training and have him showing up in North Africa as a replacement. The commanding officer of the outfit is somewhat surprised when Murphy puts in a request to transfer to the paratroopers. Initially, the C.O. wants to transfer the ailing Murphy out because of his poor health on the trip to North Africa (Murph had never been on a ship) and put him in with the cooks. Murphy asks them to forego any special treatment. Nothing happens for our heroes in North Africa, but they get their taste of combat in Sicily and later the Italian campaign. Everybody in the outfit sets out to protect little Audie, but by the time that it is over, he has risen to the rank of lieutenant and he is the one watching out for them. What sets this combat film apart, aside from its infantry perspective, is the appearance of two genuine Sherman tanks--which while they may not be the same models that plowed through the fields of France--are a rarity in World War II movies, especially during the 1950s. Hibbs includes the famous scene where Murphy single-handedly stalled a German advance by manning a .50 caliber machine gun on a blazing tank. His superior officers wanted to ship Murphy off to West Point, but those ambitious plans were sidetracked when Murphy suffered a war wound that disqualified him for the academy. Marshall Thompson, who played the replacement in the Battle of the Bulge movie BATTLEGROUND is cast as a fellow G.I. along with Jack Kelly who later attained fame on the MAVERICK television series with James Garner. Murphy has a brief interlude with a spunky Italian babe, Maria (Susan Kohner in her film debut), but they never get it on with fireworks to boot. Basically, TO HELL AND BACK covers the war without too much fanfare on the part of the protagonist. The theme of friendship is explored in some detail. Nobody wants to make friends under such stressful conditions because their friends wind up dying under fire and the separation is agonizing for them. The action ends with Murphy receiving his decorations. The Germans are pretty much depicted as extras in long shots without any interaction between themselves or the Americans.
Paul G (br) wrote: You're gonna love her to death.
Alister W (es) wrote: This movie (though a bit on the extreme side) is the epitome of young love and innocent passion. In fact only reason people say it's not a great film is they're wishing for their own rainbows and kittens ending to the story rather than how it actually ends.
Alonso A (gb) wrote: Hypnotic, artistic, experimental. Cinema at its finest.
Brandon S (ca) wrote: I can't stop thinking about this film. It's about the yearning to return to a simple life, and how, in a culture obsessed with vanity and wealth, we're less connected now than ever before. How people don't see each other as individuals anymore, but as members of an entity or a group. Simply put, not all that glitters is gold, but this film certainly is.Terrence Malick is a masterful artist that has taken the art of cinema, and molded it into something methodical. He writes poems with all that cinema has: words, images, sounds, and, most importantly, people.