Robot Taekwon V

Robot Taekwon V

Robot Taekwon is a Robot that was built by a super-heroic team so it could help them fight monsters that have been destroying the world. So it's up to Robot Taekwon and some heroes to become saviours of the world.

  • Rating:
    4.00 out of 5
  • Length:76 minutes
  • Release:1976
  • Language:Korean
  • Reference:Imdb
  • Keywords:robot,   giant robot,   anime,  

Robot Taekwon is a Robot that was built by a super-heroic team so it could help them fight monsters that have been destroying the world. So it's up to Robot Taekwon and some heroes to become saviours of the world. . You can read more in Google, Youtube, Wiki

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Robot Taekwon V torrent reviews

Yany B (br) wrote: This was an utterly awesome movie! I loved everything about it and it gave me quite a few scares!

Syed R (it) wrote: A fantastic making of documentary of Night of the Living Dead that not only goes through the behind the scenes, but also parallels the political issues of that time. What makes this better than some other movie documentaries like that awful Room 237 is straightforward truth. Overall, a must see if you're a horror fan or a fan of movies in general.

Cori A (it) wrote: Better then I thought it would be. (November 13, 2011)

Rob A (de) wrote: Great documentary on an incedible story of two brothers who become World Heavyweight boxing champions at the same time. You could not make that story up and have it be believable. Well done.

Matt R (ru) wrote: An 'average', Arabian epic, I enjoy Banderas and Strong so made it easier to watch, without them two, could've been slow going. Entertaining enough Arabian set story about feuding houses and of course the discovery of 'Black Gold' on a piece of 'no mans land' between the twos territories... war ensues. (beautiful cinematography and score).

Kliff R (es) wrote: For gear heads and car lovers, this is the story of Actor Eric Bana's undying love and fascination of his Ford Falcon.

D371N 5 (gb) wrote: Although there are some bad parts to this movie and some corny lines, I still really enjoyed myself while watching this movie, and was at the edge of my seat during most of the action. Although this movie didn't have The Wolverine in it, I was fine with it while watching the movie and didn't bring the movie down in any way.

Edgar C (mx) wrote: Lack of communication is the principal enemy in a disintegrated family. It is basically an open door for every possible outcome to worsen. Given the minimalist scope of Ceylan, and the grim atmosphere of the scenarios, it may not be so surprising that things will turn out badly. Yet, it is the act of "getting there" the one that counts in this expertly shot experience. It is rare to see a male director tackle family relationships and the bonds of acquaintances with such emotional precision while being as impactful and disturbing as Haneke whenever he feels it is necessary. Maymun is a wonderful work that gave Ceylan a Cannes Film Festival Award for Best Director.92/100

Justin J (ru) wrote: I watched this movie a couple of times and i really liked it! and its really well made and fun to watch a bunch of snotty inmates die one by one and you can tell from the beginning who dies and who lives.

Peter F (nl) wrote: Whoever thought a documentary about a year at a rural french primary school with only one teacher could be as funny and touching as this. If you don't want to adopt Jo Jo by the end, there's something wrong.

Alicia K (au) wrote: Next to beaches it's the ultimate chick flick!

GMan (ca) wrote: i used to love these movies but i cant remember much of them so im just given them

Kanishka R (br) wrote: captures the immigrant experience and the challenges of fitting in nicely, but not as well as her other movie Namesake.

Roberto U (es) wrote: Very interesting documentary-lilke film. Reminds me of La Terra Trema.

neil L (fr) wrote: Pretty good submarine movie.

Howard E (kr) wrote: Who would have thought that a film that looks like a Woody Allen film, sounds like a Woody Allen film and even stars Woody Allen would not be made by Woody Allen? That's what John Turturro achieved with his vanity project, FADING GIGOLO. (To be fair, Herbert Ross directed PLAY IT AGAIN, SAM.)Murray (Allen) runs a New York shop that sells rare books. Like many independent businesses, his has reached the end of the line and is closing down. When his dermatologist mentions to him that she would like to have a three-way with her BFF and someone else, she asks Murray if he knows anyone who would be interested. He immediately thinks of his long-time friend and former mentee, mild-mannered florist Fioravante (Turturro). Both could use the cash and so begins the adventures of "Dan Bongo" and "Virgil Howard", pimp and whore, bringing magic to New York's rich and lonely. Along the way, Murray meets the emotionally repressed Avigal (Vanessa Paradis), a young Hasidic (Satmar, to be exact) widow from Brooklyn's Williamsburg district. Murray senses that Avigal could use a bit of sexual healing and he arranges for her to meet with Fioravante. However, no one expected the two would develop feelings for each other.What starts out as a film about a mnage ends up being a film about a massage... and that's a good thing. FADING GIGOLO wouldn't have been a very believable sex comedy. After all, would women as hot as Sharon Stone and Sofia Vergara really need to pay for sex, let alone have it with someone as vanilla as John Turturro? Instead, this is a film about change and connecting with others. The very tender scene where Fioravante touches Avigal for the first time plays perfectly. Of course, she is going to react the way she does. She hasn't been touched at all in at least two years and has probably never been touched in that way before. It's a beautiful scene.Turturro has said in many interviews that Allen helped him craft the script over a two-year period and it shows. Many of Murray's one-liners are classic Allen. In one scene where Murray is playing baseball with his African-American girlfriend's street-smart kids and Jewish Avigal's cloistered kids - a premise that is funny enough on its own - the kids want to team up based on racial lines. Murray nixes that plan saying, "This is why fascism gets a toe hold all the time." The soundtrack of retro jazz and Latino songs also seems very Allenesque, though Turturro has said that this is music that he himself loves listening to.It's clear that Turturro has also learned a thing or two over the years about being behind the camera. The movie is shot on film, rather than in digital, which is the more common format these days. The images created from using film soften the actors' faces and add warmth to the outdoor scenery. Turturro is well aware of camera angles too. In the scene where he and Selima (Vergara) meet for the first time, the camera is positioned between her incredibly fierce stilettos, pointing up at Fioravante. He looks like a gunslinger who is facing down his equally fierce opponent. Instead of guns, the two shoot it out with words and punctuation.The film also benefits from a strong supporting performance from Liev Shreiber (in addition to both Stone and Vergara), who plays Dovi, Avigal's neighbourhood civilian patrolman and her would-be suitor if she would only let him into her heart. Dovi knows that something unkosher is going on between Avigal, Murray and Fioravante but, because of his religious upbringing, he can't quite figure out what it is. The scene where he and his friends kidnap Murray to take him to a religious tribunal seems right at home in an early Allen film.FADING GIGOLO is a thoroughly enjoyable film. (Yes, I've read a few other reviews and I disagree with them.) If you love Woody Allen and John Turturro, you will love this film too. And, if you're Jewish, you will be plotzing at the scenes in Brooklyn!

Tori C (es) wrote: THIS WAS THE WORST MOVIE!!!!!!

BOBBIE B (ca) wrote: A MUST SEE FOR ANYONE FAMILIAR WITH OR INTERESTED IN THE '60s....IT COVERED IT ALL MUSIC, TRENDS, EVEN CAUGHT THE GENERAL ATTITUDE OF "US" BACK THEN... ACTION AND ROMANCE COVERED IN MANY WAYS FROM WORDS TO DEEDS.. YOU WILL LAUGH, & CRY BUT LEAVE THE MOVIE WITH A GOOD FEELING...