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Sagla Karun Bhagle torrent reviews
Ashley H (ru) wrote: I, Frankenstein is a disappointing film. It is about Frankenstein's creature who finds himself caught in an all-out, centuries old war between two immortal clans. Aaron Eckhart and Miranda Otto give terrible performances. The screenplay is badly written. Stuart Beattie did a horrible job directing this movie. I was not impressed with motion picture.
Thomas K (ca) wrote: No, I have no idea why I would want to see it again, because it gave migraine in the theater.
Chris H (jp) wrote: I mean what do you expect for a low budget horror film. I thought the beginning dragged but it really picked up in the middle and I was on the edge of my seat.
Jasmine S (au) wrote: Heartwarming! I cry almost 50% throughout the show. The songs are so meaningfull and touching if u understand hokkien.
wilfredo o (ca) wrote: Aadir un comentario ...
Alonso A (us) wrote: Overall it's intimate and has a great message, but stylistically it is pretty dated.
Joanna B (kr) wrote: The cinematic equivalent to a prostate exam (uncomfortable, intrusive and generally unwelcome), Canadian director David Cronenberg's adaption of Bronx-born writer Don DeLillo 2003 novel is obtuse, remote and somewhat irrelevant to the current economic climate. Cronenberg's theory that movies should not be easy and the art of exploring human nature is worth a little bit of confusion, proves that his previous efforts of 1999's eXistenZ, 1991's Naked Lunch and 1983'3 Videodrome were merely a jumping point for his existentialism. His tenacious mindset to adapt simply unfilmable books leaves his works in the unenviable position of having limited appeal. The day the presidential motorcade brings the city of New York to a grinding-holt, Asset Manager Eric Packer (Robert Pattinson) decides he wants a haircut. Demanding that his omnipresent chief-of-security Torval (Kevin Durand) disregard traffic and a creditable threat to Packers life; the young dotcom billionaire capitalist lounges in his ultra-plush personalized stretch limo as they travel clear across town for the meaningless errand.A revolving door of accommodating visitors jump-in the vehicle as summoned. Computer whiz kid Shiner (Jay Baruchel) helps track loses in the funds hemorrhaging Yuan, Art Dealer Didi (Juliette Binoche) enthusiastically provides sexual indulgence, his finance minister Jane (Emily Hampshire) speculates on the business ramifications of the days' fiasco in fortunes as an unfamiliar doctor provides his daily check-up and states irrelevantly he has an asymmetrical prostate. Riding the tumultuous money market wave as it descends into chaos, Packer is oblivious or rather unperturbed that the literal world around him is also in a similar state of discontent. Only ever leaving his mobile penthouse to harass and eat with his attractive but disconnected robotic new wife, Elise (Sarah Gadon).The corporate mogul weathers a violent demonstration by protesting anarchists carrying giant symbolic rats and spray painting his car but it all solicits no reaction; a testament to his lack of interest for life. Reaching his barber destination, the haircut fails to satiate whatever need pulled him there; in search of a new end-game Packer actively seeks out the antagonist who threatened his life. A tragic failure of a man who wants desperately to count for something, Benno Levin (the ever talented Paul Giamatti) poses only questions that cause further indifference. Can anything reach the emotional ameba that is Packer?Full of ideas that are lost in stylized translation, the talky dialogue - reproduced almost unchanged from the book - is a definite weakness. Reading is not the same as listening and the gapping chasm between prose and motion does DeLillo's disturbingly fascinating book no favors. Cosmopolis's manufactured and stilted sentiment about world economy, self- indulgence and political pretentiousness attempts to invite analysis, discussion and opinion but its frustrating tedium creates a fog of disinterest in which viewer's attention is lost. Between the overwhelming use of perplexing and overtly contemplative narratives regarding capitalism, technology, control and sexual urges, and the surreal nature of the story, we are emotionally distance from the core subject and have little to no empathy of the films lead and by extension the film itself.It is yet to be seen whether pubescent fans will acquiesce Pattinson's exodus from cult teen dream roles but his vehement pursuit of gritty characters is knowingly calculated. As an expressionless passion lacking character that holds his own psychotic declarations as prudent certainties, Pattinson is given the opportunity to perfect the art of brooding, which he does with alacrity.In a blink and you'll miss it instant, there is a wonderfully natural moment where we are privy to a Brad Pitt Fight club style persona that Pattinson is obviously gifted at performing. Hopefully a future role will allow this room to flourish and for Pattinson to become memorable for something other than a frozen faced vampiric caricature. Constrained by only 20 minutes' screen time, the far too late arrival of the truly talented and Oscar nominated Paul Giamatti gives the film's final act it's only sincerely engaging sequence whilst Gadon and Binoche's characters are both too affected to connect. The Verdict: A great book does not equal a great film, especially when it poses the question, what does it all mean? And viewer's dismissive response after mulling it, why should we care?Published: The Queanbeyan AgeDate of Publication: 10/08/2012
Michael B (fr) wrote: This movie is the worst animated children's movie I have ever seen. I would rather watch 2 hours of a cat vomiting up hair balls then sit through this trash. Nothing like watching 2 hours of sex laced songs and conversation only to be told at the end of the movie that white people are the source for all the world's problems.
Robert F (nl) wrote: A 'watchable' homage to old school, low budget Asian martial arts movies, although they sort of miss the point by adding lots of special effects.Also, it's not so much a story as it is a random collection of action scenes, but the cast is obviously all having a good time, and it's still a good source of fun, just as long as you don't take it seriously.