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Samrat Chandragupt

This movie depicts the personal life of Samrat Chandragupt, his trials, tribulations, and frustrations, as well as the challenges he faces to reclaim his kingdom; face-off the threat from ...

. . This movie depicts the personal life of Samrat Chandragupt, his trials, tribulations, and frustrations, as well as the challenges he faces to reclaim his kingdom; face-off the threat from

Samrat Chandragupt is a funny movie of Indivar (lyrics), C.K. Mast (dialogues), Vishwanath Pande (screenplay), Pandit R. Priyadarshi (story), Nirupa Roy (lyrics), Bharat Vyas (lyrics). The released year of this movie is 1958. There are many actors in this movies torrent, for example Nirupa Roy, Bharat Bhushan, B.M. Vyas, Lalita Pawar, Muzaffar Adeeb, Krishna Kumari, Ulhas, Anwar Hussain, Habib, Samar Roy, Dalpat, Uma Dutt, Cuckoo, Kammo, Korega. Movie' genres are History. Many people rated for this movie, Rate is 6.2 in www.imdb.com. We have a good movie to watch. Share with your friends and watch this movie together

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Links Name Quality Seeders Leechers Size
Download   Samrat Chandragupt 1958 Hindi 1CD DVDRip x264 MP3 Esubs[TMB] DVDRip 43 48 704.87 MB
Download   Samrat Chandragupt 1958 Hindi 2CD DVDRip XviD MP3 Esubs[TMB] DVDRip 41 44 1.42 GB

Users reviews


Adrian W (ru)

on't watch it of you're down in the dumps though, cos it ain't gonna cheer you up!! Highly recommended though!!. Fantastic film


Andy O (us)

. . I cannot recommend this highly enough, although be warned the language is horrendous. Effectively a 90 minute long episode of 'The Thick of It' - none of the magic of the sitcom has been lost at all


Ayten A (es)

very cheap , i can't believe it was in Sundance , it's a soap opera


Blake P (de)

And I mean going places. Maggie's reasoning behind her shenanigans are never out of the fog, but what the film represents on an even bigger spectrum, however, is that Batmanglij and Marling are going places. The ending is left somewhat ambiguous, and it's left up to the viewer to process the final scene. Will they kill her? Will they use her as a pawn for something deeper? What if she actually is her mother? "Sound of My Voice" is like a game of cat-and-mouse that only exists in our mind. Their is a constant uneasiness at every turn - Peter reminds us repeatedly that it's impossible to truly know what this cult is truly capable of - and when Maggie demands that her followers kidnap a young girl who she tells them is "her mother", the possibilities in our mind are endless. The budget is obviously low, but the story is strong enough to draw our focus elsewhere. There are many scenes where she is forced to hypnotize an entire room simply with her aura, and she is so successful in this that there are times in which we can't help but wonder if her performance makes the film better than it actually is. Maggie is so entrancing that there were plenty of moments where I wondered if this could be one of those movies where - surprise! - she actually is from the future! It's easy to be tricked, because Marling is thoroughly convincing in her role. "), but with every odd move she takes, we can't help but want to trail in her footsteps. Seconds later, she tells them to purge its remnants, as it is full of "logic, bitterness. She makes strange demands (in one scene, she tells the members to eat an apple. Draped in a white sheet, hooked up to an oxygen tank, and claiming she is from the future (2054, to be exact), she easily could be too eccentric to take seriously - but she demands our complete attention, and it's nearly impossible to look the other way. In Maggie's introductory scene, we are drawn to her in the same way her followers are. When they join, in hopes to get footage and eventually infiltrate the group, they begin to let themselves go into Maggie's twisted logistics. The film focuses on Peter (Christopher Denham) and Lorna (Nicole Vicius), a young couple that aspires to make a documentary about a mysterious cult that is lead by the shadowy but magnetic Maggie (Marling). "Sound of My Voice", their debut, isn't quite as strong as last year's intense "The East", but it's accomplished filmmaking that boasts confidence that is rarely seen by rookie filmmakers. They're a match made in heaven, and it's becoming quite clear that in just a few years, they won't just be indie darlings anymore. Batmanglij can make even the barest of sets come alive, while Marling can draw you in with her ethereal beauty and earthy tone-of-voice. Though they've made only two films together, Zal Batmanglij and Brit Marling are a filmmaking pair that compliment each other like Yin and Yang - Batmanglij and Marling write the script together, but she stars, and he directs


Brian P (it)

Could that guy be anymore annoying


Conrad T (fr)

Probably because I could never be qualified as a judge at the Golden Lion Award. I could never see why it won an award in Venice


Corey W (gb)

DiCaprio and DeNiro are both great, but DeNiro steals the show with his perfect portrayal of the douche bag stepdad


Edith N (ru)

A man of contradictions--and if thinking about that gets your mind off the movie, that's no bad thing. And somewhere around here, I have a cookbook he wrote; it turns out he was such a gourmet that everything in it is too high-class to appeal to my palate. And he was in this, and all those ridiculous Poe pictures. His last film was [i]Edward Scissorhands[/i]. He was in the noir classic [i]Laura[/i]. In 1939, he was in [i]The Private Lives of Elizabeth and Essex[/i], his second film. And it's interesting to contemplate the career of Vincent Price. Largely because he's in the kind of movies which do make my summer staple list. Though I am given to understand that the second had Tommy Kirk, and I like him quite a lot. After all, I barely have anything to say about the first one, much less a second. Though I probably won't bother to review it. However, I'm still rather glad to have gotten around to it, and I do plan to watch the sequel for all that. Certainly it's not like certain movies which have become summer staples in my life. No, I probably won't ever watch this again. There is the implicit assumption that men will marry a sexy woman the second she threatens to withhold sex, but there's also the fact that the only woman in the whole picture who isn't a sexy, bikini-clad robot is imprisoned Annette. It is also casually sexist; yes, it's sexist in both directions, but still. There were places in the movie where I just wanted to roll my eyes, such as the running gag that Craig keeps knocking his uncle over whenever he opens the door in his uncle's tiny office. The paintings of his "ancestors" are characters from those same movies, in fact. While it's padded, one of the things it's padded with is clips from movies Vincent Price was in that were more intended to be taken seriously. I have a hard time explaining my preference for one ridiculous comedy over another sometimes, but I really do think I can justify this one. I can dress it up how I like, but it's still an extremely dumb movie. Yeah, okay, it's completely ludicrous. There's even a sly Annette Funicello cameo at one point, and there are many references to Vincent Price's previous cheesy movies. Okay, that's in part because none of the humour has anything to do with bodily functions, and less of it than you'd think has anything to do with sex. However, I am still more amused by this than I am by a lot of comedies made for people who are actually paying more attention. I'm not its target audience and really never was. Now, of course, this movie was made to be shown at drive-ins to teenagers who were only paying the smallest bit of attention to the movie. It kind of even is. It's just supposed to be amusing. Then again, it isn't supposed to make sense. Yes, it climaxes with the world's dumbest, longest chase scene--no chase which involves cable cars as anything other than obstacles makes even a little sense. At least not quite. On the other hand, it isn't actually a bad one. This is not a good movie. Don't get me wrong. Goldfoot and his assistant, Igor (Jack Mullaney), themselves. Then, he enlists Todd and they go after Dr. Pevney (Fred Clark). First, he tries to tell his uncle and superior at work, Donald J. Through a ridiculous series of events, Craig works out Diane's secret. Diane is intended for Todd Armstrong (Dwayne Hickman), a wealthy young man of not much higher intelligence than Craig. Only it turns out the mad doctor has built her, along with a whole slew of other gold-bikinied girls, as part of a plan in which they will marry rich men and get them to sign over all their assets to their new and secretly robot wives. Goldfoot (Vincent Price). Notably Diane (Susan Hart), who turns out to be a robot built by the mysterious Dr. Crappy enough, in fact, that he declares his status as an agent to pretty much anyone who will listen. Craig Gamble (Frankie Avalon) is a really crappy secret agent for It Doesn't Matter What Agency. However, I am instead just going to have to figure out how to justify a marginally positive rating and the fact that I'll watch the sequel. So I started it, assuming that I'd have the entertainment of watching a truly scathing review of it and all its ilk. And all other considerations aside, this movie is short. I had started and stopped two different movies already this evening, and I was running out of time. As it is, I was just feeling mildly spacy, which is different. That sort of thing. However, I expected this to be a movie I watched while consuming enormous quantities of ice water and trying not to let any part of my skin touch any other part. It's been pleasantly warm the last few days, but not hot. Frankly, I was expecting that mood to require at least ten degrees higher temperature; when it's hot, I have a hard time thinking. No, Really, I Think I Can Justify This I've been holding this movie on my instant queue for some time now, waiting until I was in exactly the right mood


Eric B (es)

But director Krasinki's final one falls short. Entertaining and honest vignettes


Erin D (kr)

want to see it. . . kiefer sutherlands first movie