Saving Grace B. Jones (2009) torrents full movies


Saving Grace B. Jones

In a 1950s-era Missouri town the life of a couple is thrown into chaos when the husband's sister is released from the local asylum and comes to live with the family.

Saving Grace B. Jones is the best great movie of Jeffry Elison, Connie Stevens. This movie was introduced in 2009. There are many actors in this movie torrents, such as Michael Biehn, Tatum O'Neal, Penelope Ann Miller, Joel Gretsch, Tricia Leigh Fisher, Scott Wilson, Piper Laurie, Audrey Wasilewski, Gregory James, Rylee Fansler, Evie Thompson, Nora Hennessy, Liberty Smith, Melinda Chilton, Logan Alexander Moore. Movie' genres are Thriller. The rating is 5.5 in We have a good movies torrent. The runtime of this movie are awesome, about 0 minutes. Fakyougo is interesting uploader, he is very hard-working. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Awesome', so what is your opinion. Do you know what are users? ChimTo is the best. I can't push my iPad screen. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

In a 1950s-era Missouri town the life of a couple is thrown into chaos when the husband's sister is released from the local asylum and comes to live with the family

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Users reviews

Alexis R (nl)

Nice cinematography & character development though. but to be honest it did not hold my attention. . . I've seen only 2 other Herzog films, Grizzly Man & Rescue Dawn, so I thought I might like this

Bradley L (nl)

Even better than the first

Cameron M (nl)

Dirty Rotten Scoundrels delivers on laughs that both embodies and pokes fun at its ritzy style, but it goes further than that with a charming chemistry from its three leads and one of comedy's greatest twist endings

Castle D (ag)

A perfect re-telling! Jack The Giant Slayer is gigantic fun for the whole family even know it has just some minor disturbing scenes

Emma N (jp)

un to see Colin Firth and Ciarn HInds, but the movie is so predictable. It's a nice high school drama set in Ireland in the 50's

George N (fr)

So get ready for a creepy kid, a dead woman or two, and lots of mysterious closets. A somewhat generic J-horror with all what you would expect from the films that made the genre famous in the US

Harry W (fr)

Once Upon a Time in China II may blur the lines of historical relevance and Western narrative appeal, but with a more focused story combined with plenty of brilliant martial arts and a strong central effort from Jet Li, it proves an improvement over its predecessor. Donnie Yen makes a powerful screen duo with Jet Li and adds a large boost of credibility to his name. He has his own swift array of skills to show off throughout the fights depicted in the story, and he does it with genuine passion and real emotion to it. WhileJet Li steals the screen, he is not the sole dominator of audience interest because Donnie Yen puts up a fight to ensure that audiences know of his capabilities as a martial artist, and it is difficult to deny the man's talents. Donnie Yen also makes an active presence in Once Upon a Time in China II. Essentially, Jet Li does an effective job of capturing the legendary status of Wong Fei-hung with plenty of glory to boot. His chemistry with everyone around him proves his ability to convey both intense heroism against his enemies and gentle sympathy with his friends. He never loses focus and intergrates his entire spirit into his physical performance, ensuring that he grasps the serious nature of his role on the inside and the outside. He genuinely embraces the role with charismatic ambition and consistently maintains a concerned look on his face to reflect the serious manner in which he approaches the role. Yet Jet Li's passion for the project does not stop at his fighting skills. He confidently takes on multiple enemies at once with a tenacious collection of swift techniques and movements that bolster his merits as a martial artist in the most artistic manner. With an endless barrage of physical energy at his helm, Jet Li relays his brilliant array of martial arts skills to the enemies he faces off with and the audience caught up in admiration of his abilities. Jet Li makes an effective return to the role of folk hero Wong Fei-hung once again. The cast of Once Upon a Time in China II also deliver a powerful effort to keep the spirit of the drama alive all throughout. All in all, Once Upon a Time in China II has no problem being a wonderful visual splendour which ups the ante established by its predecessor even though it decreases the scale of story to do so. Given that the film makes use of a powerfully convincing costume and production design along with the scenery, there is already a lot of visual gusto to the credibility of the film even without the addition of its action scenes. The manner in which he captures it all utilizes the effects of well-placed cinematography and the use of many long shots to emphasize the skills of his cast while manipulating the atmosphere with dutch angles makes for a strong visual experience. As far as the standard for Tsui Hark films go, Once Upon a Time in China II is another testament to the director's keen eye for action. Audiences get to witness the graceful technique of dedicated martial artists facing off in a wide variety of situations and settings which brings out a strong feeling of versatility to the film. The action quotient is sufficient enough to deliver the entertainment to action junkies who couldn't care less about the surro unding story, and the quality of it is as brilliant as ever. In a testament to the remarkable skills of Jet Li, Yuen Woo-ping wrings some powerful fight choreography out of the man and guides him through an endless barrage of foes and weapons over the course of the story. The action in Once Upon a Time in China II is as enjoyable as ever. It did exceed my grasp in parts, but I loved the visual experience and also the musical score which was simple and yet so serene and contextually appropriate. And those who embrace the cultural elements of the film's Chinese nativity are likely to enjoy the film far more. As a result the story is of more value. This allows more humanity to seep its way into the feature, providing compelling dramatic material for the cast to work with. However, there is a less scattered narrative focus this time around because there are less characters and more to care about. They also prevent the film from maintaining the most thrilling atmosphere alongside the touch of comedy. There is very much a sense that the story structure of Once Upon a Time in China II follows that of its predecessor very closely for better and for worse, and the extensive periods of dialogue reinforce this. It was easier to decipher what was happning this time around, and since the film focused centrally on Wong Fei-hung and his involvement in the battle between the White Lotus Sect and the rebels attempting to establish the Republic of China, the story is constantly in pursuit of building intensity to unleash in the action scenes. Though I struggled to ascertain the contextual relevance of the story, I did find that the film was a more enjoyable experience than its predecessor. I gave up rather qickly and just focused on finding what I could enjoy about Once Upon a Time in China II. There is no direct clarity in all this, and attempting to decipher it while trying to figure out where the sequel left audiences while taking in the foreign language of this film was really a lot of effort for my mind and it wore me down rather fast. Uneducated on the life of Wong Fei-hung or familiar with the stories people tell of him, I'm quickly plagued with uncertainty as to whether the story is one of fact or fiction; if the story is meant to be historical or legend. Immediately upon starting Once Upon a Time in China II I found myself in a state of confusion over the narrative. Though Once Upon a Time in China may not have been the most entertaining vehicle, its action sequences and priduction values were enough to warrant my attention for the sequel

Jennifer T (es)

Hilarious but just not crazy about this movie

jeroen v (es)

reckon this film is the reason Attenborough is now also going into 3D!. best use of 3D I have seen so far and fortunately there is this far fetched albino crocodile thingybit at the end to make it a real Herzog film

Nicolas B (it)

Why exactly was this so successful?