Sennentuntschi: Curse of the Alps

Three lonely herdsmen starved of female companionship creates the girl of their dreams, from a broom, some straw and a few rags. The creation - Sennentuntschi, lives and breathe to cook, clean and look after the three.

It is the beginning of a nightmare of religious insanity, hypocrisy, abuse and belief in demons, who destroys a young family and brings a whole village to destruction. A tragedy of lust, insanity and murder is brought to a seemlingly pure and perfect world. Many dark truths are revealed that should better have remained hidden. There are hints that she came from the Höhenalp Alp, where herdsmen do unthinkable things to get the company of women. Only the village policeman Reusch takes care of the strange woman and tries to find out whoshe is. 1975, Swiss Alps: In a remote mountain village, an immesely beautiful but disturbed and dumb woman shows up

Sennentuntschi: Curse of the Alps is the best great movie of Stephanie Japp (screenplay), Michael Sauter (screenplay), Michael Steiner (screenplay). This movie was introduced in 2010. We can counted many actors in this movies torrent, such as Roxane Mesquida, Nicholas Ofczarek, Andrea Zogg, Carlos Leal, Joel Basman, Hanspeter Müller, Rebecca Indermaur, Ueli Jäggi, Peter Jecklin, Daniel Rohr, Paula Marija, Alice Blaser, Herbert Leiser, Luciano Simioni, Birgit C. Krammer. Movie' genres are Mystery. The rating is 6.6 in www.imdb.com. We have a good movie to watch. Share this movies torrent to support us

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Download   Sennentuntschi.2010.DVDRip.XviD [Desmiembros.] DVDRip 40 51 1.37 GB

Users reviews

bramen b (au)

Sugary bitter sweet dreams in a train to a hotel that is a world in eastern western middle europe

Chris C (ca)

rely funny except for Jay's usual exasperated nerdom. Watching so many fuck-ass celebutantes die was the best thing about this movie

dayane s (it)

Acabam conquistando um ao outro. Os dois precisam afastar todos os obstculos, para focar seu objetivo: ganhar o ttulo mundial de dana. Jake tem sua ex-parceira, Corinne, que no deixa de atra-lo. Mas Jessica tem um noivo viciado em trabalho, que no um mau companheiro, quando no est com seu Blackberry. Ambos sentem que podem realizar o que falta em suas vidas. Quando Jessica, uma professora de ingls aborrecida com sua prpria vida, conhece um campeo de dana, uma conexo instantnea se forma entre eles

Eng S (es)

That and the weak story should made this movie go straight to video or become a Nickelodeon original movie. Emma Roberts is a pretty girl in every scene but I don't think she brings any charisma to Nancy Drew. Because I don't remember Nancy Drew being a kid or even an outcast due to her perfect "prim and proper" behaviour. . . This movie must be either be a re-imagining of Nancy Drew or one of those early day stories

Harry W (br)

He makes a believable character in a film where he is surrounded by one-dimensional othersDespite Michael Palin's good-intentioned leading performance, Jabberwocky is an awkward misfire from Terry Gilliam with several awkward attempts at the comic nature of his earlier work and none of the intellectual brilliance from his later films. He is very smooth and consistent with his line delivery and has strong chemistry with every fellow actor, as well as engaging with the universe around him in a very consistent manner. He carries a very sweet nature to him without being excessive in conveying the character's vulnerabilities, displaying the potential for dramatic material to function in Jabberwocky. Despite the script's lack of development for his character, he really captures the innocent and lovable nature of Dennis Cooper. But Michael Palin really does give it his all. But despite all of Michael Palin's efforts, it couldn't. Jabberwocky really never had the chance of being a serious narrative, so if it went alongside the Monty Python theme a lot more then perhaps it would have landed some credible success. They don't develop anywhere or do anything aside from making a lame attempt at random jokes, and none of them have any landing. This is heavily due to the fact that almost every other character in Jabberwocky outside of the protagonist just comes and goes on random occasion with no consistent relevance to the story. You'd think that with fellow Monty Python alumni Michael Palin in the leading role there would be at least some sense of effective humour in the film, but this was not the case. Ultimatel, it's hard to tell whether Jabberwocky is meant to be a film that retreats from Terry Gilliam's Monty Python roots or embraces them, because it seems to do both and ends up in an awkward limbo as a result. But given that neither the story nor the cinematography knows how to utilise these in any kind of effective manner. I can certainly admit that I believed the universe in the film and had an appreciation for the scenery, set pieces and costume design. As a result, there is a constant feeling on instability in the mood. There is also an abundance of shake in the camera; not in the same manner that contemporary action films suffer from, but the camera is constantly moving without any smooth tilts. With everything being shot up way too close with rather murky colour scheme, the film ultimately feels to small in scale to achieve its fantasy ambitions. However, the cinematography really burdens the film. The similarities are undeniable, and I spent the majority of the film in belief that Terry Gilliam had simply recycled the leftover set pieces from his previous work so that he may churn out another film in the same manner Roger Corman did with The Little Shop of Horrors (1960). Maybe some audiences will find amusement in the fact that the director is able to create a rather medieval setting without spending all that much, but this was already done previously with Monty Python and the Holy Grail (1975) which he also co-directed. As far as being a stylish experience, Jabberwocky feels far too low budget to gain any real credibility. With Jabberwocky, he simply uses the mythological creature as a token hook to draw audiences into a lacklustre echo of his days in Monty Python. Admittedly it is only his first film and much smaller in budget, but Terry Gilliam has worked wonders with small sums in the past. Audiences familiar with the Jabberwocky's relevance in Lewis Carroll narratives are likely to expect something more significant from the fantasy mind of the man who gave the world such marvels as Time Bandits (1981) and The Adventures of Baron Munchausen (1988). It is a creature mentioned sporadically throughout the story without playing any essential role in it, and then it presents itself out of the blue at the end of the film as an oversized marionette puppet whose appearance is difficult to discern from how it is presented on the film's poster. And one of the most memorable issues with the film is the fact that the actual relevance of the titular Jabberwocky is inert. It seems as if there is an attempt at universe building present in the film to connect everything, but everything is scattershot and uninteresting. It's hard to tell what the real expectation should be for a film like Jabberwocky, but it just feels like an awkward and directionless series of sketches which have no consistent narrative to tie them together. There is no character development to assist anything along the way, nor is there a complete acknowledgement of just how ridiculous the film's concept is. Jabberwocky is not a funny film, and it has none of the intellectual brilliance of Terry Gilliam's later features. Elements of Monty Python still make their way into the film through sporadic jokes and ridiculously silly situations, but it feels far too numb by a film which is genuinely not funny. However, The Black Adder was clearly a sitcom while Jabberwocky seems unable to determine its tone. Mostly, the entire film like it was a pretentious mimicry of British sitcom The Black Adder (1983) as it follows a kind-hearted but submissive and ignorant man with a bowl-cut in a medieval setting. As a result I didn't know whether to laugh or take the film as a serious social criticism, ultimately doing neither. The film is ripe with sporadic jokes, but the tone of the feature is very serious as are many of the themes. Jabberwocky seems to be unable to decide whether it wants to be a serious fantasy film or a parody of one. The entire feature is abundant in transitional difficulty because it meanders between the tones of Terry Gilliam's earlier works and his later works. Jabberwocky captures Terry Gilliam's transition period between his work with Monty Python and a career as a director of fantasy narratives. Being Terry Gilliam's first feature as a solo director, Jabberwocky sounded like a solid chance to see his fantastical mind in early form

Joanie R (fr)

snail-pace trying to build suspense

John A (ru)

Manages to somehow tread just on the wrong side of being so bad to be ironically good: instead it's just really bad :-(

Juls XD H (it)

the style of the movie is great i don't know why i liked too much this movie the scene on the cave was just awesome!!

Matthew D (us)

There's a great set-up here but it relies too much on being cute broad comedy that veers into farce rather than giving much reason to care about the central couple and their bizarre road trip

Samir S (es)

. . The Curse of living a life of an Artist