Shoot Out

A former bank robber searches for his double crossing partner who left him for dead, while having to look after a 6 year old girl.

A former bank robber searches for his double crossing partner who left him for dead, while having to look after a 6 year old girl

Shoot Out is a excited movies torrent of Will James (novel), Marguerite Roberts (screenplay). The released year of this movie is 1971. There are many actors in this movie torrents, for example Gregory Peck, Patricia Quinn, Robert F. Lyons, Susan Tyrrell, Jeff Corey, James Gregory, Rita Gam, Dawn Lyn, Pepe Serna, John Davis Chandler, Paul Fix, Arthur Hunnicutt, Nicolas Beauvy. The kind of movie are Western. This movie was rated by 6.1 in www.imdb.com. This is really a good movies torrent. Share this movies torrent to support us

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Links Name Quality Seeders Leechers Size
Download   Shoot Out [Gregory Peck] (1971) DVDRip Oldies DVDRip 33 46 1.37 GB

Users reviews

Allan C (br)

Joanna Pacula appears as one of his better female co-stars. It's pretty much everything you can hope for in a Seagal action flick and it does deliver if that's your sort of thing. But back to this film in particular, this time Seagal is pitted against voodoo worshiping drug dealers who challenged him with the magic, machetes, martial arts and lots and lots of guns. Little, who would follow-up this film with Brandon Lee's breakout film, "Rapid Fire," which during my video store clerk days I would frequently make the case for as the best American approximation of a Hong Kong action film, though that argument ended once John Woo came to the states and became the first Asian director to direct a major studio action film. Directed by Dwight H. It's nothing spectacular but it's an effective vehicle for Seagal and competently made, which you really can't say for most of his direct-to-video action flicks. After watching this Steven Seagal action flick from back in his heyday, I realized I'd never actually seen this one

Blake P (it)

For now, though, it's pretty damn good. If only it had the wit of "The Band Wagon," of "Singin' in the Rain" - then "Easter Parade" would have the potential to stand among the greats. I additionally like Miller's vaguely villainous role (which is forgivable only because the actress was also one of the finest dancers of the Golden Age), and I like director Charles Walters's intelligent, inviting staging. " It's an adroit showcasing. There isn't a weak component within "Easter Parade. Essences are left behind to ensure that our stars both appear to be in their comfort zones, and the results are spotless. "A Couple of Swells" being a befitting instance, downplayed are broader singing and dancing elements (as, clearly, one actor is better than the other). Emphasis is put on their individual specialities, of course, but the choosing of the numbers they perform together is ingeniously wise. Like the partnership at the center of "Easter Parade," smart is the way the screenwriting team of the film (consisting of Sidney Sheldon, Frances Goodrich, and Albert Hackett) recognizes the strengths of Astaire and Garland and counterweights them with notable symbiosis. But things cannot always be so idyllic in a Hollywood musical; romance is waiting in the wings, and such could harm the occupational perfection of the situation. Dubbed Hannah & Hewes by the press, popularity is a given. Don is forced to adjust his style in order to create better balance between him and his newest partner - unfamiliar to him is the incorporation of extensive signing - but, before long, success meets the recently formed pair. The quick choice turns out to be a good one: though not graced with the dancing abilities of Rita Hayworth, Hannah has a chocolatey voice that could melt the heart of any audience member. Hastily, he picks Hannah Brown (Garland), a chorus girl who captures his interest at a local bar. Uninterested in doing anything else with his life, Don almost immediately searches for someone to take her place - anyone with a sense of rhythm will do. In "Easter Parade," Astaire portrays Don Hewes, a Broadway star whose career is at a standstill due to his dancing partner's (Ann Miller) decision to leave him in pursuit of a solo offer. And it's a treat to see Astaire and Garland, in their only partnership, do the representing. It's never much more than a collection of what MGM does best - anything not revolving around singing or dancing is overwhelmingly lightweight - but what MGM does best is still unfathomably good. "Easter Parade" is a commanding achievement in the powers of star quality and the powers of a great soundtrack; it's a satisfying, frothy delight that plays into the enviable capabilities of its headliners. So it's nothing short of a miracle that the film is the bubbly Technicolor musical that it is - as we enjoy ourselves tremendously, never does it cross our minds that our leading man was perhaps slightly tired of dancing for a living, that our leading lady had bigger fish to fry (psychologically, I mean) than singing her heart out for adoring audiences. " Astaire considered himself to be retired before being coerced into starring (he replaced an injured Gene Kelly); Garland had only recently been released from a psychiatric hospital after multiple mental health issues. They easily could have in "Easter Parade. And I think that's why they've never been considered to be anything other than esteemed: to go on autopilot was never an option for them. It doesn't show off Astaire's frenetic feet and it doesn't hurl Garland's velvety vocal talents at us either, rather tapping into their remarkable abilities to make any scene appear to be the most important of their profession. So it's odd that it works as one of the most iconic performances in the careers of Astaire and Garland. Their faces humorously soiled and their smiles characterized by faux rottenness, they pander around the stage singing Irving Berlin's "A Couple of Swells," which is about as self-deprecating as one might expect in a showpiece that calls for the Hollywood Golden Age's most respectable talents to look ridiculous for a couple of minutes. The stars of the image are Fred Astaire and Judy Garland, who are dressed up as dirty street urchins. The image one remembers most from 1948's "Easter Parade" is not of a refined dance sequence but of a comedic musical piece reminiscent of a vaudeville number

Brandon S (es)

Shut your brain off, have a seat (without snacks or drinks), and enjoy this gruesome, over-the-top, tongue-in-cheek cult masterpiece. Peter Jackson makes so many bizarre and wonderful choices that it's difficult to count. Possibly the strangest viewing experience I've ever had in the best way

Darren K (mx)

Enjoyable but not ground breaking, quite rough. A little overdone but some fun scenes especially if one suspends the comicality. Dialogue and acting was punchy / batty at times. Amusing. With C

Demonic R (au)

All the 3 stars are for Angelina

Emeric T (us)

Fable un peu trop niaiseuse pour tre cr (C)dible servie par un casting o la concurrence au niveau de la m (C)diocrit (C) fait des ravages

James H (ru)

Great fast paced direction from Howard Hawks. Light and fun. Very entertaining, Ann Sheridan is great. It's a very funny premise and the writers do not disappoint. It's his performance that makes the film work. Cary Grant is delightful and has such a natural flair for comedy

Joby D (ag)

I really don't like Chris Tucker - I find him way over the top obnoxious and not in a good way

John F (ru)

Having said that, on it's own, for this kinda B-movie it's watchable with a few fun moments and nice gore. This sequel tries to hard to refrence the original and in the end almost insults it. A straight to DVD sequel, now that's never a good sign

Nick D (it)

Still, better than Balls of Fury, probably. Although this was about a Hungarian water-polo team, I was disappointed to find that it had few laughs and not so much as a cameo from Will Ferrell