Christian (Robert Hoffman) and his girlfriend are taking a walk on a deserted beach when they discover a woman's body lying. A closer look proves that she's alive. The next day Christian meets her again at a yacht party and they fall in love. Later at a nearby motel, something weird happens as they prepare to go to bed together: An intruder breaks in and starts beating Christian who accidentally shoots him with his own gun. A few hours later they find out that the corpse is missing and a series of weird incidents takes place. . You can read more in Google, Youtube, Wiki
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michael m (ag) wrote: This is england will have your jaw dropped for an hour
Miguel C (gb) wrote: A powerful and moving film about standing up and fighting for what you believe in, no matter what the consequences may be. Everyone should see this.
Sonja T (jp) wrote: thriller : a work of fiction or drama designed to hold the interest by the use of a high degree of intrigue, adventure, or suspense... bas takov kako po definicija :)
Jada B (jp) wrote: i love all her movies even though i did'nt see this one
Hector C (gb) wrote: ni muy buena ni tan mala
David L (gb) wrote: Typical 80's sentimental Brit romcom, though it lacks the star power of Love Actually and just become a story of what COULD HAVE been. Its one of those movies you kinda have to watch because everyone in that period has seen it, but now that I've done it...
Karl L (ca) wrote: William Shakespeare's tragic "Hamlet" is my favorite play -- one of the most mysterious and open to interpretation of all time (and thus there have been and will be many different takes on it) -- and so I watch it with a closer eye than most. In this outing, what has been done with the meager stage is commendable -- particularly a black, mirror-titled floor that gives the room an unsettling feeling. The film does have a darker atmosphere than most filmed productions, which is a step in the right direction for once, and the effort is evidently there to make this likely dazzling stage production into a movie. However, as time begins to drag in the second half and we realize the director has no more cinematic tricks in store for us, the film starts to fail to translate, outstays its welcome. That's not to say director Gregory Doran does not come up with some unsettling images -- he's mostly helped from his cast I think. The action here pales in comparison to other filmed versions.Kenneth Branaugh's film suffered from many of the same problem, he did not re-imagine it for film so much as plop it on, this film makes some more interesting use of camera angles as well as the faces of the perfect cast. The performances are inspired and delicately nuanced. Polonius, Ophelia, Laertes are decent but the real find is the sweet-natured Horatio, one of the best we've had alongside one of the best Gertrudes (a little unsure of her new husband, devastated by the possibility of madness in her son, not the witch Hamlet makes her out to be, caring and sensible), the best Claudius and the ominous and ruthlessly haunting ghost father of Hamlet (both played by a masterful Patrick Stewart -- this is some of his strongest work an actor) who is so careful in how he acts he is virtually unreadable. What exactly does Claudius think? All of his actions have two layers and Stewart's performance can be considered from two perspectives at any moment. Then there's the eccentric/sardonic/neurotic Hamlet played by David Tennant -- an impressive, unforgettably inventive, high-wire performance that takes big risks but never steps wrong. His key is to make Hamlet an intellectual... but one that is also a bit of a Steve Coogan kook, perhaps too clever for his own good, or worse just weird. His turmoil comes from being bothered by ideas. This is much different and more playful than the spoiled rich emo mess Hamlet played by Ethan Hawke in a very fitting contemporary update of Hamlet and the raging, mother-loving nut that is Gibson's Hamlet. (Branaugh and Olivier just played themselves as Hamlet, neither performance intrigues me.) Tennant's may be the greatest yet.And this film gets much right where others have been too literal, simplistic or condescending towards the material. From beginning to end we can never be sure whether Claudius is guilty or not and though Hamlet seems to be spinning into lunacy there is a sort of genius to Tennant's work here that keeps us on the edge of the doubt: perhaps there is a method to Hamlet's madness? As for the Royal Shakespeare's Company approach to turning their expertly designed staged productions into films, it's not so much their budget that fell short, nor was it the considerable talent assembled, and certainly not a lack of intelligence in reading the play but maybe a lack of imagination in capturing it. Still, they wouldn't be the first to miss there, and this more complex and enigmatic "Hamlet" and Hamlet may be a sign of things to come.
Dave R (br) wrote: if it wasn't for the ending this could've been a really good film noir! the ending seems forced and contrived; it has many of the elements of classic noir but it seems that it wants to be an action/heist movie. so i give it 3 stars for the parts i liked; not worth watching unless you really want to - or have no choice....
Dax S (nl) wrote: OK movie, not great, but OK.
Michael F (kr) wrote: Not the mess I thought it would be, but without any real heart and soul.