Janina Duszejko, an elderly woman, lives alone in the Klodzko Valley where a series of mysterious crimes are committed. Duszejko is convinced that she knows who or what is the murderer, but nobody believes her.

  • Rating:
    4.00 out of 5
  • Length: 128 minutes
  • Release: 2017
  • Language: Polish
  • IMDB link: Spoor
  • Keywords: Spoor 2017 full movies, Spoor torrents movie
  • Category:
  • Stars:
  • Uploader: Fakinsai
  • Writer: Olga Tokarczuk, Agnieszka Holland, Olga Tokarczuk (novel)

Duszejko is convinced that she knows who or
what is the murderer| but nobody believes her. Janina Duszejko| an elderly woman| lives alone in the Klodzko Valley where a series of mysterious crimes are committed

Spoor is the best movies torrent of Olga Tokarczuk, Agnieszka Holland, Olga Tokarczuk (novel). This movie was introduced in 2017. You can check list actors in this movie torrents, such as . Movie' genres are . This movie was rated by 6.8 in www.imdb.com. We have a good movie to watch. Enjoy this movies torrent and share to your friends . You can read more in Google, Youtube, Wiki

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Download   Spoor.2017.BDRip.x264-ROVERS X264 157 198 1.06 GB

Users reviews


He certainly saw the anarchy in it. This film was banned by Mussolini in Italy. This film is an anarchic masterpiece, and anarchy is the enemy of Fascism. While it may be a bit pretentious calling this movie deconstructionist, one must acknowledge that at some point, McCarey decided just to throw logic out the window, just pare the movie down to a breakneck stream of gags and hurtle this film to its anarchic conclusion. He knew perfectly well how to structure a movie. But Leo McCarey was a Hollywood veteran when he directed this movie, having directed or produced hundreds of movies. This sounds like pompous overanalysis; the word "deconstruction" didn't even exist when this movie was made. The insanity of the end of this movie is no less insane than war itself. Just as war erodes civility and structure in real life, so does war erode the civility and structure in this movie. But now, the slapdash look of this movie's final scenes seem in retrospect like purposeful deconstruction. It seemed as if the director was in a mad rush to get this movie done. Not even the most cursory attempts at logic, unity and continuity are observed. Teasdale is at the Firefly headquarters at which he started the scene. Teasdale's home, then Mrs. At first, Firefly rushes to Mrs. Groucho is in different costumes for each take. Even before I was particularly sensitive to such cinematic factors in my movies, the final Battle Sequence from Duck Soup always seemed slapdash and insane, thrown together with massive leaps of continuity and logic. I was in my early teens when I first saw this movie. " I sincerely doubt Harry Ruby and Bert Kalmar were utterly apolitical when they conceived the "Declaration of War" musical sequence in this movie - its intent is clearly satirical, whether the Marx Brothers thought so or not. Groucho famously said they were just "four Jews trying to get a laugh. The Marx Brothers never acknowledged serious satirical intent with this movie. I'll only add a few personal thoughts. I couldn't possibly add much to the mountains that have been written about the Marx Brothers and this movie in particular

Camille L (us)

Frank McRae et Armand Assante sont de solides seconds rles, tandis que la musique de Bill Conti est trangement toute en retenue. Malheureusement trop souvent schmatique et absurdement lent, Paradise Alley ne vaut que pour Stallone acteur, qui en fait des caisses comme d'habitude l'poque. Autant vous dire qu'il y a bien trop de casquettes pour celui qui sort de Rocky et semble avoir tent de faire la mme chose avec le catch. Pour sa premire ralisation, Sylvester Stallone crit, ralise, joue le premier rle et chante la chanson principale de Paradise Alley

Dave J (jp)

Reporter and then novelist Tom Garrett (Dana Andrews) uses himself as a guinea pig against capital punishment

Edmund C (jp)

ike! :) Mainly in Hebrew, with doses of English and a cute Tagalog sub-story in there as well :). And the rest of the cast were really near-perfect in each of their roles. Sarah Adler perfectly captures that modern Jewish girl's look I've come to recognise. . wow. . And the casting. Brilliant craftsmanship : has good music, cinematography, editing and script. I went down to Singapore to watch it recently. Winner of several awards at Cannes 2007, this film has riveting faces and shots that stay in the viewer's memory

eni r (gb)

Honestly, they creep me out a little

Ethan S (ag)

I expect more from Sanchez, and this was a disappointment overall. He's that scary. When he howls and rampages, you just want to curl up in a ball. He moves and looks just like he does in all those photographs you see. I haven't seen a film where he is so terrifying. Well, he's awesome. Now, let me talk about Bigfoot. Sanchez has style and I wish he upped his game. I actually found the style to be degrading to the quality of the movie. Where did it come from? Whose camera was it? It's not logical, and it brings the film down. Some cameras magically appear out of nowhere in the woods. I have a feeling it wasn't originally written to be found footage and was only morphed into that during the development process. The found footage only works in spots, and is glaringly misguided in others. The film still lacks that raw ingredient that every film needs. It's not enough, though. We don't care about who dies, but these people sure do, and that makes me feel for them a little more. The characters react alright to what is happening around them, and you could tell it was Sanchez by the haunting music and emotionality brought to the film when a character does die. Seriously? Luckily, once Bigfoot does show up and the film sees some casualties, it does pick up some speed. "GET AT ME BRO" the man cries with defiance. Girls whimpering "OMG what is that?" as they huddle underneath their man's fully toned arm. For the first half hour, the characters act so stereotypical that I wanted them all to die, and fast. The characters are not only "by the numbers," they are badly written "by the numbers" characters. It isn't necessarily a bad film, but its generic, an almost worse crime. That is exactly what is missing in Exists. What makes his films great are the emotional weight and deep characters that give purpose to the surrounding action. When he announced he would tackle Bigfoot, I thought for sure he would bring his usual flair to a "been there done that" premise. Sanchez has proven himself not once, but three times as a master of the horror genre. The movie left me more confused than entertained

Justen N (kr)

It's not bad but not superb

Marcus Y (ag)

Forgettable. Man Candy-Du jour, but provides nothing else

Nett A (es)

. . That may have been the 1st Tyler Perry movie that I didn't really care for

Ruthie R (ru)

This is a pretty good possession movie and the main characters interactions are really touching/convincing, but Jesus Christ is it fucking depressing