Still the Water

Still the Water

Taking place during the full-moon night of traditional dances in August and set on the Japanese island of Amami-Oshima, the drama centers on a 14-year-old boy who finds a dead body floating in the sea. The young man enlists the help of his girlfriend to solve the mystery. The pair “will learn to become adults by experiencing the interwoven cycles of life, death and love.

On the subtropical Japanese island of Amami, traditions about nature remain eternal. During the full-moon night of traditional dances in August, 16-year-old Kaito discovers a dead body ... . You can read more in Google, Youtube, Wiki

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Still the Water torrent reviews

Caesar M (it) wrote: Dear Full Moon Studio, I have reason to believe that one of your films, Ooga Booga Loo, has caused my patient to lose hope in humanity. Proclaiming, and I quote, "A film that would make the Devil weep. Ninety minutes that are more joyless than going to a funeral. More torturous than water boarding, castration by the slowest way possible, and ever burning in flames with flesh regenerating..." and it is here where we presume his soul left his body. Looking for a meaning in life before returning to warn filmdom of the evil contained in this film. During our discussion he made it clear that an Uwe Boll film is far superior in acting, writing, and directing than anything produced in this film. It is said that CM buried the copied he obtain in furthest depths of the ocean so no other human will lose their soul. Sincerely, his doctor Ooga Booga is about a young African American who is brutally murdered by dirty cops, but his soul is magically transferred into a racist African tribesman action figure named Ooga Booga. I kid you not when I say that's all that happens in the 90 minutes runtime. There is no substantial subplot, no characters not even cardboard cut outs, no line of dialogue that isn't explaining something to the audience, and worst of all racist. It's the kind of writing that has no aim, no purpose, no meaning, and nothing of value. It's stuff with deadweight it takes the film thirty minutes for it plot to move forward. What important things occurs in those thirty is meeting our protagonist, protagonist gets killed, and reincarnated into a African Tribesman action figure via Slurpy Machine. The dead weight that makes up the first act contributes nearly nothing to its narrative. Neither does the film as whole cover little to no intended ground. If anyone was to edit the film, take out the fluff, the film actual length would be around a minute. The only female character in the film is a tool. Her turning point in helping her boyfriend to get revenge is through rape. The tasteless kind of rape that is treated as plot device from the terrible writer. To make us sympathize for our character when he couldn't even get the basic cardboard character done correctly. Scene after scene feels like torture dragging out the thinner than paper excuse of a "plot" the film has. There is a scene where our protagonist sees his girlfriend naked in the shower and presumes to (as said in the film) "pork off". What did this scene contribute to the story? Not an inch worth of importance. This film is entirely made of those kind of scenes. Including one very long dragged out business meeting about drugs and prostitution made pointless when the characters are axed moments later. The heroes by the end don't accomplished their goals well. In the film there is a crooked cop and crooked lawyer as our villains whose crimes are never shown to the world. Dying as heroes instead the villain we see them. The "acting" in the film is atrocious like you would expect. If you were to disguise a corpse as a living person they would give a more realistic performance compare to the acting in this film. The direction is just there. No desire to fix anything wrong in the film. No passion behind a single frame in the film. No enjoyment from the viewer nor the people making this waste of space of a film. The editing is awful. Ninety percent of the film is nothing but fluff. In those moments of fluff were treated to racist black jokes, a scene that will offend six group of people at the same time, women who only contribution to the film is wanting sex, dragged out conversations about events that already established, pathetic comedic relief from rapists, and the list goes on. Ooga Booga is one giant factory assemble plot device. There is barely a shred of redeeming value to be found. There is not trait of competent filmmaking to be found in its atrociously crude script, none actors giving less convincing performance than a play by second graders, and a director who never attempts to entertain the audience. It might even take you days to recover before you even decide to watch another film.

PierreLuc B (jp) wrote: fucking bon! Jimmy Page, The Edge pis Jack White qui racontent leurs musique :)

Kate M (ag) wrote: I loved it!!! It had a great story line and I love the Panabaker sisters!! They are both great actress's!! And Jason Dolley did a fanatastic job!!

Pim C (ru) wrote: Very good lega mystery thriller with Hopkins as the clever mastermind and Gosling a hotshot lawyer who is employed against Hopkins.Good direction and good scenery, it's mid-paced and intellectual. I was a little unimpressed with the story at the end, otherwise highly recommended.

Angel P (ag) wrote: The Dark Knight is the best DC film ever made, but I do not consider it the best superhero film ever made because it separates too much from the genre, making it look like a crime film rather than a superhero film. I'm not saying it isn't good because this is in my top list of best movies I've seen in my life, not to mention the outstanding performance made by Heath Ledger.

kam b (jp) wrote: Great acting though!

Jobbin F (jp) wrote: This is a low budget feacher with some good punch lines. Something I would love to see with the same cast but a bigger budget.

Trinity C (nl) wrote: I think I've seen this.....

Jacob R (au) wrote: Now I love movies, I really enjoy action movies, but this....Oh my! This IS one of the worst movies of all times. Mindbogglingly dumb, full of cliches and a meaningless ending. Why so many people adore this waste of time and money, I'll never understand.A typical Bay-affair. Still waiting for him to just release a movie with 90 minutes of just explosions!

sydney (de) wrote: me and mii cuz mandy dont get it at the end when she put tha blood on her stuff but we think tim {jason london}is fuine

Louis D (ag) wrote: You people suck No sex or violence so of course you don't like it

Rickard S (ca) wrote: Vi tar frsta polisskolanfilmen, anvnder samma huvudrollsinnehavare och s gr vi bara om det till en sjukhusskola istllet i Mexiko s blir det bra, eller?

Luke B (ag) wrote: The film is really about the evolution of a country between times of war, set against a families own personal ups and downs. The most dramatic events happen off screen. All deaths happen either off screen and many between different time periods, as do marriages and other "main" events other films would exploit. It captures the constant momentum of life in a very slow and thoughtful manner. Lean and Coward once again make a brilliant team with Lean's direction being the most ingenious counterpart to Coward's words. It sometimes feels not adapted enough from its stage play origins, and sometimes feels a bit too patriotic though it certainly offers up different views from different characters. It shows the constant worries of parents in a supposedly less dangerous time. It works as a very English drama and is powerful in that repressed kind of way. Lean's first use of colour is a triumph and there are some amazingly beautiful moments that will be forever eclipsed by his more obvious epics. The parents wondering back into a room in silence at some tragic news is wonderful cinema.