The second wife of kind-hearted,and generous Amirchand Bhargav is Durgadevi Bhargav (Nadira), who is exactly the opposite of her late husband. She rules over her household, alongwith her ...

. . She rules over her household, alongwith her . The second wife of kind-hearted,and generous Amirchand Bhargav is Durgadevi Bhargav (Nadira), who is exactly the opposite of her late husband

Swayamvar is the best excited movies torrent of Chakrapani (story), Raj Baldev Raj (dialogue). This movie was introduced in 1980. We can counted many actors in this movies torrent, such as Shashi Kapoor, Sanjeev Kumar, Moushumi Chatterjee, Vidya Sinha, Nadira, Madan Puri, Ranjeet, Asrani, Shashikala, Shreeram Lagoo, Nana Palsikar, Meena T., Swaraj Kumar, Birbal, J.N. Anand. Movie' genres are Comedy. This movie was rated by 7.3 in www.imdb.com. We have a good movie to watch. Share with your friends and watch this movie together . You can read more in Google, Youtube, Wiki

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Links Name Quality Seeders Leechers Size
Download   Swayamvar 1980 Hindi 2CD DVDRip XviD MP3[TMB] DVDRip 31 47 1.41 GB
Download   1980.Swayambar Other 37 46 1.36 GB
Download   Swayamwar 1980 Hindi 1CD DVDRip Xvid MP3[TMB] DVDRip 40 40 688.73 MB

Users reviews

f (nl)

It was very good because amy helped the flock of geese and it was a happy ending. it was a little boring but it gives me a good feeling. Amy stole the eggs and is therefore evil because she stole the eggs from the geese's mother. it would be more fun if there were more changes in the movie. I was impressed by the love between amy and her dad and the geese. I think this movie is quite good. It was very fun and interesting

ArYa DarMa D (ag)

4/5 Ratings for The World's EndF:89%R:11%Critics Consensus: Madcap and heartfelt, Edgar Wright's apocalypse comedy The World's End benefits from the typically hilarious Simon Pegg and Nick Frost, with a plethora of supporting players

Blue L (es)

Rollins is ok, but didn't have much to work with. Slow and boring

Daisy P (it)

Such good actors in such a dumb worthless movie

Dave L (jp)

This is well done and highly recommended for fans of the Beatles or people who like good documentaries. Harrison was, as everyone is, a complex personality. but we also get interesting glimpses into the lives of the Beatles while they were together. . . We not only see George Harrison struggling with money and fame vs his sense of spirituality and preparing for death. This is a compelling and fascinating documentary on (for my money) one of the most interesting Beatles

Dean K (de)

eally though this is pretty bad and just about any other horror film is better than this! I can't believe it got a sequel!!. Mildly gory in a couple of scenes. It doesn't have many kill scenes as such. Some of the characters appear and disappear just as quickly. The acting is bad, the script even worse. It has no real plot, not much is explained for the story or the reason for the killer. A very poor, low budget made for TV horror

Gavin S (ru)

Good strong work and great direction by John Huston, teaming again with Bogie. Robinson's Johnny Rocco is a low down kind of heartless cunning evil, which makes him all the more despicable. Edward G. . . Hurricane approaching, everyone confined in a small space, Mob Boss bullying everyone, only Bogart stands a chance going toe to toe. Claire Trevor won a Best Supporting Actress for the washed up singer girlfriend of the Mob Boss (it's amazing how this is only 9 years after her work as John Wayne's love interest in Stagecoach, and she looks 20 yrs older - good makeup?). Potter" Barrymore is the father and owner of the hotel). Lauren Bacall is strong as the widow of Bogie's army friend, who's hotel he's visiting (Lionel "Mr. A good solid performance, pitting Bogie's weary war vet against Robinson's exiled Mobster

Janet H (mx)

I highly recommend it. In fact it is very good on multiple levels. I love Bogey and this hidden little gem is one of his best. I'm so glad that I just caught it on TCM. I was a bit too young to see this when it was released and had never heard of it

Patricio P (it)

Easy on the eye, excellent soundtrack, but the actors can't sell a script that's too clever and self-conscious

Paul Z (jp)

Here, it is Johannes Brahms, whose music is a brilliantly and acutely intuitive choice for the film since, much like the characters, he has a classical sense of form and order yet he's bold in his exploration of harmony and rhythm. A bit like Woody Allen would come to do in a few decades, Malle tends to saturate his soundtracks with a single composer. Even now, rarely do we see a close shot of a woman's sexual pleasure. Instead of a coy imitation of a spectator blushing and looking away, as many other films did and still do when the camera moves to the window or the ceiling, Malle fixates on her ecstasy. He was simply being honest, which he is in the aforementioned portrayals beyond the simple night of passionate love Moreau has with her lover. The controversy at the time surrounding this film's alleged obscenity had a rebounding effect on the flimsy subjectivity of society's accusations. There are no outdated lap dissolves or screen wipes or quick fade-outs. The movie was made in 1958, but Malle's style has yet to garner an expiration date. Watching this biting romantic drama about adultery and the reality and illusion of rediscovering love, I see that Malle understood the upper-class freedom of never having to worry about tomorrow, and not only does he characterize it with an almost humorously frustrating edge, he wisely satirizes love at first sight. Ironically, being younger than fellow Nouveau filmmakers Godard and Truffaut, as well as having been born into a wealthy industrialist family, had no hand in blinding him by way of his privileged ego. As a 25-year-old French director at the dawn of the New Wave, he was not alone in satirizing and criticizing the bourgeoisie. And the further up it she climbs, the less considerate her decisions seem to be of the world outside of herself. They follow you from decision to decision to decision. Consequently, Moreau is less like a Sex and the City character and more of a realization that a social ladder does not leave problems below it. In this, director Louis Malle's second film, which for awhile seems like it will be another high society soap opera, a seemingly arbitrary plot detour occurs that places the beautiful Jeanne Moreau in a situation all the less convenient and all the more frustrating because of how accustomed she has become to her privilege