Josh Baker meets a very special woman, Cheryl, in the streets of New York. Suddenly she collapses, and she's picked up by an ambulance. When Josh wants to visit her in the hospital, it ... . You can read more in Google, Youtube, Wiki
Josh Baker meets a very special woman, Cheryl, in the streets of New York. Suddenly she collapses, and she's picked up by an ambulance. When Josh wants to visit her in the hospital, it ...
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The Ambulance torrent reviews
Juan F L (jp) wrote: Still great fight scenes. Last fight scene was a little weird.
Courtney K (jp) wrote: i don't know... i kind of really liked it; the documentary feel was nice, the tapes were intriguing and the overall story was really quite disturbing. i particularly loved the last sentence that was said in this movie. the way they did that kind of gave you the feel that you were apart of it, in a way. i don't know how to explain it without spoiling it; but the whole movie was just very intriguing. the whole stockholm syndrome thing is just mind boggling. and scary.
Nick A (us) wrote: This honestly is the only movie ive ever seen that has to do with street bikes but now i know why this is the only one.
Hobie P (jp) wrote: Kinda a slow moving but it delievers whats promised!
Van R (ag) wrote: John Wayne's production company Batjac bankrolled this war movie about the rise of the state of Israel in 1948 when everybody thought that the Arabs would devastate the Jews. "Houseboat" director Melville Shavelson stepped out of his usual comfort zone of directing comedies and musicals and it is apparent that he couldn't integrate the sprawling action scenes with the intimate moments. Shavelson penned the ambitious but muddled biography of World War II military hero Colonel David 'Mickey' Marcus (Kirk Douglas of "Spartacus") who graduated from West Point and served as an adviser to Franklin Roosevelt. Marcus behaves like an insubordinate S.O.B. when he ignores the orders of his superior officer and bails out over Normandy. He carries on a love & hate relationship with a two-star American general. After the war, Marcus trades in his uniform for a lawyer's Homburg and an attache casebut he is persuaded to act as an adviser to the fledging Israeli army. Yul Brynner, Frank Sinatra, Angie Dickinson, and John Wayne co-star in this sluggish war movie that has more soap opera than shooting. Mind you, it isinspirational stuff, especially when you consider the David versus Goliath predicament in which the Israelis found themselves. Shavelson's screenplay solidly establishes the character of our protagonist as a man who would rather fight than love. The battle scenes are rather tame, butthe explosions are well done. Angie Dickinson plays the wife of Colonel Marcus, while voluptuous Israeli freedom fighter Senta Berger cannot take her eyes off him after her own husband dies in the war. The prologue of the semi-fictionalized "Cast A Giant Shadow" struggles to reinforce the film's authenticity: "The major events in this film actually happened. Some of them are still happening. The major characters actually lived. Many of them are still living. Although it was not easy." Reportedly, Douglas feuded with Shavelson throughout the production. Neither Wayne's production company nor Douglas' Bryna Productions scrimped on production values. "Cast A Giant Shadow" looks well-produced with no end of extras trudging off to fight the war. Unfortunately, Shavelson doesn't conjure up much momentum. When he does get things moving, they inevitably bog down in long dialogue sessions. Nevertheless, the film presents a realistic enough view of the problems that confronted an army without any ranking officers, soldiers who didn't know how to switch off the safety switches on their weapons, and an army that spoke in many different languages. The language barrier would prove fatal in the long runh. Matters are not helped by a downbeat ending after the underdog Israelis construct a road out of solid stone to relieve the besieged town of Jersualem before the United Nations calls for a truce. The ending is a downer and "Cast A Giant Shadow" didn't cast a giant shadow at the box office. Composer Elmer Bernstein contributed one of his least memorable orchestral scores. Filmmaker Otto Preminger fared much better with his earlier epic"Exodus" that covered similar ground. The action was lensed on location in Israel and Rome. Douglas provides his customary bravado, but all he really does is stand around and give orders. Shavelson's direction isbarely competent and only one battle sequence when Sinatra flies over an Egyptian tank column tossing home-made bombs is memorable. Naturally, John Wayne is cast as 'General Mike Randolph,' but he appears to be a composite of General George Patton and other American generals. Future "Fiddler on the Roof" star Topol steals the show as an feisty Arab sheik.
Jareth S (br) wrote: This lovable romantic comedy, which plays like a screwball comedy reworking of Snow White and the Seven Dwarfs, is greatly helped by Billy Wilder's clever screenplay. Howard Hawks' Bringing Up Baby wasn't half the movie that Ball of Fire was. Coop plays his nice guy persona a bit more on the nebbish side and Stanwyck excels with her usual tough girl charisma and sex appeal. I'll never forget her character's trademark tongue click. (click click)
Shannielle W (nl) wrote: It's a very cute movie.. And Gud 4 da whole Family..