The Belle of Rome (1955) torrents full movies


The Belle of Rome

Mario fa il pugile e finisce in galera per aver dato per sbaglio un pugno a un vigile urbano. La sua fidanzata Nannina trova lavoro come cassiera nel bar di Oreste che si innamora di lei e ...

The Belle of Rome is a funny movie of Edoardo Anton (dialogue), Edoardo Anton, Luigi Comencini, Ettore Maria Margadonna, Massimo Patrizi. This movie was introduced in 1955. There are many actors in this movie torrents, such as Alberto Sordi, Silvana Pampanini, Paolo Stoppa, Antonio Cifariello, Luisella Beghi, Betty Foa, Sergio Tofano, Bice Valori, Lina Volonghi, Ciccio Barbi, Giulio Calì, Ettore Jannetti, Mario Meniconi, Francesco Patrizi, Carlo Picchiotti. Movie' genres are Comedy. The rating is 6.5 in This is really a good movie torrents. The runtime of this movie are awesome, about 99 minutes. BushCuLan is interesting uploader, she is very fast. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Excited', so what is your thought. Do you know what are visitors? Maria Ozawa is the best. I can't fight my Galaxy screen. Enjoy this movies torrent and share to your friends . You can read more in Google, Youtube, Wiki

. . La sua fidanzata Nannina trova lavoro come cassiera nel bar di Oreste che si innamora di lei e . Mario fa il pugile e finisce in galera per aver dato per sbaglio un pugno a un vigile urbano

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Download   La Bella di Roma.Ita. Luigi.Comencini.1955Other31481.37 GB
Download   labelladiroma.luigi.comencini.1955.dvdrip.mko.cinebaixar_lucmorDVDRip44461.37 GB

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Users reviews

Aaron C (br)

redundant sequel,has the worst "comedy" sequence in history as Chevy trapses around the hoover dam,would have loved the dead air as this scene played out in theatres

bill s (mx)

Not the worst horror movie though it is light on the horror aspect

Daniel K (it)

Great songs, great numbers, great production values, and great performances. The women in Hollywood musicals are usually incredibly attractive and this one is no exception. He usually can do no wrong. Astaire has such a great star quality it is ridiculous. Essentially, every number is great. They definitely make a good pair and the music/costumes aren??t bad either. Hoofer number is great. and Mrs. The Mr. Great performance and great dancing. Vera-Ellen is spectacular and matches with Astaire??s effortlessness perfectly. It follows all the conventions while keeping it interesting and exciting largely due to chemistry, charisma, and choreography. I??ve never seen an Astaire musical I didn??t enjoy and this is definitely no exception. I could tell pretty much right away exactly what the movie was going to be like and that I would like it

David L (kr)

In the end, 101 Dalmatians isn't another 'Sleeping Beauty' and is filled with too much action, but this is a Disney film that is undoubtedly one of the most underappreciated with a plethora of colorful and very strong characters, catchy songs, charming animation and humor, entertaining adventure and inventive action, engaging story and it's all around an effervescent and fun picture that can delight almost everyone. It is a standout song and one of the classic and most memorable Disney songs for good reasons. The lyrics again showcase her personality as well as Roger's and accompanies one great sequence wonderfully. The latter example applies here. Dalmatian Plantation is sweet, catchy and ends the movie in a satisfying manner, but of course Cruella De Ville is the classic one with excellent lyrics which fit the movie perfectly and the situation thus doing what every song in a musical should do - drive the plot forward or explain the character instead of slowing the whole film down. As for the soundtrack, it has just two songs but both are good. And the color palette and a style similar to paintings is very appealing and differentiates it from their earlier and later efforts. I know that everyone tends to hate on Disney's 1960s films done with this type of animation because they find it cheap and while it is cheap, I still think it is very warm, stylistic with great art direction and splendid character design. The animation is very good in my opinion. The animals talk, but not with humans and it is a great approach that helps the film appeal to older audiences. Her goal is real and everything in this movie seems realistic without any magic whatsoever. Speaking of Cruella, she greatly contributes to the evident and very refreshing realism of the picture. Those two bring the necessary humor to the film which lacks it after the charming beginning. As for Horace and Jasper, they are hilarious as the two comedic henchmen who perfectly counteract and serve as her servants. She is a genius creation at work, an extremely memorable character and a powerful addition to Disney's pantheon of classic villains. With simply fantastic animation design, phenomenal voice work, menacing nature, some great lines, authentic personality and crazy behavior, she steals the scene whenever she is in and is, without any doubt, one of the top three best Disney villains ever created. And then there is of course Cruella De Ville who is absolutely stunning. The other dog characters all fit the story and help the protagonists whereas Captain and Sergeant Tibbs, a genius duo of cat and dog at work, are very effective and comedic. Nanny is very effervescent and a minor character that serves her purpose while also being well developed and charming. Anita is somewhat forgettable, but they are a lovely couple along with Pongo and Perdita. Roger is very relatable both in his design and personality which is a refreshing change in pace from their previous male leads, mostly unrealistic dashing princes. But the other characters are magnificent and oh so memorable. But they couldn't have developed all of them due to their enormous number and that is why I didn't find that flaw overwhelming. If there is one thing you could argue, that is the lack of personality in the puppies except of course for Lucky and Rolly who is an endearing comic relief. The characterization in this film is simply amazing. And the finale is wonderful with endearing song and satisfying happy reunion. However, this is one bigger problem I found in this otherwise remarkable and very underrated movie. And they should have added some quiet moments with the necessary character development and even comic relief to balance it a bit. But on the other hand, all that action becomes quite overwhelming later on ruining the pacing in the process which is the problem that annoyingly bothers so many Disney movies. And there is some inventiveness to be found in the execution of it as well which is always a nice thing. On the one hand, the action is done in an intriguing way, it is mostly very entertaining and suspenseful making you root for the main characters. This is done for better and for worse. Then there comes the prolonged action sequence where the protagonists must return with all the puppies home. This was the sequence that showcased the sense of playfulness and charming humor the most adding the necessary sweet and innocent tone to the film that would lack it for scenes to come. Then there is of course the introduction to Cruella de Ville's character which is done in a memorable manner leading to the dogs communicating with other dogs in the town thus spreading the news of the abduction. That whole scene leading to the park is beautiful and instantly interests you in the film. It starts with what is arguably one of the best Disney openings to date with wonderful animation, excellent humor and charming voice over narration from Pongo. The story is excellent, wonderfully thought out and filled with great attention to detail and fine characterization. This is one of the more interesting and even authentic Disney films thanks to the inclusion of a different genre which is adventure with a lot of action as well. Disney enters this successful decade with One Hundred and One Dalmatians released in 1961 and based on the novel of the same name thus going back to non-fairy tale features and being the first film to use the so-called xerography which is the cheap process of animation they would use again in this decade

Geoff J (us)

Slow and unengaging SF thriller

Josh A (gb)

Darkly funny, somewhat unpredictable, and it gets increasingly bizarre. As expected, it's weird

Justin R (mx)

Bizarrely pointless, unoriginal and clunky in it's rhetoric

Lee G (es)

But at the end of the day, the existential conundrums which this film wrestles with are what will hold your interest and its unique philosophical insights are what made Linklater one of the wisest cinematic sages of the 1990s independent film boom. This kind of technique is incredibly difficult to achieve even for experienced filmmakers with a large budget to work with, making it especially astounding that Linklater managed to choreograph such sequences with limited resources and even less experience. Linklater shoots many of his scenes in long takes with infrequent cutting, reminiscent of the opening shot of Orson Welles' Touch of Evil or Scorsese's nightclub scene in Goodfellas. But unlike many of the films that this breakthrough cult classic inspired (namely Kevin Smith's Clerks) first-time director Richard Linklater exhibits an impressive mastery of cinematic motion rare in low-budget films which rely mostly on dialogue. That's their charm, and it's also the charm of this movie. They have plenty to say, but never seem to do anything. The main character is the town itself, and the lack of any true story momentum is a statement on its residents. The twist is that we never see any of these people ever again, their experiences do not contribute to any central plot and the story is told in what seems like real time. Ambling indie classic patiently follows a stream of philosophical burnouts crossing paths over the course of a day in Austin, Texas

Mike B (jp)

Decent and worth a watch, though quite slow

Private U (fr)

This movie totally sucks and I love it