The Closed Circuit

The Closed Circuit

The film is set in the Tricity in 2003, ten years after the end of communism in Poland. The plot, apparently based on the real-life experiences of Kraków businessmen Lech Jerzorny and Paweł Rey, is about three young, talented businessmen who open a high-tech factory. This comes to the attention of the local state ‘mafia’, the local Prosecutor, played by Janusz Gajos, and tax office boss, played by Kasimierz Kaczor, who are both jealous and would like to make money for themselves. We are in Poland, so success must be punished.

The film is set in the Tricity in 2003, ten years after the end of communism in Poland. The plot, apparently based on the real-life experiences of Kraków businessmen Lech Jerzorny and Paweł Rey, is about three young, talented businessmen who open a high-tech factory. This comes to the attention of the local state ‘mafia’, the local Prosecutor, played by Janusz Gajos, and tax office boss, played by Kasimierz Kaczor, who are both jealous and would like to make money for themselves. We are in Poland, so success must be punished. . You can read more in Google, Youtube, Wiki

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The Closed Circuit torrent reviews

baby (mx) wrote: i like how they sing @ da end

Michelle F (kr) wrote: Really? Propaganda.

Allan C (ru) wrote: From the same writer/director of "Not Quite Hollywood: The Wild, Untold Story of Ozploitation!" comes a new documentary about the many exploitation films made on the cheap in Marcos' Philippines in the 70s and 80s. While it's a fairly thorough documentary on the subject, what it lacks compared to "Not Quite Hollywood" is that many of the Australian exploitation filmmakers in that documentary went on to much greater things, which gave this exploration and celebration of Ozploitation more credible and significant. The biker, women-in-prison, midget super spy films made in the Philippines were quirky and unique, but they were simply exploitation, made my filmmakers who for the most part, never rose above exploitation. "Not Quite Hollywood" played out like an origin tale for Peter Wier, George Miller and other, which this film was lacking. I did enjoy when the documentary began to explore the Filipino filmmakers, which was new to me, but the American produced films were not a lot more than a fun celebration of his exploitation sub genre. And related to this, when the cover the production of "Apocalypse Now" it seems kind of out of place when the rest of the film is covering films like "The Losers" or "The Big Doll House" Still, there are many fun interviews with the likes of Roger Corman, Steve Carver, Joe Dante, John Landis, Jon Davidson, Jack Hill, Brian Trenchard-Smith, Joe Viola, Sid Haig, Christopher Mitchum, Dick Miller, Pam Grier and R. Lee Ermey, and the film has a breezy pace that serves it well. If you've seen and enjoyed the films covered here, you'll probably enjoy this doc. I think I'm looking forward to director Mark Hartley's next film, which is focusing on exploitation films by Cannon.

George R (gb) wrote: Solid monster flick. No complaints.

Hugo C (de) wrote: i like their dialogue. The pace is slow.

Robert C (de) wrote: I give it credit for being ambitious, but this was way too lazy, insulting, and mean spirited for kids.

Tifanie L (jp) wrote: i like janeane garofalo

Scott (jp) wrote: A tongue-in-cheek look at the Ned Kelly legend..

Remi Z (br) wrote: Mon activit cinma est largement rduite, ceci d une certaine actcitiv parentale. Et effectivement, ce n'est pas dans les mailleures conditions que j'ai vu ce Arizona Dream qui m'a sembl trs bon, mais dans lequel je n'ai jamais pu rentrer, la faute une perturbatrice de quelques kilos...

Asa B (gb) wrote: Why I watched this after the nightmare of King Solomon's Mines can only be explained by insanity, but this was slightly better than expected. It dragged, had terrible SFX and was laughable in many places, but still it was better than its predecessor... yes, that's how bad KSM was :D

Shawn W (ca) wrote: Singlehandedly beating up an entire biker gang is the least of Chuck Norris' worries as a sheriff in a Texas town lacking medical ethics. Local doctors experiment with genetic engineering on a mentally unstable murderer.

David B (au) wrote: Very good, surprisingly humorous, Satyajit Ray film.

Geraldo G (es) wrote: Well, it is disguisting, but isn't quite as awful as other shitty movies.

Meredith W (au) wrote: Long, boring and the colour tinting is distracting.

Adam M (us) wrote: Not as bad as they say. Unpainfully forgettable buddy cop comedy with few laughs

Tino P (jp) wrote: A film of nonstop motion and visual invention.

Seth B (it) wrote: Stupid, predictable. Its pretty much the same as School for Scoundrels except its not as funny. Sean William Scott is down right annoying. Don't waste your time.