The Devil's Hand

The Devil's Hand

Five young Amish girls accused of being Satan's children must fight for their lives when their devout community elders insist they be "cleansed" before turning 18.

When young girls start to go missing within a religious cult, older followers fear a long-told prophecy while the younger members suspect abusive elders are killing them off. . You can read more in Google, Youtube, Wiki

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The Devil's Hand torrent reviews

Clare H (us) wrote: I wanted to watch a light hearted caper movie, and this was perfect.

Joe H (ag) wrote: genius. have got so many people into this pretty much unknown film.

bill b (ca) wrote: hmmmmi m not sure how to rate it...it is for sure original but i cant say i enjoyed it...

Richard J (kr) wrote: Patrick Swayze haha! this film at first looks such a stupid film, but its rather good once you get watching try if you like mad max :P

Onur T (kr) wrote: vggh tgug7kjko ngjj

Robert H (nl) wrote: And now for something completely...different? Although he probably didn't think this would be his last film, Hitchcock certainly picked an interesting project to go out on. FAMILY PLOT is about two criminal couples who paths happen to cross in a surprising way. Perhaps more than any film in his corpus (that I've seen so far), FAMILY PLOT has a lighthearted tone while maintaining that edge that Hitchcock was so well-known for. The plot is a bit convoluted, as is to be expected, but the way in which it all comes together at the end was something to behold. I may have criticized his earlier films for their endings, but he seems to have come up with the perfect one here. Not to mention, the final sequence was as suspenseful as anything he did in his prime. Here, he collaborated again with writer Ernest Lehman, who he worked with on NORTH BY NORTHWEST. Perhaps that's why the films feel so similar, at least tonally. There's also a hilarious car chase sequence which fares much better than Cary Grant's in NXNW, although the process shots/rear projection was just as noticeable. However, he worked with a new composer this time: a pre-Star Wars/Superman John Williams. While I wouldn't count this as one of his best, or most memorable, scores, it certainly fit the quirky tone of the film. If I had to describe it, the score (and the film) is somewhere between Monty Python and Matlock, if that makes any sense. As with his last couple pictures, this one doesn't really have any star power behind it, although I did recognize Bruce Dern from his small role in MARNIE. They all give decent if unspectacular performances, and their characters were reasonably developed. Of course, I loved all of the Hitchcockian touches in the camera-work and editing. Despite being advanced in age, he still could put together a great set-piece. Overall, this isn't top-tier Hitchcock, but it certainly made for an entertaining and satisfying swansong to an incredible career.

Emanuele C (kr) wrote: "Amarcord" un nostalgico flusso di ricordi che nel suo magico idillio rivela la quintessenza dell'onirismo felliniano.

Entertain Me O (fr) wrote: 40%It's good for laughs but other than that it's very bland.