The Doors: Live at the Hollywood Bowl
A 1968 concert given by the rock group The Doors at the Hollywood Bowl in Hollywood, California.
The Doors: Live at the Hollywood Bowl is the best excited movies torrent of N/A. The released year of this movie is 1987. We can counted many actors in this movie torrents, for example Jim Morrison, Robby Krieger, Ray Manzarek, John Densmore. The kind of movie are Music. This movie was rated by 8.3 in www.imdb.com. We have a good movie torrents. The runtime of this movie are awesome, about 62 minutes. BushCuLan is funny uploader, she is very proactive. You should spend more time to watch this movie. If we must use one word to describe about this movies torrent, I think it should be 'Excited', so what is your opinion. Do you know what are customers? Maria Ozawa is the best. I can't push my iPhone screen. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki
A 1968 concert given by the rock group The Doors at the Hollywood Bowl in Hollywood, California
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GOOD MOVIE WORTH WATCHING
Dan P (ca)
There are far too few westerns made in recent years. A western the way a western should be
Emily M (kr)
Stupidly depressing film! :( Very good though
Joshua R (es)
definitely uneven and tedious, but still a skillful effort by masterful Coppola
Justin O (br)
Ernest needs to commit suicide, do drugs, rape animals, just enough with the unoriginal ideas
Matt S (de)
you'd be better off going to sleep!!
Nathan N (nl)
Feels made for tv. A silly action-horror hybrid that just doesn't work
Priya R (us)
Watch southbound instead. The last one was kind of like an incoherent Rosemary's baby rip off. The middle two were absolutely nonsense. The first one was kind of interesting but went no where. What a fail. Was really excited for this based on the fact that four female directors were taking a shot at the horror genre
Veronique K (ag)
and the metaphor is blatant: red rose for the stimulating bad girl, so the white rose would be the gentle woman who demurely always awaits her beloved man. but inevitably, this movie follows the cliche of saint/demon when it comes to romancing the women, mitchum re-embraces the bosom of the good-gal, maureen o'sullivan. mitchum doesn't do chain-smoking as he does in "out of the past" but this movie lacks an emulating villain, and the 5 mins screen presence of claude rains doesn't make a competent impact like kirk douglas' whit in "out of the past", even though the woman is devious enough as the bait to man's self-ruin. somehow it does have the embellishment of desperado road movie in the paradise of outlaws, mexico. there's nothing too unique about it but it sticks to its noir patterns: seedy, shadowy cinematography, un-trustworthy attractive woman and gullible man who is trouble-magnet, then a gruesome twist in the end, so the audience is aware of what exactly to expect. the whole movie might appear like a strip-tease which conceals the crucial details as foreshadowing then bares it all at once as gratitous treats to the audience. gradually, more dark secrets are discovered on the road. after that, mitchum suffers from concussion, and these two flee to mexico. BUT the aging father turns out to be her husband, then the elder man dies of an accidental hit. . . . ). then the gallant mitchum intends to rescue the wretched woman from her seemingly overbearing father(played by claude rains, a brief screen occurence. . . (impersonated by faith domergue, whose fickleness and angelic beauty rival jan greer in "out of the past"). "BABY, I DON'T CARE!" the first 20 mins of the film is mesmerizingly romantic on the affair between a doctor and lonesome beautiful woman with suicidal tendency. . . . this time, mitchum is still the imperious man who fancies challengingly provocative woman despite she might detonate his doom, and he dives into the trap without hesitation jusy as he says in "out of the past". mitchum, as howard hughes' number one investment of superstars, was craving for better roles instead of the central criminal characters or hard-boiled detectives in most of his movies, so he attempted to demonstrate some diversity by playing a straitforward middle-classed doctor messed with luring but suspicious femme fatale. "where danger lives" is one of those rko film noir pieces robert mitchum had been tackling since the 40s after his legendary "out of the past"