The Grey

After their plane crashes in Alaska, six oil workers are led by a skilled huntsman to survival, but a pack of merciless wolves haunts their every step.

But while they walk through the heavy snow, they are chased and attacked by the carnivorous mammals. Shortly after they learn that they are surrounded by a pack of wolves and Ottway advises that they should seek protection in the woods. Only seven workers survive in the wilderness and John Ottway, who is a huntsman that kills wolves to protect the workers, assumes leadership of the group. In Alaska, a team of oil workers board a flight home; however, they cross a storm and the airplane crashes

The Grey is the best great movie of Joe Carnahan (screenplay), Ian Mackenzie Jeffers (screenplay), Ian Mackenzie Jeffers (short story "Ghost Walker"). This movie was introduced in 2011. You can check list actors in this movie torrents, for example Liam Neeson, Dermot Mulroney, Frank Grillo, Dallas Roberts. There are many categories, such as Action, Adventure, Drama, Thriller. The rating is 6.8 in www.imdb.com. This is really a good movie to watch. Share this movies torrent to support us

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Users reviews

Alex S (ru)

It's dark and suspenseful and Peter Jackson somehow finds a way to mix original special effects in, but Heavenly Creatures feels long and its overacting is a detriment to its demented true story

Ethan P (mx)

The cinematography and the chemistry between the two actors is remarkable, though. There are montages of the destruction of Hiroshima at the beginning and flashbacks to the lead actress going mad after her German lover is beaten and the plot isn't all that compelling. As for the story, it's intricate and a little confusing. It was very inventive. The snow and dust falling on their skin, but not showing their faces. The actors are good-looking, the sets are intricate and the intimate scenes between the two leads are amazing, some of the best I've ever seen. Hiroshima Mon Amour is a ridiculously handsome film

Frank G (it)

OK, but not charming. clunky script, some leaden voice performances

Howard E (kr)

nd, if you're Jewish, you will be plotzing at the scenes in Brooklyn!. ) If you love Woody Allen and John Turturro, you will love this film too. (Yes, I've read a few other reviews and I disagree with them. FADING GIGOLO is a thoroughly enjoyable film. The scene where he and his friends kidnap Murray to take him to a religious tribunal seems right at home in an early Allen film. Dovi knows that something unkosher is going on between Avigal, Murray and Fioravante but, because of his religious upbringing, he can't quite figure out what it is. The film also benefits from a strong supporting performance from Liev Shreiber (in addition to both Stone and Vergara), who plays Dovi, Avigal's neighbourhood civilian patrolman and her would-be suitor if she would only let him into her heart. Instead of guns, the two shoot it out with words and punctuation. He looks like a gunslinger who is facing down his equally fierce opponent. In the scene where he and Selima (Vergara) meet for the first time, the camera is positioned between her incredibly fierce stilettos, pointing up at Fioravante. Turturro is well aware of camera angles too. The images created from using film soften the actors' faces and add warmth to the outdoor scenery. The movie is shot on film, rather than in digital, which is the more common format these days. It's clear that Turturro has also learned a thing or two over the years about being behind the camera. " The soundtrack of retro jazz and Latino songs also seems very Allenesque, though Turturro has said that this is music that he himself loves listening to. Murray nixes that plan saying, "This is why fascism gets a toe hold all the time. In one scene where Murray is playing baseball with his African-American girlfriend's street-smart kids and Jewish Avigal's cloistered kids - a premise that is funny enough on its own - the kids want to team up based on racial lines. Many of Murray's one-liners are classic Allen. Turturro has said in many interviews that Allen helped him craft the script over a two-year period and it shows. It's a beautiful scene. She hasn't been touched at all in at least two years and has probably never been touched in that way before. Of course, she is going to react the way she does. The very tender scene where Fioravante touches Avigal for the first time plays perfectly. After all, would women as hot as Sharon Stone and Sofia Vergara really need to pay for sex, let alone have it with someone as vanilla as John Turturro? Instead, this is a film about change and connecting with others. FADING GIGOLO wouldn't have been a very believable sex comedy. and that's a good thing. . . What starts out as a film about a mnage ends up being a film about a massage. However, no one expected the two would develop feelings for each other. Murray senses that Avigal could use a bit of sexual healing and he arranges for her to meet with Fioravante. Along the way, Murray meets the emotionally repressed Avigal (Vanessa Paradis), a young Hasidic (Satmar, to be exact) widow from Brooklyn's Williamsburg district. Both could use the cash and so begins the adventures of "Dan Bongo" and "Virgil Howard", pimp and whore, bringing magic to New York's rich and lonely. He immediately thinks of his long-time friend and former mentee, mild-mannered florist Fioravante (Turturro). When his dermatologist mentions to him that she would like to have a three-way with her BFF and someone else, she asks Murray if he knows anyone who would be interested. Like many independent businesses, his has reached the end of the line and is closing down. )Murray (Allen) runs a New York shop that sells rare books. (To be fair, Herbert Ross directed PLAY IT AGAIN, SAM. Who would have thought that a film that looks like a Woody Allen film, sounds like a Woody Allen film and even stars Woody Allen would not be made by Woody Allen? That's what John Turturro achieved with his vanity project, FADING GIGOLO

Jack W (de)

And of course you get Grant and Hepburn. But there are some fantastic moments within and the undertones that are broached are remarkable. The film is not good and is rather tedious to watch. The film entirely belongs to Hepburn and her performance is strong. Sylvia is blurring gender lines and the audience is supposed to buy into whichever role Hepburn is playing at the time. When meeting Sylvia she coyly states "were you a girl dressed as a boy or are you a boy dressed as a girl"? This statement of confusion sums up exactly what the film is saying. (Lily is forgiving Sylvia for an earlier slight) Lily of course has the line of the film, cementing this blurring of genders. Again, girl kissing girl but the manner of the kiss and it's particular moment in the narrative make it allowable. Finally when Sylvia reveals herself she is kissed by Lily (Natalie Paley). Definitely not a heterosexual moment but allowable because the audience knows Sylvester really is a girl. Next Michael (Brian Aherne) kisses Sylvester. The audience knows its girl kissing girl but the mustache and dress alters the landscape. Maudie (Dennie Moore) kisses Sylvia but Sylvia has a penciled mustache. What further muddles this same sex kissing is the pairings. I counted three instances of same sex kissing, unheard of in classical Hollywood studio era films. Also blurring things is an underlying tone of sexuality to the film, particularly one of homosexuality. And this effective portrayal of a man blurs the gender lines in the film. All the tricks of hair and makeup are great but it's the movement that makes her convincing. She moves just like a man does, totally different from all the other women in the film. The most striking aspect of Hepburn in this role is her movement. Her costuming helps as well and this is no doubt aided by her slender figure. The makeup applied to her in the role is done well and contributes to her deceptively being very boyish. She goes under a radical transformation in cutting her hair entirely in a men's fashion. The most obvious physical change would of course be her hair and makeup. Let me begin with Hepburn. This attack is multifaceted and takes on many aspects. But the wholehearted attack on gender roles and sexuality this film takes is amazing. I am not sure if it is the persona of Hepburn that determines the role of Sylvia or if the script dictated her portrayal. There is one thing the film does very well, particularly looking back almost eighty years since its release. And while the two of them are often great, this film doesn't offer many times for these two to shine. The film does have Cary Grant and Katherine Hepburn as it's two stars though, the first of four films pairing these two greats. This is the case with SYLVIA SCARLETT (George Cukor, RKO Pictures, 1935) as the film was particularly hard to follow narratively, the performances were scattered and the film is just old enough that stylistically it doesn't compare favorably with other films made shortly after in the years to follow. What do you do when you start watching a film and you realize it isn't that good? Even with a classic film it sometimes is hard to push through and view the entire thing

James C (de)

Robert Carlyle owns this role. There are worse ways to catch up on the history you slept through at school

Jo Y (gb)

Montalban is a good actor

Juan B (es)

La magia de una historia simple mostrando la complejidad de la vida diaria, hermosa!

Karsh D (jp)

Different style of gangster films, here it gives the Romanian Mafia the limelight

m w (fr)

Overall i feel very comfortable giving the movie a solid 8 out of 10. Has a real Indie feel, sound track can be distracting, same with the hand held camera shots. It definitely had its moments and a lot off likable characters. Actually this is like super mixed with fight club in a way but not quite add good as either somehow. The obvious comparison to make with this is to "super" and to be honest super was better. Been trying to watch this for what seems like forever