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The Hospital 2

A mentally sick and illness two guys and one woman are running a shelter for women how got assaulted by their husbands.Basically as the events go on the place looks shelter but in reality ...

Basically as the events go on the place looks shelter but in reality it's where sick behavior and illness minds perform their acts. A mentally sick and illness two guys and one woman are running a shelter for women how got assaulted by their husbands

The Hospital 2 is a new movie of Jim O'Rear, Daniel Emery Taylor. The released year of this movie is 2015. We can counted many actors in this movie torrents, for example Shawn C. Phillips, Debbie Rochon, Betsy Rue. There are many categories, such as Action, Horror. This movie was rated by 2.5 in www.imdb.com. This is really a good movies torrent. Share this movies torrent to support us

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Links Name Quality Seeders Leechers Size
Download   The Hospital 2 720p 48 56 637.44 MB
Download   The Hospital 2 1080p 51 49 1.34 GB

Users reviews


Alannah C (jp)

This is a must-see for any action fan. Very few directors and writers know how to build suspense and tension, but within the first five minutes of this movie, I was already consumed by the action and was fully emersed. The action is well-shot and the director is amazing. Everyone is expendable. I can usually tell who will live and who will die, but in this movie, you never know. My only criticism is the lack of characters, but I feel as if that is completely justified because it takes away one of my other criticisms of the action genre as a whole: The general predictableness


Bee C (nl)

it makes you feel frustrated at the end of it. . I really hate this kind of movie. I don't feel any chemistry at all between the main actors. The script was good but I felt like it could have been done so much better


Elise P (br)

Very strange. Seeing the outside world through Bubby's eyes. Great cinematography & sound design enthrall you in this bizarre "story". Disturbing, insane, fucked up


Golia K (fr)

The picture is worth watching


Harry W (it)

John Carter's magnificent visuals and powerful action makes it a truly entertaining science fiction adventure with enough production virtue to overcome Taylor Kitsch's bland leading performance and the script's arbitrary attempts explore political turmoil and alien culture. Willem Dafoe's iconic commanding tone of voice makes him a perfect fit for Tars Tarkas, and Bryan Cranston is a genial presence in any film. Dominic West's sophisticated edge gives him a sense of charm which plays into his antagonism nicely enough for him to disguise his villainy behind it. Lynn Collins remains active in her role in a physical and internal level, finding more depth in the role than you could expect out of any of hte characters. Building upon this, Lynn Collins makes an effort to really capture the emotionally charged state of her character as a woman troubled by the position she is put in by her father and her determination as a warrior. Portraying Helium Princess Dejah Thoris, Lynn Collins gets deeply involved with the science fiction mythology of the story and embraces the status of her role. Lynn Collins leads the film with a far greater performance. Taylor Kitsch is as dull in this film as he ever was, and its rather laughable actually. That was just another film where his shirtless appearance was the prime directive for his casting, except that this time he stands as the face of an estimated $263 million film. It's almost stunning how bland the actor is and how anybody thought he had the performance capabilities to actually play the leading role because is an incredibly forgettable and generic figure who was barely fit to act in The Covenant (2006). I'll admit that Taylor Kitsch's physicality was intense enough to make him a convincing action hero, but there is not a single line in the film which Taylor Kitsch speaks with any charisma whatsoever. He's as much a generic actor as Kellan Lutz in The Legend of Hercules (2014), and the two both share a similar appearance on and off-screen simply because neither of them have any major dramatic credibility as cast members. Clearly cast solely on the basis of his muscular appeal, Taylor Kitsch's only gimmick is spending nearly the entire film in a mostly-shirtless state without a hint of emotion to literally any line he says. Taylor Kitsch is the least involved cast member of the entire film, and this is really problematic considering that he's a lead actor. Ultimately, the production values of John Carter were sufficient enough to compensate for its narrative shortcomings and the lack of charisma inhibiting its lead actor. There is all this and more, and the quantity of action in John Carter proves very fulfilling, and with the sweeping spectacle of the film being supported by such a grand musical score on behalf of Michael Giacchino, the experience is one of exceptional value for the eyes and the ears. The smaller-scale scenes use a combination of visual effects, practical stunts and actual fight choreography to create visual exhilaration which is vastly entertaining. For the smaller-scale action scenes, there are depictions of armies at battle or few characters engaged in thoroughly intense combat. During the larger scale sequences there are aerial battles with extremely detailed depictions of flight. The highlight of all the uses of visual effects is clearly the action scenes as they capture an entertaining spectacle in an effective variety. There are occasionally moments where the animation can be a little stiff due to the extremely fast-moving nature of the subject being animated, but they are few and inbetween a far more impressive array of visual effects glory. The detail in them is exquisite, and they use colourful creativity to depict the creatures and technology of Brasoom in a state of true amazement with incredible detail to every minor element of detail. Used for the sake of universe building, alien creation and action scenes, the visual effects in John Carter find versatile ways to make themselves relevant to the narrative. Using the most powerful CGI money can buy, John Carter produces remarkable visual effects. Of course, the greatest visual aspect is the quality of the visual effects. This presents an interesting society to Barsoom and effectively matches up to the gladiator concepts explored in the story. The production design and costumes create a spectacular image of a fictional society which maintains elements of Ancient Greece and science fiction at the same time. John Carter is an absolutely astounding experience in the art of imagery because that is where all the money has gone, and it truly got the greatest set design money can buy. The dialogue wasn't always marvellous, but the scenery was and so I was consistently lost in a visual marvel over the course of the film. No matter what was happening within the Barsoom setting, it is always interesting to look at because the production is one of such visual magnificence. John Carter ended up being an experience far better than I expected, simply because it was a familiar story with brilliant production values that kept me captivated. The attempts to integrate the larger aspects of the universe into the main story are arbitrary and can prove somewhat confusing to keep up with, but if you look at the story as a generic adventure of a swordsman on Mars then the experience is easier to enjoy. However, because the narrative is so simplistic it is rather easy to follow. Eventually I gave up on trying to track everything in John Carter because the script clearly wasn't sure which direction it wanted to go in and I didn't care enough to understand half the concepts it was making reference to. There is minimal universe building and a really generic story as the shortage of support to the huge spectacle in John Carter, and it doesn't pay the film any favours to have a running time of 132 minutes with this kind of narrative shortcoming. John Carpenter is never a deep film and doesn't explore its otherworldly setting or the war occurring within it, adhering strictly to using them for visual purposes. The focus of the film is really scattered in this sense as a lot of things are happening, but within the confined focus of one character there is never all that much depth given to him which keeps him one-dimensional. The story follows him in his adventures, but it never chooses to give him much in the way of characterization. Though John Carter presents a large scaled story about a big war on Barsoom, the film doesn't explain too much about the motives behind it all and instead chooses to focus strictly on what involvement the titular John Carter has in it. However, John Carter does not have the same narrative tenacity as Avatar. Much of the iconography is similar, and the heavy use of visual effects ensures that the production method is heavily similar. Capitalizing on the recent trend created by James Cameron's Avatar (2009), John Carter is another film about an American hero fighting a war on another planet. Being a Disney film with such a huge budget, John Carter sounded like a visual extravaganza


Ian C (ca)

Took a good while to get going and just when it was starting to evolve into a decent noir flick it ended


Mango A (au)

I meant scary as in wow what you did there was really scary and wow titty sprinkles. It's crude, frank and in-your-face but it's scary. this reminded me of the '90s version of Skins


Nicholas W (ca)

too long. . . Only weakness. Brilliant social commentary with engaging characters, many tragicomic moments, and really tried to tie in the 1950's hipsters with all the social identity movements since. Parts of it reminded me of the critique of English boarding schools done in Pink Floyd's The Wall. Great story about conformity and nationalism, one that could work equally as well here. Colors, acting, cinematography, camera work all top-notch. One of the best Russian films I have ever seen


Noah S (au)

Very interesting movie and a good escape from the typical romantic comedy formula


Roter R (fr)

Gibt es Freiheit und wenn ja zu welchem Preis? - Und Sandrine Bonnaire ist einfach umwerfend. Lebensjahr. "Vogelfrei" und sein Motiv begleiten mich seit meinem 15. Immer wenn ich nach meinen Lieblingsfilmen gefragt werde, faellt er mir als erstes ein