The Long Hair of Death

In a 15th-century feudal village, a woman is accused of witchcraft and put to death. Her beautiful older daughter knows the real reason for the execution lies in the lord's sexual desire ...

. . Her beautiful older daughter knows the real reason for the execution lies in the lord's sexual desire . In a 15th-century feudal village, a woman is accused of witchcraft and put to death

The Long Hair of Death is the best great movie of Ernesto Gastaldi (story), Tonino Valerii (dialogue), Tonino Valerii (screenplay). The released year of this movie is 1964. We can counted many actors in this movie torrents, for example Barbara Steele, George Ardisson, Halina Zalewska, Umberto Raho, Laura Nucci, Giuliano Raffaelli, Nello Pazzafini, Jeffrey Darcey. The kind of movie are Horror. This movie was rated by 6.3 in www.imdb.com. We have a good movie to watch. Please support us via sharing this movies to your friends . You can read more in Google, Youtube, Wiki

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The Long Hair of Death 1964 torrent

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Links Name Quality Seeders Leechers Size
Download   The Long Hair Of Death 1964 B/W 480p x264 Other 50 29 945.92 MB
Download   A Máscara do Demônio - 1964 (I lunghi capelli della Other 27 43 1.25 GB
Download   THE LONG HAIR OF DEATH DVD.m4v Other 43 29 954.94 MB

Users reviews

Alvaro O (kr)

Nothing has only one side. Hard, and very good

Amanda T (it)

I watched this in my Christian Ethics class. A very moving film

amin m (br)

i look forward to see this movie once again for Ive been searching for it yet,not available :(

Amreen G (nl)

. nothing uch to say abou the film. . but manjo bajpai, and arya babaar are amazing. . he talks less, but his expressions are wow! mugdha godse is okay. . neil nitin is supurb. . . but has his different apprach from his regualr films. . . not Bhandarkar s best work

Charles G (fr)

The cast was great as was the music. Excellent , a must see

Hugo G (mx)

A beautiful movie, with beautiful performances

Jack G (br)

s to why the animals don't act like how the tender-hearted (but nuts) Marshall and Hedren expect, I'm reminded of the Chris Rock joke after the attack during a Siegfried & Roy performance: "That tiger didn't go crazy, that tiger went TIGER!". I'd be surprised if there even was a solid script - how do you get these lions et al to do the things they do? It's an entirely maddening enterprise to see unfold, the kind of movie that shouldn't have been made, and may even be (borderline?) unethical, but as it is here you can't look away from the metaphorical train-wreck. There's really the feeling like there isn't really any, shall we say, 'acting' going on here; to this end, Melanie is named Melanie as are the Marshall sons, though why Hedren is a different character name is anyone's guess. The actors, to their credit (at least Hedren and Griffith to an extent), get this and play this fear well through a long mid-section. But the ethos of the filmmakers is constantly at odds with what IS shown on screen. Or, let me rephrase that, I think the director knew that there would be danger with these cats, but, well, why carp? The attitude is that Man is the biggest enemy - the closest thing to antagonists are under-developed hunters, you know they are as they get lines showing that I guess and they have the guns - and that, with the exception of one memorable/super-bloody lion named Togar, the lions would be just peaceful and lovable creatures if left alone. It's also just hysterically funny in that way that the movie lacks that awareness of the danger. It's just a feeling of constant WTF that goes on with this - likely why it got picked up by Drafthouse Films as Drafthouse CEO Tim League is all about finding the freshest and brightest of those WHAT IS THIS sort of flick (they also released Miami Connection some years back) - and it's amazing just on that basis alone. Indeed the hero to me of this film is de Bont; he gets his camera into places that I just couldn't think would be possible, right in the faces of these lions, capturing action that seems impossible - certainly with the knowledge that these lions didn't have proper, you know, TRAINERS. If there was a documentary on the making of this film it might make Herzog's Grizzly Man look like kids stuff. There's also the behind the scenes drama that imbues with what's on screen so much; right on the cover of the blu-ray it states that 70 cast/crew were harmed, and looking up who got what is just staggering (to give you an idea of the extent, director of photography Jan de Bont got his skull practically knocked off, and Melanie Griffith got facial reconstructive surgery, though the fact that we didn't notice in those movies she starred in in the 80's shows how good that surgery must have been). The fascination with watching Roar is basic but constant: these are real people, many of them likely not exactly used to the f***ing idea of hanging out with things like lions and tigers, being knocked around, chased, bombarded by their paws and jaws and bodies, and that should in all likelihood they could/should kill these people. Marshall, with the exception of one sequence that takes on the qualities of a Night of the Living Dead picture with wild cats in place of the un-dead, doesn't really set up suspense very well. In a way I should be critical of Roar. Oh, and these were UNTRAINED LIONS by the way. So here comes Tippi Hedren and actual real life children Melanie Griffith and John and Jerry (Marshall's kids), and when they arrive Noel is out uh doing stuff out in the plains or jungle, and they have to contend with a house full of lions. Or rather it's about a guy who LOVES these lions and tigers (by the way, why tigers, shouldn't they be in India and, oh, nevermind) and panthers and so on, and invites his wife to come live with him along with her and his kids. Why this is can't be easily explained in a review, but I can try with this: it's about a family that lives with lions and tigers and some elephants and panthers too. I don't know what their marriage was like behind closed doors of course, but somehow it's a great gift to the Earth that they produced the film ROAR. Noel Marshall and Tippi Hedren certainly had a, uh, interesting relationship for a while there in the 70's and early 80's

Jackie B (ru)

. (I just feel really bad for the guy. It's a romantic, sad, and calm film about love and people who go through the stages. Along with that comes an interesting storyline where the two lead characters just can't get enough of each other and her being married to someone she really doesn't care about. He loves her back, but she marries a doctor to feel financially secure. It's about a girl who is looking for a steady marriage with a guy who has money, but finds an average school teacher and falls in love with him. I enjoyed it a lot. This is a really great movie. Yayy, I'm so glad this movie is here

Lyette R (kr)

no need to be Latin to understand the inside jokes. . . . Great movie to see with cookies and kids before X-mas time

Muhammad A (gb)

a contribute to the history of the gambino family that everybody interested should know