The Magnificent Cuckold

Andrea Artust begins to have doubts about the loyalty of his beautiful wife . When doubt becomes an obsession , his behavior becomes completely crazy , stalking her relentlessly.

Gnawed by jealously, he will imagine variations on nabbing her and her lover in flagrante delicto. And, all the men around her must be dying to be with her. When he looks at her it becomes obvious to him that she is a very attractive woman. He becomes madly concerned that his wife is cheating on him --even though she is not being unfaithful. If he could succumb to extramarital confections, why not his gorgeous mate? Quickly his love for his spouse degenerates beyond obsessive, into the realm of maniacal. At this point doubts and suspicions, like conscience, begin to plague him. It is all blissful, that is, until our man, middle-aged and somewhat of a square among his blasé, upper-class friends to whom cuckoldry is a common practice, is seduced by one of them. The Magnificent Cuckold is about a hat tycoon who is ecstatically, if not hungrily, in love with his youthful wife

The Magnificent Cuckold is the best funny movie of Fernand Crommelynck (play), Diego Fabbri (screenplay), Ruggero Maccari (screenplay), Ettore Scola (screenplay), Stefano Strucchi (screenplay). The released year of this movie is 1964. You can check list actors in this movie torrents, such as Claudia Cardinale, Ugo Tognazzi, Bernard Blier, Michèle Girardon, Paul Guers, Philippe Nicaud, Gian Maria Volonté, Susy Andersen, José Luis de Vilallonga, Ester Carloni, Edda Ferronao, Olindo De Turres, Elvira Tonelli, Antonio Gerini, Liliana Salvioni. The kind of movie are Comedy. The rating is 6.9 in www.imdb.com. We have a good movie to watch. Enjoy this movies torrent and share to your friends . You can read more in Google, Youtube, Wiki

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Links Name Quality Seeders Leechers Size
Download   Il magnifico cornuto[Ita].Pietrangeli.DVDRip-1964 DVDRip 52 28 1.24 GB
Download   Il Magnifico Cornuto [DVDrip ITA] TNT Village DVDRip 51 25 1.27 GB

Users reviews

Anthony W (br)

Race, politics, and love affairs all come together in this drama set on a British ruled island in the Caribbean

Bradley H (mx)

The other two bits fall somewhere in the middle. Walter Matthau and Elaine May are hilarious in their segment, but Richard Pryor and Bill Cosby are dreary in theirs. A mixed bag of farce and melodrama in four scenes

Giorgio P (de)

Not as subtle as The Silence of the Lambs but this is a reviting and well made thrill ride with a brilliant cast

Jacob W (au)

I would definitely reccomend reading up on your norse mythology before you see it. Thor was a cheesy superhero/real world collision of slightly confusing plot and eyeblasting cgi

Julia I (nl)

This was the best movie ever! With my favorite stars and great comedy

KARLA E (kr)

Miko? Nice chilaxing kinda weekend movie. they should just surrender ;-) Alec is always a deliciously wicked bad guy. . IMO, Bruce+Bad Guy+Tall building

Kendra C (nl)

Lots of dark humor, and a fun soundtrack to boot! I can't wait to see it again! Seriously. Great film from the director of Last Life in the Universe

Leo L (kr)

orth seeing!. Great cast- Lior Ashkenzai, Aya Steinovitz, Ronit Elkabetz, and Moni Moshonov. Judith's former marriage and her age is one of several factors that causes a hindrance in their relationship. Despite the family choices, Zaza wants to start a life with Judith and her young daughter but the family heavily disagrees. Zaza abides the wishes of his family, and sets out to find a nice, respectable young woman to marry but earnestly tries to search for an ideal mate in each and every one. Zaza comes from a close-knit family that wants nothing but the best for him to marry and begin a family of his own. An interesting movie! Set upon family honor and traditions, this follows the forbidden love between Zaza and Judith

Leonardo C (br)

O filme vai construindo emoo e tenso at o embate final. O documentrio competente em mostrar o lado pessoal de Anderson, e o seu respeito pelo trabalho e pelas artes marciais

Robert H (ru)

On a more positive note, CABARET exists as a testament to the power of entertainment, and definitely deserves its status as one of the best musicals ever put to film. I'm a little hesitant to draw parallels between the America of today and the Germany of then, but it's a little disconcerting to feel like the only thing keeping us from making the same mistakes is that we've never suffered the abject humiliation that Germany suffered at the end of WWI. All things considered, CABARET is a stunning accomplishment that still holds relevance in this day and age of disillusionment with the political establishment. If there's one complaint I can levy, it's that the film takes a little too much time to get going, although once it gets into gear it doesn't let up. , making it a sort-of ancestor to the music video. There was also dynamite editing, choreography, lighting, etc. He was also simply hilarious to watch. However, Joel Grey as the Master of Ceremonies was just as entertaining, perhaps the most so as his role provided dramatic and musical unity to the film. From a technical perspective, all of the performances were solid with special marks being given to the leads. The cabaret is a metaphor for the ways we try to mask our pain, to find happiness, but it often comes at the expense of our dignity. In fact, this entire musical is filled with pathos of varying types, which is why I think it's so effective. No scene in CABARET is more chilling than when the young Nazi starts singing (what I think is) a folk song, and his audience gradually joins in with him. to insidiously take hold. From an interpretive standpoint (and this is just my opinion), this implies (through the nature of what a cabaret is and entails) that our willingness to be entertained and distracted, even if only temporarily, is what allows political extremism/tragedy/etc. This is mirrored in the pacing of musical sequences which are initially spaced out a little sparsely but become more frequent as the film goes on. Nazism begins as a mere nuisance but, as the film progresses, becomes more of a presence (and present threat). This, for me, is what sets Kander/Ebb musicals apart from the rest. As with CHICAGO, although a little less so here, the musical numbers don't just move the story along (all while being organic) but also comment upon it as well. Both of these tragic figures are the conduit for the audience, with Sally being the fantasy side of things and Brian being the reality. Liza Minnelli is Sally Bowles, a dancer/singer at the Kit Kat Club who has dreams of becoming a famous actress; and Michael York is Brian Jordan, an English philosophy student who is in Germany for cultural enrichment and to make some money. CABARET, from the musical by Kander and Ebb and directed by Bob Fosse, is sort of an examination of this through the historical lens of late Weimar Germany as it succumbed to Nazism. It can also be one of the biggest distractions. The pursuit of happiness, enshrined as a right in the US Constitution, is one of the greatest motivating factors in all of human history